Commit 83916d1b by PLN (Algolia)

set: fourteen tracks, and the file follows backlog again

The set was rewritten this afternoon — 17 down to 14, 8m30 each, the START
and the closer dropped and Rose Rouge moved to the end. setlist_thu24.txt
still held Sunday's seventeen, and the gig card I wrote an hour ago still
said "17 tracks", so both were quietly wrong about tonight.

All fourteen re-verified cold with silent-eval --seeded: 14/14, every
declared orbit emits. Two BPM labels in backlog disagree with what the
files declare via setcps — Cafe Tiede and Force Motrice are 125, not 124 —
so the file carries the measurement and says which it is.

The dropped three stay as comments rather than vanishing, and the empty
encore slot carries the one measured candidate for it.
parent 13a053c6
# TONIGHT — ParVagues, 2 hours
**Thu 24 Sept. You play 18:00 → 20:00. 17 tracks, ~120 min. It fits.**
**Thu 24 Sept. You play 18:00 → 20:00. 14 tracks, 8m30 each = 119 min. It fits.**
```
17:00 talks end. stage is yours. sound test.
......@@ -82,7 +82,7 @@ launching Ardour from the desktop icon <- that's the one that gets killed.
# THE RIG IS FINE. Checked at home this morning.
```
set 17 / 17 tracks compile
set 14 / 14 tracks compile (re-checked 14:50)
samples 137 / 137 banks warm, 3.8 s
protect on, check passes
Ardour audio thread has priority, GUI thread doesn't steal it
......
# THU 24 — AI ENGINEER, 2026-09-24. The set in performance order.
#
# Settled by PLN 2026-09-22 evening, from his own arc in backlog.md under
# "## AI ENGINEER": 17 tracks over 120 min, ~9 min each, and in his words
# "i can play longer/shorter, might add some, but a good setup for now".
# Not generated. If the set moves, backlog.md and the Set Builder are where it
# moves first; this file follows.
# Rewritten by PLN 2026-09-24 afternoon: 17 tracks -> 14, "==14 == 8m30 par
# track :)". Source of truth is backlog.md under "## AI ENGINEER"; this file
# follows it, it does not lead. Not generated.
#
# Format: one repo-relative track path per line, in play order; `#` comments
# and blank lines ignored — the same parse contract as setlist_opal2026.txt,
......@@ -12,29 +10,40 @@
# tools/setlist_samples.py --setlist armada/setlist_thu24.txt
# tools/orphan-orbits.py (order matters: it walks the list pairwise)
#
# Bracketed BPM is what the track DECLARES via setcps. Three declare nothing
# and inherit the running tempo — marked (inherits), because a printed 120
# there would be invented.
# ── START ────────────────────────────────────────────────────────────────
live/midi/nova/ambient/quand_on_decolle.tidal # [120] Quand on Decolle
# Bracketed BPM is what the track DECLARES via setcps, measured from the file
# — not the label in backlog.md. Two disagree and the measurement wins:
# Cafe Tiede and Force Motrice are 125, backlog says 124.
#
# All 14 verified 14/14 by `silent-eval --seeded`, cold, 2026-09-24 14:50.
# ── NUJAZZ PARADIZE ──────────────────────────────────────────────────────
live/midi/nova/nujazz/salut_nu.tidal # [120] Salut Nu
live/midi/nova/lounge/liquid_nite.tidal # [125] Liquid Nite (convert DONE 2026-09-22)
live/collab/nass/love_first.tidal # [120] Love First
live/collab/raph/piment_bresilien.tidal # [124] Piment Bresilien
live/midi/nova/lounge/take_5_drops.tidal # [124] Take Five Drops *
live/midi/nova/nujazz/rose_rouge.tidal # [118] Rose Rouge *
live/midi/nova/breaks/bain_electrique.tidal # [128] Bain Electrique
# ── NUJAZZ PARADIZE ─────────────────────────────────────────────────────
live/midi/nova/nujazz/salut_nu.tidal # [120] Salut Nu — opens the set now
live/collab/nass/love_first.tidal # [120] Love First
live/collab/raph/piment_bresilien.tidal # [124] Piment Bresilien
live/midi/nova/lounge/take_5_drops.tidal # [124] Take Five Drops
live/midi/nova/breaks/bain_electrique.tidal # [128] Bain Electrique — set's fastest
live/midi/nova/beatober/oct_16_haunted_house_insouciance.tidal # [120] Haunted House
live/midi/nova/techno/ete_a_mauerpark.tidal # [120] L'Ete a Mauerpark — TODO confirm d9 effects
live/midi/nova/nujazz/chere_mireille.tidal # [120] Chere Mireille
live/midi/nova/techno/ete_a_mauerpark.tidal # [120] L'Ete a Mauerpark
live/midi/nova/nujazz/chere_mireille.tidal # [120] Chere Mireille
# ── FINALE COMEDOWN ─────────────────────────────────────────────────────
live/collab/baba/sept1.tidal # [120] Sept1
live/midi/nova/nujazz/cafe_bouillant.tidal # [120] Cafe Bouillant
live/midi/nova/nujazz/cafe_tiede.tidal # [125] Cafe Tiede
live/midi/nova/dnb/force_motrice.tidal # [125] Force Motrice
live/midi/nova/nujazz/cafe_glace.tidal # [120] Cafe Glace
live/midi/nova/nujazz/rose_rouge.tidal # [118] Rose Rouge — closes on the slowest
# ── ENCORE ──────────────────────────────────────────────────────────────
# Empty in backlog.md. If one is wanted, the measured candidate is
# live/midi/nova/lounge/sunny_side_up.tidal # [120] Sunny Side Up
# — own track, lounge, 9 gigs in the canonical tracks.json (10 counting
# montreuil-2026's "Super Sunny Side Up", which has no separate file), the
# most-played thing in the catalog, and it is NOT in the 14. Verified
# 2026-09-24: silent-eval ok, and 0 sample banks cold that the set does not
# already warm.
# ── FINALE COMEDOWN ──────────────────────────────────────────────────────
live/collab/baba/sept1.tidal # [120] Sept1 — TODO fix to the new controller
live/midi/nova/nujazz/cafe_bouillant.tidal # [120] Cafe Bouillant
live/midi/nova/nujazz/cafe_tiede.tidal # [124] Cafe Tiede
live/midi/nova/dnb/force_motrice.tidal # [120] Force Motrice
live/midi/nova/nujazz/cafe_glace.tidal # [120] Cafe Glace
live/midi/nova/jazz/the_revolution_will_be_sampled.tidal # [114] Revolution?
# ── DROPPED from the 17, deliberately, keep for the record ──────────────
# live/midi/nova/ambient/quand_on_decolle.tidal # [120] was the START ramp-in
# live/midi/nova/lounge/liquid_nite.tidal # [125] the line-46 fix from Wed night
# live/midi/nova/jazz/the_revolution_will_be_sampled.tidal # [114] was the closer
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