collabs: micka and free from desire

live/collab/baba/moulins_de_mon_coeur.tidal

+-- url: "/home/pln/Downloads/PerfectSunriseLoop.gif"
+
+-- Les Moulins de Mon Cœur — Hiba ∞ ParVagues
+-- Montagnes → Ville, nostalgique, le train qui tourne
+-- <3
+
+-- ANALYSE ——————————————————————————————————————————
+-- Source: Michel Legrand 1968, Hiba voix sur karaoke piano
+-- Tonalité : C# mineur (conf. librosa 0.76)
+-- Tempo original : ~60 BPM ballade 4/4
+-- Ici on joue à 120 BPM → 2 cycles Tidal = 1 mesure vocale d'Hiba
+-- → half-time feel sur la voix, broken-beat density côté batterie
+
+-- PROGRESSION ——————————————————————————————————————
+-- Couplet A : C#m(1m) ⇄ G#(1m)             (i ⇄ V modal)
+-- Couplet B : C#m C# F#m B E A F#m G#      (descente, l'entrée vers le refrain)
+-- Refrain  : F#m → B → E → A  spirale       (iv VII III VI, le moulin qui tourne)
+-- Sortie   : Cm/C#m/C/C# modulation demi-ton (chanson classique)
+
+-- STRUCTURE (RMS envelope des pistes Hiba) —————————
+--  0-60s  Section A  : intro/couplet 1       (adlib3 actif)
+--  60-124s Section B : couplet 2, voix seule (adlib2 continue)
+--  124-202s Section C: CLIMAX (peak 150s)    (les 3 voix convergent)
+--  202-fin Section D : outro (-34s de fleurs adlib)
+
+-- SAMPLES EXPLORÉS ————————————————————————————————
+-- Accords C (+1 semitone pour C#m via |+ note 1 ou speed 1.059):
+--   nujazz_keys120 : 120_NuPad_Chords_C_1..8   (pads chord)
+--                    120_Rhodes_Chords_C_1     (Rhodes plein)
+--                    120_Eli_rhodes_chords_C_1..3
+--                    120_Wed_synth_licks_C_1..11 (licks mélodiques)
+--                    120_Softlead_lick_C_1
+--                    120_NuPad_riff_C1/2
+-- Directement en tonalité (zéro transpose):
+--   QStab_Db       = C# stab (nujazz_stabs)     ← tonique directe
+--   QStab_B         = B (VII)
+--   QStab_Gb/A/E    = F#/A/E (iv/VI/III)
+--   120_Rhodes_Bass_Gb = F# bass (iv)
+--   120_Rhodes_Bass_E  = E bass (III)
+--   120_Th_Rhodes_E_1..3 / 120_Th_Pad_A_1..4 / EPianoB_120A_1..4
+--   120_Hera_riff_4bars1_Eminor  (riff 4-mesures Emin = rel. majeur C#m)
+-- Nostalgie :
+--   blues_guitar_bluesky_60 / hoochie_60 / misc_60 (à 60 BPM, pulse vocal)
+--   rhadamanthe_melo (toujours là, signature maison)
+
+do
+-- resetCycles
+setcps (120/60/4)
+let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
+let gMute1 = (midiOn "^73" (mask "f*16"))
+let gMute2 = (midiOn "^74" (mask "f*16"))
+let gMute3 = (midiOn "^75" (mask "f*16"))
+let gM1 = gMask . gMute1
+let gM2 = gMask . gMute2
+let gM3 = gMask . gMute3
+let modIndex = pF "modIndex"
+
+d1 $ gF1 $ gM2 -- Kick, le pas du train qui démarre
+  $ midiOn "^42"  (struct "t ~ ~ ~ ~ ~ t ~")   -- half-time feel (60bpm sur 120 Tidal)
+  $ midiOff "^42" (struct "t ~ <~ t> ~ ~ ~ t <~ t>") -- broken-beat plus dense
+  $ stack [
+  "kick" # lpf 10000 # cut 1,
+  "jazz" # lpf 200 # cut 11 |* gain 0.9,
+  ""
+  ]
+  # "[kick:3,jazz]"
+  # gain 1.35
+  # cps ((range 60 180 "^29")/60/4)
+
+d2 $ gF1 $ gM1 -- Clap/snare, contretemps liquide
+  $ midiOn "^43" (<| "~ ~ ~ ~ s ~ ~ <~ s*<1 2>>")
+  $ midiOff "^43" (<| "~ ~ ~ ~ s ~ ~ ~")
+  $ "[snare:24,cp]"
+  # gain 1.3
+
+d3 $ gF1 $ gM1 -- Cymbales légères, la brume du matin
+  $ midiOn "^44" (<| "~ cy ~ cy ~ cy ~ <cy [~ cy]>")
+  $ midiOff "^44" (<| "~!6 <~ <cy ~> cy>")
+  $ "cy" # "<cy:1!6 cy:2!2>" # "h2ogmcy"
+  |* gain (range 1.0 0.7 perlin)
+  |* legato (range 0.5 2 (fast 2 perlin))
+
+d4 $ gF2 $ gM3 -- Basse bassWarsaw, le cœur qui tourne (C#m ⇄ G# puis F#m-B-E-A)
+  $ midiOn "^89" (struct "t*16")
+  $ midiOn "^57" (struct "t(<3 5 5 7>,8)")
+  -- couplet (i⇄V) puis spirale du refrain
+  $ note ("<[cs2@7 gs2] [gs1@7 cs2] [cs2@7 gs2] [gs1@7 cs2] [fs1@7 b1] [b1@7 e2] [e2@7 a1] [a1@7 gs1]>")
+  # stack [
+  "bassWarsaw" # lpf 500,
+  "bassWarsaw" # cut 41 # crushbus 41 (range 16 3.5 "^53") # bandf 500 # gain 1.2,
+  ""]
+  # "cpluck" |+ note 12
+  # octerbus 42 (range 0 0.8 "^33")
+  -- # octersubbus 43 (range 0 2.5 "^33")
+  # cut 41
+  # lpf 20000
+  # gain 1.35
+
+d5 $ gF3 $ gM3 -- Rhodes/Keys, les moulins qui tournent doucement
+  -- sample 120_Rhodes_Chords_C ou _Eli_rhodes_chords_C shiftés +1 pour C#
+  $ midiOn "^90" (superimpose ((# cut 51) . (# delay 0.95) . (# delayt 0.125) . (# delayfb 0.7) . (# room 0) . (|* gain 0.8)))
+  $ stack [
+  midiOn "^58" (# silence) $ slow 2 "<begin ~ begin ~ begin ~ ~ ~>/2" # cut 51 # begin 0 # end 0.4 # pan 0.4,
+  midiOn "^58" (# silence) $ slow 2 "<~ mid ~ mid ~ ~ ~ ~>/2" # cut 52 # begin 0.4 # end 0.8 # pan 0.55,
+  "<~!24 end!8>" # begin 0.8 # end 1 # cut 53 # gain 0.8 # pan 0.7,
+  ""
+  ]
+  -- Rhodes en C : shift +1 semitone pour atterrir en C#
+  # "120_Rhodes_Chords_C:0" |+ note 1
+  -- alternatives : "120_NuPad_Chords_C:<0 1 2 3>" |+ note 1  ← pad 8-variations
+  --                "120_Eli_rhodes_chords_C:<0 1 2>" |+ note 1
+  # crushbus 51 (range 16 2.7 "^54")
+  # room 0.45
+  # gain 1.3
+
+d7 $ gF3 $ gM3 -- Violoncelle / Guitare blues, la mémoire du voyage
+  -- blues_guitar_*_60 = 60 BPM donc loopAt 0.5 pour revenir à 120
+  $ midiOn "^59" (# silence)
+  $ loopAt 0.5
+  $ chop 8
+  $ "<blues_guitar_misc_60:0 blues_guitar_bluesky_60:0 blues_guitar_hoochie_60:0 blues_guitar_misc_60:1>"
+  # cut 7
+  # hpf 200
+  # room 0.5 # sz 0.6
+  # gain 1.0
+
+d8 $ gF1 $ gM1 -- Break, le train qui cogne les rails
+  $ midiOn "^60" (mask "t(4,8,<1!3 0>)" . chop 8)
+  $ midiOn "^36" (id . (loopAt 0.5 . (# "jungle_breaks:130")))
+  $ midiOn "^92" (mask "t(16,32)" . ply "2 2 <4 8 16 16> 2")
+  $ midiOn "^56" (loopAt 2 . (# n 12))
+  $ chop 16
+  $ loopAt 2
+  $ "jungle_breaks:1" # cut 8
+  # gain 1.35
+
+d9 $ gF3 $ gM3 -- Pad rhadamanthe, la brume de la vallée
+  -- notes suivent la progression couplet/refrain en C#m
+  $ note ("<cs4 gs3 cs4 gs3 fs3 b3 e4 a3>/2" - 12)
+  # "rhadamanthe_melo:4"
+  # legato 4
+  # rel 2
+  # sus 2
+  # room 0.6 # sz 0.7 # lpf 2000
+  # gain 1.1
+
+d10 -- Risers, les moments de bascule (section B→C, C→D)
+  $ mask "<f!24 t!8>"
+  $ loopAt 8
+  $ "risers"
+  # cut 10
+  # room 0.4
+  # dry 1.4
+  # octersubsub 0.5
+  # gain 0.8
+
+d11 $ gF3 $ gM3 -- Intro texture, le calme avant le départ
+  -- stab QStab_Db = C# direct, pas de transpose
+  -- alternative : "120_Th_Stabs_C1" # speed 1.059 pour C#
+  $ gF3
+  $ whenmod 8 6 (slice 2 "0*2")
+  $ chop 8
+  $ "QStab_Db"
+  # cut 11
+  # room 0.7 # sz 0.7 # dry 1
+  # delaybus 111 "^30"
+  # delayt ("<2!3 3>"/3)
+  # delayfb 0.5
+  # gain 1.2
+
+d12 $ gF1 $ gM1 $ "hh(3,8) hh(3,8)" # "h2ogmhh"
+
+-- BOUTONS (convention LaunchControl XL) ——————————————
+-- ^41 = gMask (gate syncopé, fill fantôme)
+-- ^42/43/44 = variations kick/snare/hat
+-- ^57 = basse euclidienne
+-- ^58 = mute Rhodes (silence piano)
+-- ^59 = mute blues guitar
+-- ^60 = break mask+chop
+-- ^36/56/92 = variantes de breaks (jungle_breaks superposés)
+-- ^73/74/75 = mute 1/2/3
+-- ^89/90 = intensifs basse/piano (struct 16 / delay wall)
+-- ^29 = kick speed CC
+-- ^30 = delay intro
+-- ^33 = octerbus basse
+-- ^53/54 = crushbus basse/piano

live/collab/baba/sept1.tidal

@@ -14,6 +14,7 @@ let gM2 = gMask . gMute2
 let gM3 = gMask . gMute3
 let modIndex = pF "modIndex"
 d1 $ gF1 $ gM2
+  -- $ mask "t t t f"
   $ midiOn "^42"  (struct "t t t*<1!6 2 1> t*<1!7 2>")
   $ midiOff "^42" (struct "t . ~ t ~ <~!3 t*<2 [2 1] [4 2] [2 4]>>")
   $ stack [

live/collab/raph/desire.tidal

+do
+-- resetCycles
+setcps (129/60/4)
+d1 $ gF1 $ gMute2 -- KICK: Sub thud, 4otf with flourish (NTO: deepens over time)
+  $ midiOn  "^42" (<| "k k k <k k*2 k [~ k]>") -- ON: 4otf + flourish variations
+  $ midiOff "^42" (<| "k ~ ~ <~!3 k>") -- OFF: sparse intro
+  $ sometimesBy "^29" ( -- ^29: ghost doubles (pre-drop energy)
+    superimpose (("0.07" <~) . (|* gain 0.7))
+    )
+  $ "[techno:0,jazz]"
+  # gain 1.5
+d2 $ gF1 $ gM1 -- CLAP: Dry quiet snap, contretemps (enters late)
+  -- NTO: peak=0.13 (QUIET!), att=10ms, dom=1292Hz, 0% sub, beats 1&3
+  $ midiOn "^43" (<| "cp ~ cp ~") -- ON: contretemps (NTO climax)
+  $ midiOff "^43" (<| "~ cp ~ <~ cp*<1 2>>") -- OFF: backbeat (our touch)
+  $ sometimesBy "^30" ( -- ^30: flam probability
+    superimpose (("e" <~) . (|* gain 0.6))
+    )
+  $ "h2ogmcp"
+  # hpf 800 # lpf 4000 -- pure mid-snap, no sub
+  # room 0.1 # dry 1.5 -- very dry
+  # gain (slow 32 $ range 0.8 1.2 saw) -- 32-bar: clap grows into the mix
+  # pan 0.55
+d3 $ gF1 $ gM1 -- OH/CY: Subtle offbeat hats, ^44 morphs to cymbal shimmer
+  -- NTO: OH on upbeats, centroid brightens 4000→8400Hz. Breakdown = quiet cymbal.
+  $ midiOn "^76" (stut 3 0.6 "s") -- push: rolls
+  $ midiOn "^44" ( -- ON: cymbal shimmer (quiet, bright, breakdown character)
+    (|* gain 0.94) . (# legato 0.2) . (# "h2ogmcy:1") . (# hpf 5000)
+    )
+  -- $ midiOff "^44" (mask "t(3,8)") -- OFF: sparse euclidean (subtle)
+  $ sometimesBy "^32" (ply "<2!3 [2 4]>") -- ^32: roll probability
+  $ "~ h ~ h ~ h ~ <h!3 h*2>" -- offbeat pattern with flourish
+  # "h2ogmhh"
+  # n "~ 3 ~ 2 ~ 4 ~ <3!3 [3 6]>" -- varying openness per hit
+  # legato (range 0.2 0.9 "^52") -- ^52: tightness
+  # cut "~ 3 ~ 3 ~ 3 ~ <3!3 [3 0]>" -- last hit: cut 0 = rings over bar boundary
+  # room (slow 32 $ range 0.2 0.45 saw) -- 32-bar: space grows (NOT dry!)
+  # sz (slow 32 $ range 0.1 0.3 saw) -- 32-bar: tail lengthens
+  # dry 1
+  # pan 0.42
+  # gain (slow 32 $ range 1.3 1.6 saw * "0.7 0.8 0.65 [0.75|0.85] 0.69 0.8 ~ <0.9!3 [0.9 0.5]>")
+  -- 32-bar swell * per-hit velocity (the original subtle dynamics)
+d5 $ gF3 $ gM3 -- 
+  $ midiOn "^90" (ply "<2 4 [<4!3 16>  <8 16>]>")
+  $ slice 4 "<0 1 2 3>" 
+  $ "desire" # n "<1!4 2!4 3!7 4 3!6 2 2 3!7 4>" 
+  # cut 5 # lpf 4000
+  # room 0.24 # sz 0.8
+  # octersubbus 51 (range 0 1.5 "^54")
+  # delay "<0.2!3 0.8>"
+  # delayt 1 # delayfb 0.3
+d9 $ gF2 $ gM3 -- Announcing SYNTH
+  $ superimpose ((|* gain "^19") .  (# n 5) . (# cut 91))
+  $ "desire_synth/2" # "desire" 
+  # n "<0>" 
+  # cut 9 -- SYNTH
+  -- # end 0.1
+  # lpf 3000
+d7 $ gF3 $ gM3 -- Voices 
+  $ fix ((6/8)  ~>) (n 6)
+  $ fix ((1/8)  ~>) (n 9)
+  $ fix ((5/8)  <~) (n "[11,12]")
+  $ slow 2 
+  $ midiOn "^19" (>| n "<11 12>") -- NANANA
+  $ midiOn "^35" (>| n "<10 ~>") -- FREE FROM DESIRE
+  $ midiOn ("^59" - "^35") ( -- Refrain
+    (>| n "<10!4 11!4>")
+    ) -- Refrain
+  $ midiOff "^59" ( -- Couplet
+      (>| n "<6 ~ 6 ~ 7 ~ 7 ~ 8 ~ 8 8 9 9 9 9>"))
+  $ "desire"    
+  # cut 7
+d8 $ gF1 $ gM1
+  $ loopAt 2
+  $ midiOn "^92" ( -- Bouton Nassim <3
+    loopAt 0.5 . (# "breaks165")
+    -- . (# octer 0.4) . ( octersubsub 4)
+    . (# lpf 2500)
+    . (# room 0)
+    . (|* gain 1.2)
+  )
+  $ midiOff "^60" (mask "f(8,16)" . chop 16)
+  $ midiOn "^56" (# "jungle_breaks:7")
+  $ midiOn "^36" (# "jungle_breaks:37")
+  $ chop 16 $  "jungle_breaks:101"
+  # cut 8
+  
+  once $ "desire" # n "[6]" # cut 1
+  

live/collab/raph/jeudrill.tidal

@@ -139,7 +139,7 @@ d8 $ gF1 $ gM1
   $ "breaks165"
   # cut 8
   # octersub 0.5
-  # gain 1.2
+  # gain 1.4
 
   
 once $ "bogdan:3" # cut 9 # orbit 8 # gain 1.7 -- HEY BRO