| Name |
Last commit
|
Last update |
|---|---|---|
| .. | ||
| pulsar-parvagues-hud | ||
| README.md | ||
| analyze_samples.py | ||
| fan_check.sh | ||
| mute.tidal | ||
| sample_tfidf.py | ||
| shipowiz.py | ||
| solo.tidal | ||
| tools.png | ||
| unmute.tidal | ||
| unsolo.tidal |
PLN: "samples and synths are the same class for fingerprinting." sample_tfidf now indexes synthdef names (SC synthdefs/ + SCLOrkSynths quark + SuperDirt builtins) alongside Dirt-Samples, tags each sound sample|synth, and persists kinds. vocab 871 sounds (293 samples + 63 synths used). septieme_armee signature now surfaces moogBass/FMRhodes1/bassWarsaw — but all common (no rare tell): its identity is the orbit-arrangement (the SNA riff), not a signature sound. L3 needs both signals. Take35 identified by blind ear-test as Septième Armée (Seven Nation Army cover, septieme_armee.tidal, 4:35), NOT the 38C3 "Pitbul Punk" the ±3d date-join guessed. Corroborated by orbit→sound map (d4 bassWarsaw = the riff bass, etc.). take_gig_map corrected; performance_notes logs the find + cover-license caveat.
| Name |
Last commit
|
Last update |
|---|---|---|
| .. | ||
| pulsar-parvagues-hud | Loading commit data... | |
| README.md | Loading commit data... | |
| analyze_samples.py | Loading commit data... | |
| fan_check.sh | Loading commit data... | |
| mute.tidal | Loading commit data... | |
| sample_tfidf.py | Loading commit data... | |
| shipowiz.py | Loading commit data... | |
| solo.tidal | Loading commit data... | |
| tools.png | Loading commit data... | |
| unmute.tidal | Loading commit data... | |
| unsolo.tidal | Loading commit data... |