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Tidal
Unverified Commit 2d29f8cf by PLN (Algolia)
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session: liberte dure

parent 94ac7595
Showing with 356 additions and 33 deletions
copycat/electric_fever.tidal
......@@ -17,12 +17,13 @@ $ note (
d2 -- hit roll
$ s "<hh*4 hh*4 hh*4 [hh*4 ~]>"
$ s "<h*4 h*4 h*4 [d*4 ~]>"
# s "hh"
# release 0.5
d3 -- claps
$ s "<[~ cp] [~ cp] [~ cp] [~ cp . cp ~]>"
-- $ s "<[~ cp] [~ cp] [~ cp] [~ cp . cp ~]>"
$ s "<[~ cp]!3 [~ cp . cp ~]>"
# gain 0.9
# n 1
......
live/dnb/video_live.tidal
do
solo 1
solo 2
unsolo 1
unsolo 2
solo 3
solo 4
solo 5
solo 7 -- bass
s
solo 8
d1
$ fast "1"
$ s "jazz(<4!3 <2 [2 4]>>,8)"
# gain 0.8
d1 $ s "k(<3!3 4 5 4>,8)" # s "clubkick"
# gain 0.8
# lpf (slow 16 $ range 4000 20000 sine)
d2
$ hurry "<1 [1|2]>"
$ s "~ <s!3 [s s ~]>"
# s "snare:20"
# gain 0.9
d3
$ whenmod 32 4 (# gain 0.9)
$ whenmod 32 0 (# gain 0)
$ fast "4 [8 <1?*16 16>]" $ s "dr"
# gain 0.9
do
d1
$ s "k(<3!3 4 5 4>,8)" # s "clubkick"
# gain 0.8
# lpf (slow 16 $ range 4000 20000 sine)
d2
$ hurry "<1 [1|2]>"
$ s "~ <s!3 [s s ~]>"
# s "snare:20"
# gain 0.9
d3
$ whenmod 32 4 (# gain 0.9)
$ whenmod 32 0 (# gain 0)
$ fast "4 [8 <1?*16 16>]" $ s "dr"
# gain 0.9
d4
$ note (scale "aeolian" "<0 5>(<3 5>,8)"
- 36
) # s "superfork" # accelerate 0.1
# gain 1
d5
$ whenmod 32 31 (# gain "0!3 0.7")
......@@ -37,7 +44,7 @@ $ bite 8
$ note (scale "aeolian" (run 8)
- 24)
# s "supersaw" # voice 0.1
# gain 0.75
# gain 0.9
d6 -- Piano second TODO REWORK
-- $ every 4 (# gain 1)
......@@ -52,9 +59,9 @@ $ note ("<c5'maj c5'min>*2")
d8 -- Cymbales
$ juxBy 0.5 rev
$ fast 2
$ s "h ~ h h ~ ~ ~" # s "hh"
# gain 0.6
$ s "h ~ h h ~ ~ ~" # s "ho hc ~"
# gain 0.8
# cut 1
d7 -- Basse lead :)
......@@ -65,12 +72,6 @@ d7 -- Basse lead :)
) # s "supersaw" # voice 0.1
# gain (slow 16 $ range 0.5 0.7 saw)
d4
$ note (scale "aeolian" "<0 5>(<3 5>,8)"
- 36
) # s "superfork" # accelerate 0.1
# gain 1
-- outru
do
......@@ -128,10 +129,9 @@ $ note ("<c5'maj c5'min>*2")
# gain 0
d8 -- Cymbales
$ juxBy 0.5 rev
$ fast 2
$ fast 4
$ s "h ~ h h ~ ~ ~" # s "hh"
# gain 0.6
# gain 1.1
d7 -- Basse lead :)
......@@ -147,3 +147,32 @@ d4
- 36
) # s "superfork" # accelerate 0.1
# gain 1
-- Phase 3 : lendemain
d1
$ whenmod 32 30 (# silence)
$ whenmod 32 24 (degradeBy "0 0.5!3")
$ fast (slow 8 "<2 4>")
$ s "jazz"
-- # gain 1.2
d2 $ fast "[1|2]" $ s "~ <c [c? c]>" # s "clap:4"
# gain 1
# (slow 16 $ room 0.2 0.)
d5
-- $ (# crush 6)
-- $ fast 2 $ chop 2
$ mask "f(2,4,3)"
$ whenmod 16 8 rev
$ bite 8
"<0!4 2!2 4!2> <2 7>(<3 5>,8)"
-- "<0 <1 2> <2 1>>(<8!7 5>,8)"
$ note (scale "aeolian" (run 8)
- 24)
# s "supersaw" # voice 0.1
# gain 0.9
# room 0.24
# size 0.1
live/fusion/moog_hat.tidal 0 → 100644
setcps (120 / 60 / 4)
do
solo 1
solo 2
solo 3
solo 4
unsolo 5
do
d1
-- TECHNO
-- $ someCyclesBy "0!3 <0.5 1>" (stut 4 0.8 (1/16))
-- $ fast "<4!8 2!8>"
-- $ every' 8 7 (fast 2)
--
$ n "<0 ~ 0> <~ 0 0> . ~"
# s "cpu"
# gain 1
d2 $ s "~ s" # s "snare:3" # gain 0.9
d3 $ fast "8 <8!3 4 16!3 32>" $ s "dr" # gain (slow 32 $ range 0.5 0.9 sine)
d4
$ whenmod 8 6 (# silence)
$ n "[0(3,8),~ 1, ~ ~ 4]" # s "[ho|ho|hc] [ho|hc|hc]"
# gain (slow 32 $ range 0.8 0.75 sine)
# cut 1
d5
$ note (scale "aeolian"
"<c5'min <d5'maj f5'maj a5'maj d5'maj>>" - 36)
# s "bassWarsaw"
# gain 1
# pan 0.8
d4
$ note (scale "aeolian" "<0 5>(<3 5 8>,8)"
- 24
) # s "moogBass"
# amp 0.4
# sus "[0.25, 0.5]"
# rel "<0.2 0.8 0.5 1 0.1 2>"
d5
$ superimpose (# s "superpiano") . (|- velocity 0.8)
$ note (
scale "aeolian"
"<c5'min <d5'maj f5'maj a5'maj d5'maj>>(<8!3 5>,8)" - "7"
)
# s "FMRhodes1"
-- # gain 0.8
# sustain 0.75
# gain 0.6
live/hardcore/distant_adventure.tidal 0 → 100644
-- DISTANT ADVENTURE
-- Ou, le pair programming hardcore
do
unsolo 1 -- kick
unsolo 2 -- hihats
unsolo 3 -- drumroll
unsolo 4 -- basse
unsolo 5 -- Glitchs statics
unsolo 6 -- Guerre
unsolo 7 -- LIBRE
do
solo 1 -- kick
solo 2 -- hihats
solo 3 -- drumroll
solo 4 -- basse
solo 5 -- Glitchs statics
solo 6 -- Guerre
solo 7 -- LIBRE
once $ s "hardkick"
do
let bpm = 155
let gKick = 0.6
let gBass = 0.35
let gDrums = 0.7
let gSamples = 1
let gGlitch = 0.7
let mesures = 32
let mPont = 16
setcps (bpm/60/4)
d1 -- Kick un peu rythme
$ slow 4
-- $ whenmod mesures (mesures - 1) (# gain ("0 1" * gKick))
-- $ whenmod mesures mPont (# gain 0)
$ s "k(<4!2 5!2 4!4 8 7 5 8 5>,8)"
# s "kick:5" # gain gKick
# crush ("[2|3]" * 8)
d2 -- Batterie hihats sexy
$ sometimesBy "0 0.5 0.75 <1!7 0>" (fast 2)
$ s "h h h h*<1 2 1!2 2!4 1!2 2 1>" # s "ho hc"
# n (irand 4)
# gain ((slow 8 $ range 0.8 1 saw) * (gDrums * 0.8))
d3 -- drumroll
$ fast "16 <8!3 16>"
$ s "dr"
# gain (slow mesures $ range (gDrums - 0.2) gDrums saw)
d4 -- Basse lead
$ juxBy 0.25 (|+ note "[0]")
$ superimpose (
# crush "<2!3 1>"
)
$ note (scale "aeolian" ( -- gamme choisie
"<0 0*2 0*3 [0(3,8) <[2*2 4] [2 4]>]>" -- melodie
)
- 24 -- ou ca: deux octaves en dessous
)
# s "supersaw" # voice (slow 4 "<1 0.1 0.01!2>")
# gain gBass
d5 -- Static rythme random
$ s "glitch:2([2|4|8],4)" # speed (range 0.1 0.8 rand)
# gain ((slow 32 $ range 1 0.8 isaw) * gGlitch)
d6 -- MACRON VOICE
$ always (# crush 4)
$ whenmod 4 3 (# silence)
$ n "{3 6 0}" # s "macron" # cut 6
# lpf 800
# gain (gSamples - 0.1)
# pan (slow 32 $ range 0.7 0.2 sine)
d7 -- BOT OPPOSITION
$ whenmod 4 3 (# gain (gSamples + 0.1))
$ n "0(1,4,1)" # s "ondes"
# begin 0.95 # cut 7
# pan (slow 32 $ range 0.3 0.8 cosine)
# note (2)
# sustain 2
# gain 0
once $ s "ondes" # begin 0.95 -- libre
once $ s "ondes:1" # begin 0.508 # end 0.68 -- une variation reversible
do
let nousGuerre = n "{3 6 0}" # s "macron" # begin 0
let enGuerre = s "macron:0" # begin 0.5
let guerre = s "macron:0" # begin 0.55
once $ nousGuerre # cut 1
do
let cutB = 0.508
let cutE = 1
once $ s "ondes:1" # begin cutB # end cutE # cut 1 -- une onde
-- perturbation
-- variation
# begin 0.1 # end 0.25 # cut 1
once $ s "glitch*4" # n "[2]" # gain 0.8
d8 -- hardkick gabber vilain!
$ whenmod 32 16 (# gain 0)
$ s "hardkick" # gain 0
d4 $ loopAt 4 $ s "bev/4" # crush 8 # gain 0.9
-- Elements de style:
-- "a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. "
-- Mainstream hardcore tracks typically include samples and synthesized melodies with the typical tempo ranging from 165 to 180 bpm. Violence, drugs and profanity are common themes in mainstream hardcore, perceptible through its samples and lyrics, often screamed, pitch shifted, or distorted.
-- Lots of tracks rely on a clean, detuned supersaw lead, similar to uplifting trance and can therefore sound "happy".
-- Raggatek elements ? Drums analogues et synthe fou contretemps?
once $ s "ondes"
-- Samples
-- [Nous sommes] En guerre
live/hardcore/scribe.tidal 0 → 100644
do
solo 1
solo 2
solo 3
solo 2
solo 4
solo 5
d1
$ whenmod 64 48 (slow 2)
$ whenmod 64 32 (slow 2)
$ s "k k k <k!3 k*2>" # s "jazz"
# gain 0.8
d2
-- $ fast 2
$ every 4 (# gain "0 . 0 1")
$ s "k(<5!3 3>,8)" # s "hardkick:1"
# gain (slow 32 $ range 0.5 1.1 sine)
d2 $ s "~ s" # "snare:10"
d3 $ fast "4 [16 <8 [32]>]" $ s "dr"
# gain (slow 100 $ range 0.8 1.4 cosine)
d4
$ whenmod 32 16 (mask "t f? <f t> f!4 <f f?>")
$ note ("0!7 <-2!2 3>"
- 24)
# s "supersaw" # voice 0.1
# gain 0.8
d5
$ often (stut 2 0.9 0.125)
$ s "~ clap"
# gain (slow 100 $ range 0.8 1.4 sine)
output/colombe.svg 0 → 100644
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