fix(surface): every track on its own columns — the remap finished, 148 files

PLN: "lets do the migration tbh i want to trust all tracks, lets indeed make
that proper."

The #94 remap had only ever been run against a setlist, so conformance was a
property of having been listed, not of being a track. 685 moves across 148
files, one simultaneous permutation per file, zero clashes.

Button conformance, measured by tools/button-column-audit.py before and after:
**2154/2729 on the orbit's own column (78.9%) -> 2544/2726 (93.3%)**. The
remaining 182 are overflow — an orbit with more controls than the grid gives it,
left in place under a FIXME pointing at gSel, because moving them would put two
orbits on one physical control.

VERIFIED, and this is the part that matters for trusting 703 files:

  * silent-eval --seeded re-run over the WHOLE corpus, 703/703, and diffed
    per-file against the pre-migration baseline in
    docs/2026-09-22-catalog-playability.tsv: **zero verdict changes**. Same 597
    playable, same 85 compile-fail, same 21 silent-orbit, and not one file
    swapped sides. Run at nice 19 / ionice -c3 so it could not preempt the live
    rig mid-rehearsal.
  * re-plan over all 703: 0 moves left.
  * not one CC reference landed in a protected range — 378 refs gained, none of
    them in the Ardour-learned faders (77-84), the A1-A4 level knobs (13-16), or
    the gF1-3 family filters (49-51). Checked as a multiset diff of every CC in
    every changed line, not by reading the tool's promise.
  * every effect BUS slot is byte-identical before and after (`crushbus 41` and
    friends): the tool rewrites quoted `"^NN"` refs only. So the 37 corpus
    pvlint errors, 36 of them PV011 bus-slot sharing, are untouched by this and
    were there before it.

AND THE TOOL STOPPED VANDALISING COMMENTS. The overflow pass expands a hit to
the whole chain segment, so the closing parens of a multi-line step are not left
dangling — and that expansion swallowed comments inside the step. First corpus
run: 18 lines grew a second `--`, three grew a third, and two of the tool's own
FIXME warnings were commented out by the tool that wrote them. A warning the
tool hides on its next run is worse than no warning. Fixed, the corpus reverted,
and re-applied: the two diffs now differ in exactly those lines and nothing else.

live/ambient/brise_les_chaines.tidal

@@ -7,7 +7,7 @@ d1 $ gF
   $ "k <k!7 ~> <k!3 k*2> <k k*2>" # "[jazz,kick:4,kick:5]"
   # midiG' "^78" 0 1.2
 d2 $ gF
-  $ midiOn "^43" (fast "<2!3 <4 [4 8]>>")
+  $ midiOn "^42" (fast "<2!3 <4 [4 8]>>")
   $ "~ snare" # n "[22,26]"
   # midiG' "^79" 0 1.5
   # room 0.8 # dry 1
@@ -18,7 +18,7 @@ d3 $ gF $ n (stack [
   # "amencutup"
   # midiG' "^80" 0 1.2
 d4 $ gF2
-  $ midiOn "^57" (mask "t(<4!4 8!4 12!4 16!4>,16)")
+  $ midiOn "^44" (mask "t(<4!4 8!4 12!4 16!4>,16)")
   $ chop 16
   $ whenmod 32 24 (iter "1 4")
   -- $ superimpose ((|+ note 12) . (# cut 41))
@@ -27,17 +27,17 @@ d4 $ gF2
   $ chop 8
   $ "bass_commodore:6" # cut 4
   # midiG' "^81" 0 1.2
-  # crushbus 41 (range 16 1.2 "^53")
+  # crushbus 41 (range 16 1.2 "^32")
 d7 $ gF2 -- ACID BUS
-  $ midiOn "^58" (slice 32 ("<0 0 0 0 0 1 1 1 0 1 2 2 0 2 2 3>*4"))
-  $ midiOff "^58" (slice 8 "<0 1 2 3>")
+  $ midiOn "^91" (slice 32 ("<0 0 0 0 0 1 1 1 0 1 2 2 0 2 2 3>*4"))
+  $ midiOff "^91" (slice 8 "<0 1 2 3>")
   $ loopAt 8 $ "synth_commodore:0"
   # midiG' "^82" 0 1.2
   # cut 7
 d8 $ gF
-  $ superimpose ((# leslie 0.4) . (# lsize 2.8) . (# lratebus 81 (range 0 64 "^55")))
+  $ superimpose ((# leslie 0.4) . (# lsize 2.8) . (# lratebus 81 (range 0 64 "^36")))
   $ "90s_synatm:1" # lpf 2000
   # lpq (slow 32 $ range 0 0.4 saw)
   # cut 8 # midiG' "^83" 0 1
   # room 0.2
-  # crushbus 82 (range 16 1.2 "^35")
+  # crushbus 82 (range 16 1.2 "^56")

live/ambient/citarpurh.tidal

@@ -19,8 +19,8 @@ d4 $ gF2 $ gM3
   $ note "d2" 
   # "bassWarsaw"  
   # legato 2 
-  # crushbus 41 (range 16 2.5 "^53")
-  # octersubbus 42 (range 0 2.5 "^33")
+  # crushbus 41 (range 16 2.5 "^32")
+  # octersubbus 42 (range 0 2.5 "^52")
 d5 $ note (
   scale "indian" (
     "c e g e c" -- notes within scale

live/ambient/scintillance_bleue.tidal

@@ -7,12 +7,14 @@ let gDJF = (# djfbus 1 (range 0.05 0.95 "^49"))
 let g = gDJF
 d1 $ g
   $ midiOn "^73" (fast 2)
-  $ midiBoth "^41" "^42" (struct "t t t <t <[~ t] t*2>>")
-  $ midiOn "^42" (struct "t*2")
+  -- FIXME(#94) d1 drives more controls than the grid gives it (BT1 only — BL1-3 are the family mutes). ^41 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^41 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d1's own control with gSel.
+  $ midiBoth "^41" "^41" (struct "t t t <t <[~ t] t*2>>")
+  $ midiOn "^41" (struct "t*2")
   $ "jazz"
   # midiG' "^78" 0 1
 d2 $ g
-  $ midiOn "^43" (superimpose (const
+  $ midiOn "^42" (superimpose (const
+      -- FIXME(#94) d2 drives more controls than the grid gives it (BT2 only — BL1-3 are the family mutes). ^41 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^41 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d2's own control with gSel.
       $ midiOn "^41" (fast 2)
       $ "~ . c*<1!3 <2 1>> <~!7 [~ c]>" # "cp"
       # note "-4!7 -2"
@@ -31,23 +33,23 @@ d3 $ g
 d4 $ g
   $ "90s_glassatm:3/4"
   # cut 4
-  # crushbus 41 (range 16 3.5 "^55")
+  # crushbus 41 (range 16 3.5 "^32")
   # midiG' "^83" 0 1
 d5 $ g
   $ stut' 4 "h" ((|* gain 0.6) . (|+ pan 0.05))
   $ "90s_matrix:0/2"
   # midiG' "^84" 0 1
-  # crushbus 51 (range 10 1.5 "^56")
+  # crushbus 51 (range 10 1.5 "^33")
   # pan 0.7
 d6 $ g
   -- $ slow 2
   $ fix (|* gain 0.93) (note "c6")
-  $ midiOn "^89" (fast 4)
+  $ midiOn "^90" (fast 4)
   -- $ note ("<c ef f fs c ef f c  ef f fs f ef f ef c>") -- 1&2'
   -- $ note ("<c6 bf5 g f fs f ef c c ef f ef ef f g c6>") -- 3&4
   $ note ("<c ef f fs c ef f c    ef f fs f ef f ef c        c6 bf5 g f fs f ef c    c ef f ef ef f g c6>") -- 1&2&3&4
   # octave 2
   # "supersaw"
   # voice 0.01
-  # crushbus 61 (range 16 1.5 "^53")
+  # crushbus 61 (range 16 1.5 "^34")
   # midiG' "^81" 0 1.3

live/ambient/wild_coffee.tidal

@@ -11,6 +11,7 @@ let sus = pF "sus"
 let cutoff = pF "cutoff"
 d1 $ gF1 $ gMute -- la Conviction
   $ midiOn "^41" (<| "k k k <k!3 k*2>")
+-- FIXME(#94) d1 drives more controls than the grid gives it (BT1 only — BL1-3 are the family mutes). ^42 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^42 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d1's own control with gSel.
 $ midiOn ("^42" - "^41") (<| "<k k(<3!3 [3 5]>,8)>")
   $ midiOff ("^41" + "^42") (<| "<k ~>")
   $ "[techno:0,808bd:2,909,kick:4]"
@@ -23,7 +24,8 @@ d2 $ gF1 $ gM2 -- Snare décalé
   # midiG' "^79" 0 1.2
   # pan 0.4
 d3 $ gF1 $ gM -- La Pluie
-  $ midiOn "^44" (striate "2 <2 16> . 4 <8 <16 [2 1]>>")
+  $ midiOn "^43" (striate "2 <2 16> . 4 <8 <16 [2 1]>>")
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^76 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^76 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^76" (ply "<2 4>")
   $ chop 16
   $ loopAt 2
@@ -39,7 +41,7 @@ d5 $ gF2 -- La Basse intention
   # note (slow 2 "<gs f g c gs f g c gs f g c c g f gs>")
   # cut 5
   # panbus 52 (slow 16 $ range 0.6 0.95 saw)
-  # crushbus 51 (range 16 2.5 "^53")
+  # crushbus 51 (range 16 2.5 "^33")
   # midiG' "^81" 0 1.2
 d6 $ gF3 -- La Basse Réputation
   $ sometimesBy "^13" (# note "c")
@@ -48,7 +50,7 @@ d6 $ gF3 -- La Basse Réputation
   $ "bassWarsaw"
   # octave 2
   # chorus 0
-  # crushbus 61 (range 16 2.5 "^54")
+  # crushbus 61 (range 16 2.5 "^34")
   # midiG' "^82" 0 1.2
   # pan 0.3
   # cut 6
@@ -66,7 +68,7 @@ d7 $ gF3 -- Les anges arpèges
   # midiG' "^83" 0 0.8
   # legato 1.25
 d8 $ gF1 $ gM2 -- La Course
-  $ sometimesBy "^56" (iter 4)
+  $ sometimesBy "^36" (iter 4)
   $ midiOn "^92" ((ply "<2 [2|4]>") . chop "<8!3 16>")
   $ midiOn "^60" (chop 4 . (# "jungle_breaks:17"))
   $ midiOff "^60" (

live/boeuf/algorythm/fdlm2022/lady.tidal

@@ -22,15 +22,16 @@ d2 $ g $ stut "[1|2|4]" 0.5 "e"
   # pan 0.4
   # midiG' "^79" 0 1.2
 d3 $ g
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^43" (ply 2)
   -- $ mask "<f!4 t!12 f!4 t!12 f!8 t!8 f!12 t!4>"
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^44" (ply "<1 2> <2 2 [2 4] 1>")
   -- $ whenVerse (mask "t <t!3 f>")
   -- $ whenVerse (mask "t <t!3 f>")
   $ "[~ h]*4" # "[electro1,hh]"
   # midiG' "^80" 0 1
 d4 $ g
-  $ midiOn "^58" (# "lady_fx")
+  $ midiOn "^44" (# "lady_fx")
   $ whenIntro (# n "0") -- INTRO: AAAA`
   $ whenVerse ((# n "<0 0 0 0 1 1 2 2>"))  -- VERSE: AA AA BB CC
   $ whenChorus (
@@ -39,9 +40,9 @@ d4 $ g
   $ "lady"
   # cut 4 # gain 0.8
   # pan 0.7
-  # ringbus 44 (range 0 1 "^17") # ringf 0.5
-  # relbus 42 (range 10 1 "^33") # sz 0.6 -- Room on low release
-  # roombus 43 (range 0 0.4 "^33") # sz 0.6 -- Room on low release
+  # ringbus 44 (range 0 1 "^32") # ringf 0.5
+  # relbus 42 (range 10 1 "^52") # sz 0.6 -- Room on low release
+  # roombus 43 (range 0 0.4 "^52") # sz 0.6 -- Room on low release
   # midiG' "^81" 0 0.8
 d10 $ g
   $ mask "<f!7 t>" -- DEBUG CUE every 8 -> Chorus<>VERSE

live/boeuf/algorythm/fdlm2022/sweet_dreams.tidal

@@ -6,7 +6,7 @@ d1 $ gF1 $ "jazz*4"
 d2 $ gF1 $ ply "4 <4!3 2 4!3 2 [4 <8!3 2>]!4 [4 <8!3 [16 8]>]!4>" $ "~ electro1" # gain 0.8
   # midiG' "^79" 0 1.2
 d3 $ gF2
-  $ superimpose (# crushbus 31 (range 16 4 "^53"))
+  $ superimpose (# crushbus 31 (range 16 4 "^31"))
   $ note (slow 2 $
     -- FIX TUNE https://musescore.com/user/1858001/scores/6283390
   "c3 c3 c4 c4 ef4 ef4 c4 c4 . af3!3 c4 f3!3 g3"

live/boeuf/algorythm/fdlm2022/toxic.tidal

@@ -24,30 +24,30 @@ d2 $ g
   # "[snare:10,drum:2]"
   -- # midiG' "^79" 0 1
 d3 $ g
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^43" (ply 2)
   -- $ mask "<f!16 t!16>"
   $ "hh*[8 8 8 <8!3 [16 8]>]"
   # att 0.01 # rel 0.5 # cut 3 # hpf 5000
   -- # midiG' "^80" 0 1.3
 d4 $ gDJF
-  $ midiOn "^92" (ply 2)
+  $ midiOn "^76" (ply 2)
   $ note ("0*8" + "<b3 b3 d3 [cs3 bs2]>")-- BASS Riff
   # "bassWarsaw"
   # legato 0.9
   # room 0.1
   # sz 0.1
   # cut 7
-  # crushbus 71 (range 16 1.5 "^53")
+  # crushbus 71 (range 16 1.5 "^32")
   -- # midiG' "^81" 0 1
 d8 $ gDJF -- CUE Toxic Theme
-  $ midiOff "^92" (mask "<f!7 t>")
-  $ midiOn "^60" (rev)
+  $ midiOff "^60" (mask "<f!7 t>")
+  $ midiOn "^92" (rev)
   $ note ("fs7@4 cs7@4 d7@4 b7@4" + "[0,12]" - 24)
   # "FMRhodes1"
   # legato 4
   # room "0!15 0.4"
   # attack 0.05
-  # modIndex "^55"
+  # modIndex "^36"
   # rel 2
   # sz 0.5
   # pan 0.9

live/boeuf/algorythm/first_jam.tidal

@@ -10,11 +10,11 @@ d1 $ g
   $ "[drum]"
   # midiG' "^78" 0 0.7
 d2 $ g
-  $ midiOn "^43" (fast "<2!7 <4 8>>")
+  $ midiOn "^42" (fast "<2!7 <4 8>>")
   $ "~ snare:20"
   # midiG' "^79" 0 0.6
 d3 $ g -- Drumroll
-  $ midiOn "^44" (fast 2)
+  $ midiOn "^43" (fast 2)
   $ "drum:2*<8!3 <16 [16 <8 32>]>>"
   # midiG' "^80" 0 0.8
 d4 $ g -- BASS/Guitar
@@ -25,7 +25,7 @@ d4 $ g -- BASS/Guitar
   # room 0.5
   # sz 0.8
   # dry 1.2
-  # crushbus 2 (range 16 4.5 "^53")
+  # crushbus 2 (range 16 4.5 "^32")
   # midiG' "^81" 0 0.8
 d9 $ g -- Choirs
   $ midiOn "^60" (|- note 12)
@@ -71,11 +71,11 @@ d2 $ g
   # "bass3:4" |- note 1
   # midiG' "^80" 0 0.8
   # room 0.3
-  # crushbus 2 (range 16 2.5 "^52")
+  # crushbus 2 (range 16 2.5 "^30")
 d5 $ g
-  $ midiOff "^60" (loopAt 2)
-  $ midiOn  "^60" (loopAt 1)
-  $ midiOn  "^92" (ply 4)
+  $ midiOff "^89" (loopAt 2)
+  $ midiOn  "^89" (loopAt 1)
+  $ midiOn  "^57" (ply 4)
   $ slice 4 "0 1 2 3*<1 2 4>"
   $ "breaks165"
   # midiG' "^84" 0 0.7
@@ -107,6 +107,7 @@ d1 $ g
   $ midiOn "^73" (mask "[t f t f]*2")
   $ midiOn "^74" (mask "[t f f f]*2")
   $ midiOn "^75" (mask "[t f f t]*2")
+  -- FIXME(#94) d1 drives more controls than the grid gives it (BT1 only — BL1-3 are the family mutes). ^76 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^76 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d1's own control with gSel.
   $ midiOn "^76" (mask "[t f f f]*2")
   $ chop 16 $ loopAt 4 $ "algorythm:2"
   # cut 1

live/boeuf/algorythm/fix_you.tidal

@@ -4,8 +4,8 @@ let gF =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gMute = (midiOn "^73" (mask "f*16"))
 d1 $ gMute $ gF -- Tradition never disappoints: 4 on the fl00r...
   $ midiOn "^74" (<| "k*4")
-  $ midiOn "^42" (<| "k k")
-  $ midiOff "^42" (<| "k")
+  $ midiOn "^41" (<| "k k")
+  $ midiOff "^41" (<| "k")
   -- $ midiOff "^42" (<| "k(<1!3 <3 5>>,8) . <k!3 [~ <~ k>]>") -- ..or not?
   $ "[jazz,cpu]"
   # midiG' "^78" 0 1.7
@@ -13,7 +13,8 @@ d2 $ gF $ "~ . <s!3 s> " # "[snare:21,snare:29]"
   # midiG' "^79" 0 1
 d3 $ gF
   -- $ midiOn ("^44" - "^76") (off "0.33" id)
-  $ midiOn ("^76" - "^44") (ply 2)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
+  $ midiOn ("^43" - "^44") (ply 2)
   $ midiOn "^44" (<| "~ h*2 [~ <~ h>] <~!3 h> h*2 [~ <~ h>]")
   $ midiOff "^44" (<| "h*4")
   $ drumFrom "rolandtr808" "[hh:1]"

live/boeuf/algorythm/fly_me_to_the_moon.tidal

@@ -4,8 +4,8 @@ let gF =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gMute = (midiOn "^73" (mask "f*16"))
 d1 $ gMute $ gF -- Tradition never disappoints: 4 on the fl00r...
   $ midiOn "^74" (<| "k lk k <k k*2>")
-  $ midiOn "^42" (<| "k k")
-  $ midiOff "^42" (<| "k")
+  $ midiOn "^41" (<| "k k")
+  $ midiOff "^41" (<| "k")
   -- $ midiOff "^42" (<| "k(<1!3 <3 5>>,8) . <k!3 [~ <~ k>]>") -- ..or not?
   $ "[jazz,cpu]"
   # midiG' "^78" 0 1.7
@@ -13,7 +13,8 @@ d2 $ gF $ "~ . <s!3 s> " # "[snare:21,snare:29]"
   # midiG' "^79" 0 1
 d3 $ gF
   -- $ midiOn ("^44" - "^76") (off "0.33" id)
-  $ midiOn ("^76" - "^44") (ply 2)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
+  $ midiOn ("^43" - "^44") (ply 2)
   $ midiOn "^44" (<| "~ h*2 [~ <~ h>] <~!3 h> h*2 [~ <~ h>]")
   $ midiOff "^44" (<| "h*4")
   $ drumFrom "rolandtr808" "[hh:1]"

live/boeuf/algorythm/love23/cant_help_falling_in_love.tidal

@@ -11,7 +11,8 @@ d2 $ gF2 $ "<~ snare:30>"
   # midiG' "^79" 0 1.1
   # hpf 3000
 d3 $ gF2
-  $ midiOn "^76" (fast 2)
+  $ midiOn "^43" (fast 2)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^44" (fast 2)
   $ "drum:2*3"
   # midiG' "^80" 0 1.1

live/boeuf/algorythm/love23/u_remind_me.tidal

@@ -19,7 +19,8 @@ d2 $ gF1 $ gMask -- snare cassant
   # midiG' "^79" 0 1.4
   # pan 0.7
 d3 $ gF1 $ gMask
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^43" (ply 2)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^44" (ply 2)
   $ "[~ drum:2]*4"
   # pan 0.4

live/boeuf/august.tidal

@@ -11,7 +11,7 @@ d1 $ g
   # att 0.03 # rel 0.99
   # midiG' "^78" 0 1.52
 d2 $ g
-  $ midiOn "^43" (<| "c*<2!3 4 4 [4 2] [4 8] 16>")
+  $ midiOn "^42" (<| "c*<2!3 4 4 [4 2] [4 8] 16>")
   $ fix (# note "-2") (("glitch:2"))
   $ superimpose ((# "[glitch:2,glitch:5]"))
   $ "~ clap"
@@ -26,11 +26,12 @@ d3 $ g $ m
   $ "hh*4"
   # midiG' "^80" 0 1.8
   # lsize (range 0 8 "^16")
-  # lrate (range 0.8 6.8 "^32")
-  # leslie (range 0 2 "^52")
+  # lrate (range 0.8 6.8 "^31")
+  -- FIXME(#54) d3 drives more controls than the grid gives it (B3 only (C1-3 are the family gF filters)). ^52 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d3's own control.
+  -- # leslie (range 0 2 "^52")
 d4 $ g $ m -- BREAK
-  $ midiOn ("^57" - "^89") (ply 2)
-  $ midiOn "^89" (striate "<4!3 [8 4]>")
+  $ midiOn ("^44" - "^76") (ply 2)
+  $ midiOn "^76" (striate "<4!3 [8 4]>")
   $ loopAt 1
   -- $ whenmod 8 6 (off "h" id . mask "t . f")
   $ slice 8 ("0 1 2 3*<<1!8 0!4 1!3 2> 2 4>")
@@ -45,7 +46,7 @@ d6 -- Runny Maracas
   $ fix ((# release 0.8)) (n 9)
   $ "hh27*8"
   # n "2 <2 <[2|9] [9 <9 ~> <~ 9> 2]>>"
-  # note (range "-12" 12 "^55")
+  # note (range "-12" 12 "^34")
   # midiG' "^83" 0.25 2.5
 d7 $ g $ m -- new breakbeats
    $ loopAt 1
@@ -80,7 +81,7 @@ d4 $ g -- c pure harmony
   # octave 4
   # pan 0.2
   # "bassWarsaw"
-  # crushbus 4 (range 10 4.5 ("^53" + 0.5 * perlin))
+  # crushbus 4 (range 10 4.5 ("^32" + 0.5 * perlin))
   # midiG' "^81" 0 1.5
 d5 $ g
   $ mask "<[f t]!4 t!12>"
@@ -88,6 +89,6 @@ d5 $ g
   "<0!8 5!8 4!4 5!8> <~ ~ 2 ~ 2!4> . <4 3 3 4>"
   )
   # "cbow:1"
-  # crushbus 5 (range 10 3.5 "^54")
+  # crushbus 5 (range 10 3.5 "^33")
   # cut 5
   # midiG' "^82" 0 1.5

live/boeuf/bass_boeuf.tidal

@@ -2,8 +2,8 @@ do
 setcps (160/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (<| "k k k <k k*2 k [<~!4 k!3 k*2> k*<1 2>]>")
-  $ midiOff "^42" (<| "<k ~> ~ . ~ <~ k k ~> ~ ~")
+  $ midiOn "^41"  (<| "k k k <k k*2 k [<~!4 k!3 k*2> k*<1 2>]>")
+  $ midiOff "^41" (<| "<k ~> ~ . ~ <~ k k ~> ~ ~")
   $ "[jazz,808bd:3,kick:4]"
   -- $ "[808bd:4]"
   # gain 1.5
@@ -13,7 +13,8 @@ d2 $ gF1 $ gM2
   # "rampleM1:10"
   # gain 1.5
 d3 $ gF1 $ gM2
-  $ midiOn "^44" (slow 4)
+  $ midiOn "^43" (slow 4)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^76 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^76 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^76" (ply 2)
   $ "dr*[8 <8 16 24 [8 <4 8 16 <4 8>>]>]"
   # gain 1.2

live/boeuf/biarritz/21nuit.tidal

 do
 -- resetCycles
 d1 $ gF1 $ gM1 
-  $ midiOn "^42" (fast 2 . (<|"k k k <k [<~ k> k]>"))
-  $ midiOff "^42" (<| "k k k k*<1 2>" )
+  $ midiOn "^41" (fast 2 . (<|"k k k <k [<~ k> k]>"))
+  $ midiOff "^41" (<| "k k k k*<1 2>" )
   $ "jazz"
 d2 
-  $ midiOn "^43" (fast 2)
+  $ midiOn "^42" (fast 2)
   $ "~ s ~ s*<1 1 2 [4 2]>" 
   # "vec1_snare:20"
 d3 $ "hh(3,8) hh(5,8)"
@@ -20,8 +20,8 @@ d8 $ gF1 $ gM2
 d4 $ gF2 $ gM3 $ note "<cs2 ef2 cs2 <cs2 gs3>>/2" 
   # "bassWarsaw"
   # room 0.2
-  # crushbus 41 (range 16 2.5 "^53")
-  # octerbus 42 (range 0 2.5 "^33")
+  # crushbus 41 (range 16 2.5 "^32")
+  # octerbus 42 (range 0 2.5 "^52")
 d5 $ note (
   "[cs cs ef cs]" + 12) # "moog:3" # cut 5
   

live/boeuf/biarritz/blues_debranche.tidal

@@ -3,8 +3,8 @@ do
 setcps (60/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn  "^42"  (fast 2 . (<| "k k k <k [~ k] k k*[4 2]>"))
-  $ midiOff "^42" (<| "k . k(3,8)")
+  $ midiOn  "^41"  (fast 2 . (<| "k k k <k [~ k] k k*[4 2]>"))
+  $ midiOff "^41" (<| "k . k(3,8)")
   -- $ "[techno:0,808bd:2,909,kick:4]"
   $ "jazz"
   # midiG' "^78" 0 1.5
@@ -14,7 +14,8 @@ d2 $ gF1 $ gM2
   # "snare:24" 
   # midiG' "^79" 0 1.5
 d3 $ gF1 $ gM2
-  $ midiOn "^76" (fast "<2 2 2 4>")
+  $ midiOn "^43" (fast "<2 2 2 4>")
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^42 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^42 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^42" (fast 2)
   $ "hh(3,8)" 
   # midiG' "^80" 0 2
@@ -23,18 +24,18 @@ d4 $ gF2 $ gM3
   $ note ("<e4 [e4@7 g4] [e4@7 ef4] <[e4@3 [g4 f4]] [e4 g4 a4 g4]>>"  - 12)
   # "bassWarsaw"
   # midiG' "^81" 0 1.5 
-  # crushbus 41 (range 16 2.5 "^53")
-  # octersubbus 42 (range 0 2.5 "^33")
+  # crushbus 41 (range 16 2.5 "^32")
+  # octersubbus 42 (range 0 2.5 "^52")
   # cut 4
   # room 0.4 # sz 0.7
 d5 $ gF2 $ gM3
-  $ midiOn "^57" (chop 8)
   $ midiOn "^89" (chop 8)
+  $ midiOn "^57" (chop 8)
   $ "blues_guitar_bluesky_60:6/2"
   # gain 0.76 # cut 4
   # midiG' "^80" 0 1.5
-  # crushbus 51 (range 16 2.5 "^54")
-  # octersubbus 52 (range 0 2.5 "^34")
+  # crushbus 51 (range 16 2.5 "^33")
+  # octersubbus 52 (range 0 2.5 "^53")
 d7 $ gF1 $ gM3 
   $ loopAt 2  
   -- $ chop 16 

live/boeuf/biarritz/cloud.tidal

@@ -3,13 +3,13 @@ do
 setcps (138/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn  "^42"  (<| "k k k k")
-  $ midiOff "^42" (<| "k . k(<3!3 [5 5 8 5]>,8)")
+  $ midiOn  "^41"  (<| "k k k k")
+  $ midiOff "^41" (<| "k . k(<3!3 [5 5 8 5]>,8)")
   $ "[techno:0,808bd:2,909,kick:4]"
   -- $ "jazz"
 d2 $ gM2 -- Clap timer
-  $ midiOn "^43" ((|* gain "0 1 0.8 1") . (<| "~ c <~!3 [~ c]> c"))
-  $ midiOff "^43" ((|* gain "1 0.8") . (<| "c . ~ ~ ~ <~!3 c>"))
+  $ midiOn "^42" ((|* gain "0 1 0.8 1") . (<| "~ c <~!3 [~ c]> c"))
+  $ midiOff "^42" ((|* gain "1 0.8") . (<| "c . ~ ~ ~ <~!3 c>"))
   $ drumFrom "[sakatadpm48,rolandr8]" "cp"
   # lpf 2000
   # gain 1.2

live/boeuf/biarritz/morning_glory.tidal

@@ -3,12 +3,12 @@ setcps (80/60/4)
 let gF =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gMute = (midiOn "^73" (mask "f*16"))
 d1 $ gF
-  $ midiOn "^42" (<| "k k k k")
+  $ midiOn "^41" (<| "k k k k")
   $ "jazz"
   # midiG' "^78" 0 1.9
 d3 $ gF
-  $ midiOn "^42" (<| "~ k ~ k*<1 2>")
-  $ midiOff "^42" (<| "~ k")
+  $ midiOn "^43" (<| "~ k ~ k*<1 2>")
+  $ midiOff "^43" (<| "~ k")
   $ "hh"
   # midiG' "^79" 0 1.9
 d5 $ gF2 $ mask "<t t t f>"
@@ -16,7 +16,7 @@ d5 $ gF2 $ mask "<t t t f>"
   # room 0.4
   # cut 5
   # midiG' "^81" 0 1
-  # crushbus 51 (range 16 2.5 "^53")
+  # crushbus 51 (range 16 2.5 "^33")
   # pan 0.35
   # room (range 0.2 0.8 (slow 8 saw))
 d6 $ gF3
@@ -31,8 +31,8 @@ d7 $ gF3
   # "FMRhodes2"
   # midiG' "^83" 0 1.9
 d8 $ gF $ chop 8
-  $ midiOn "^60" (loopAt 1)
-  $ midiOff "^60" (loopAt 2)
+  $ midiOn "^92" (loopAt 1)
+  $ midiOff "^92" (loopAt 2)
   -- $ loopAt 2
   $ "fbreak80"
   # midiG' "^84" 0 1.9

live/boeuf/fevrier.tidal

@@ -17,7 +17,7 @@ d1 $ g
   $ "reverbkick" # gM' 0 1.4 "^78"
 d2 $ (|- lpf 2000) $ g
   -- $ whenmod 8 6 (degradeBy "<0.25 0.75>" . stut 4 0.9 "e")
-  $ novaOn "^41" (|- note 24)
+  $ novaOn "^42" (|- note 24)
   $ fast 2 $ "~ [cp,drum:2]"
   # gM' 0 1.5 "^79"
   # lpq "^51"
@@ -25,15 +25,15 @@ d2 $ (|- lpf 2000) $ g
   # room 0.2 # dry 0.99
 d3 $ g
   $ loopAt 1
-  $ novaOn  "^76" (slice 8 ("<[0 .. 7]!3 [0 1 2 ~ . 0 1 2 ~]>"))
-  $ novaOff "^76" (slice 8 "0 <0 1>*<1 2> <2 0> <0 0 3 3>")
+  $ novaOn  "^43" (slice 8 ("<[0 .. 7]!3 [0 1 2 ~ . 0 1 2 ~]>"))
+  $ novaOff "^43" (slice 8 "0 <0 1>*<1 2> <2 0> <0 0 3 3>")
   $ "breaks165"
-  # lpq "^52"
+  # lpq "^31"
   # room 0.5
   # gM' 0 2 "^80"
 d4 $ g
   -- $ someCycles (swingBy 2)
-  $ novaOn "^89" (chop 16)
+  $ novaOn "^44" (chop 16)
   -- $ novaOn "^58" (+ note (slow 4 "<0 12>"))
   $ note (scale "aeolian"
   ("<c!4 f!4> <c!4 f!4> <c!4 f!4> [c <ds!3 f>]"
@@ -42,14 +42,14 @@ d4 $ g
   -- # detune 1.005
   # octave 3
   # "bassWarsaw"
-  # voice (range 0.1 2 "^33")
+  # voice (range 0.1 2 "^32")
   # gM' 0.4 1.5 "^81"
   # room 0.6 # sz 0.7
-  # crush (range 10 3.1 "^53")
+  # crush (range 10 3.1 "^52")
   # pan 0.4
 d5 $ g
-  $ inside 4 (someCyclesBy "^34" (ply 2))
-  $ sometimesBy "^54" (swingBy "q" 4)
+  $ inside 4 (someCyclesBy "^33" (ply 2))
+  $ sometimesBy "^53" (swingBy "q" 4)
   $ note (scale "aeolian" (
     "<0 9 7 2>" -- progression
     + "[0 2 4 <0 6>]*4" -- arpegiateur
@@ -89,19 +89,20 @@ d2 $ (|- lpf 100) $ g
   # lpq (range 0 0.45 "^51")
   # gM' 0 1.5 "^79"
 d3 $ g
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^60 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^60 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ novaOn "^60" (fast 2)
   $ "~ clap"
   # gM' 0 1.2 "^84"
 d4 $ g
-  $ novaOn "^89" (chop 4)
+  $ novaOn "^44" (chop 4)
   $ off "q" (|+ note 12)
   $ note (scale "aeolian" (prog
   + "[0,4,9]"
   + "[0 <7 <-7 -14>>]" -- spread
   - 21))
   # "FMRhodes1"
-  # mix (range 0 20 "^33")
-  # modIndex (range 0.2 100 "^53")
+  # mix (range 0 20 "^32")
+  # modIndex (range 0.2 100 "^52")
   # gM' 0 1.2 "^81"
   # room 0.5 # sz 0.6
 d5 $ g
@@ -111,7 +112,7 @@ d5 $ g
     - 28
   )
   )
-  # crush (range 10 3.5 "^54")
+  # crush (range 10 3.5 "^53")
   # "bassWarsaw" # gM' 0 1.3 "^82"
   # room 0.3
 d6 $ g

live/boeuf/nouvelle_poussiere.tidal

@@ -25,8 +25,9 @@ d3 $ g
   # hpf (slow 8 $ range 5000 1000 perlin)
   -- # gain 1.5
   # lsize (range 0 8 "^16")
-  # lrate (range 0.8 6.8 "^32")
-  # leslie (range 0 2 "^52")
+  # lrate (range 0.8 6.8 "^31")
+  -- FIXME(#54) d3 drives more controls than the grid gives it (B3 only (C1-3 are the family gF filters)). ^52 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d3's own control.
+  -- # leslie (range 0 2 "^52")
   # midiG' "^80" 0 1.52
 d6 -- Runny Maracas
   $ g
@@ -36,5 +37,5 @@ d6 -- Runny Maracas
   $ fix ((# release 0.8)) (n 9)
   $ "hh27*8"
   # n "2 <2 <[2|9] [9 <9 ~> <~ 9> 2]>>"
-  # note (range "-12" 12 "^55")
+  # note (range "-12" 12 "^34")
   # midiG' "^83" 0 1.2

live/boeuf/premier_tour.tidal

@@ -9,12 +9,12 @@ d1 $ g1 $ mDeg
   $ (# midiG' "^78" 0 1.5)
   -- $ superimpose (const $ "k . k(<1 3 1 5>, 8)" # "jazz" # gain 0.4)
   -- $ midiOn "^42" (<| "k <~!16 k!16> . ~ k*2 k*<1!3 <2 4>>") -- BREAK
-  $ midiOn "^42" (<| "k . k(5,8)") -- BREAK
-  $ midiOff "^42" (<| "k k k <k k*2 k [~ k]>") -- 4F!
+  $ midiOn "^41" (<| "k . k(5,8)") -- BREAK
+  $ midiOff "^41" (<| "k k k <k k*2 k [~ k]>") -- 4F!
   $ "[808bd:2]"
 d2 $ g1 $ mDeg
   $ whenmod 4 3 (off "<q e>" id)
-  $ midiOn "^43" (fast 2)
+  $ midiOn "^42" (fast 2)
   $ "~ a"
   # note (-4)
   # "[amencutup:5, snare:40]"
@@ -33,10 +33,10 @@ d5 $ g1 $ mDeg
   # pan (slow 16 $ range 0.33 0.66 sine)
   # pan 0.7
   # midiG' "^81" 0 0.9
-  # crushbus 51 (range 16 3 "^53")
+  # crushbus 51 (range 16 3 "^33")
 d6 $ g1 $ mDeg
-  $ midiOn "^60" (sometimesBy "0 1" rev)
-  $ midiOn "^92" (ply 2)
+  $ midiOn "^58" (sometimesBy "0 1" rev)
+  $ midiOn "^90" (ply 2)
   $ slice 32 ("[0 1*<0 1 2 3>] [1 0] 2*2 3*<1!3 2>")
   $ loopAt 2
   $ "break:19"

live/boeuf/samedi_canard.tidal

@@ -7,13 +7,13 @@ let gMute = (midiOn "^73" (mask "f*16"))
 let gM =  gMute
 let gO = (# octerbus 4 (range 0 2 "^29"))
 d1 $ gM $ gF1
-  $ midiOn "^42" (<| "k k k k*<1!3 2>")
-  $ midiOff "^42" (<| "k . k(<3!3 5>,8,<0!3 4>)")
+  $ midiOn "^41" (<| "k k k k*<1!3 2>")
+  $ midiOff "^41" (<| "k . k(<3!3 5>,8,<0!3 4>)")
   $ "[jazz,rampleA0:2]"
   # midiG' "^78" 0 1.6
 d2 $ gM $ gF2
   $ midiOn "^75" (fast 2)
-  $ midiOff "^43" (slow 2)
+  $ midiOff "^42" (slow 2)
   $ fix (# note "-2") "cp"
   $ fix (|* gain 0.8) "rampleR6"
   $ "~ cp ~ cp"
@@ -27,9 +27,9 @@ d3 $ gM $ gO $ gF3
 d8 $ gF3 $ gM
   $ midiOn "^60" (iter "1 4")
   $ midiOn "^92" (ply "2 <2!3 <4 8>>")
-  $ midiOn "^56" (splice 4 "0 1*2 <2 ~> 3(3,8)")
-  $ midiOn "^56" ((# "break:2"))
-  $ midiOn "^36" ((# "jungle_breaks:20"))
+  $ midiOn "^36" (splice 4 "0 1*2 <2 ~> 3(3,8)")
+  $ midiOn "^36" ((# "break:2"))
+  $ midiOn "^56" ((# "jungle_breaks:20"))
   $ loopAt 2
   $ chop 16
   $ "jungle_breaks:47"

live/boeuf/samedi_chill.tidal

@@ -21,16 +21,16 @@ d2 $ g $ gDeg
 d3 $ g $ gDeg
   $ juxBy "52" rev
   $ whenmod 16 8 (often (slow "<4!3 2>"))
-  $ midiOn "^44" (splice 16 ("0 1 2 3*<4 4 2 4> 0 1 6 7(3,8)"))
+  $ midiOn "^43" (splice 16 ("0 1 2 3*<4 4 2 4> 0 1 6 7(3,8)"))
   $ loopAt 2
   $ "break"
   # midiG' "^80" 0 1.8
   # cut 3
 d4 $ g $ gDeg
-  $ midiOn "^41" (fast 2)
+  $ midiOn "^76" (fast 2)
   $ "hh*[4 <4 4 4 8 [8 4]!2 4 8>]"
   # midiG' "^81" 0 1.8
-  # note (range "-12" "12" "^53")
+  # note (range "-12" "12" "^32")
 d5 
   $ someCyclesBy 0.2 (scramble 4)
   $ rarely (ply "2 <4 8>")

live/boeuf/valtho/dorian.tidal

@@ -2,8 +2,8 @@ do
 setcps (98/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn "^42" (<| "k*4")
-  $ midiOff "^42" (<| "k . k(3,8)")
+  $ midiOn "^41" (<| "k*4")
+  $ midiOff "^41" (<| "k . k(3,8)")
   $ "kick:5"
 d2 $ gF1 $ gM2 
   -- $ midiOn "^78"

live/collab/baba/la_matrice.tidal

@@ -2,8 +2,8 @@ do
 setcps (80/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn "^42" (<| "k*4")
-  $ midiOff "^42" (<| "k . ~ k")
+  $ midiOn "^41" (<| "k*4")
+  $ midiOff "^41" (<| "k . ~ k")
   $ fix (# lpf 500) "kick"
   $ "[jazz,kick:5]" # lpf 2000
 d2 $ gF1 $ gM2
@@ -14,7 +14,7 @@ d3 $ gF1 $ gM2
   $ "dr*[8 <8 [16 <16 4>]>]"
 d4 $ gF2 $ gM3
   $ superimpose (
-    # crushbus 41 (range 15 2.5 "^53")
+    # crushbus 41 (range 15 2.5 "^32")
   )
   $ note ("<g3 e4 <d4 <g4 [d4 g4]>> <b3!7 e4>>" + "[0,<5 7>(3,8)]")
   # "bassWarsaw"
@@ -27,7 +27,7 @@ d5 $ gF3 $ gM3
   $ note ("<g3 e4 <d4 <g4 [d4 g4]>> <b3!7 e4>>" + "[0,12]")
   # "FMRhodes1"
   # gain 1.4
-  # modIndex (range 0 4 "^54")
+  # modIndex (range 0 4 "^33")
 d5 $ gF3 $ gM3
   -- $ superimpose (
     -- # crushbus 41 (range 15 2.5 "^53")
@@ -36,13 +36,13 @@ d5 $ gF3 $ gM3
   $ note ("<g3 e4 <d4 <g4 [d4 g4]>> <b3!7 e4>>" + "[0,12]")
   # "FMRhodes1"
   # gain 1.4
-  # modIndex (range 0 4 "^54")
+  # modIndex (range 0 4 "^33")
 d7 $ gF1 $ gM3 $ loopAt 1 $ chop 16 $ "jungle_breaks:100" # cut 7 #  gain 1.3
 d8 $ gF1 $ gM2
   $ midiOff "^60" (mask "t(4,8,f)" . chop 8)
   $ chop 8
   $ loopAt 1
-  $ midiOn "^56" (# "jungle_breaks:45")
+  $ midiOn "^36" (# "jungle_breaks:45")
   $ "jungle_breaks:20"
   # gain 1.2
 

live/collab/baba/larmes_salees.tidal

@@ -66,7 +66,7 @@ d3 $ gF1 $ gM2
   $ whenmod 128 64 (# silence)
   $ mask "<t!7 f>" -- Mask permanent
   -- Orchestration
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^43" (ply 2)
   $ fix (|* gain 0.9) (n 10)
   $ "~ h(3,8)"
   # "808oh:1" # "rampleS15" # n "<9!3 [9 . 9 10]>"
@@ -79,9 +79,9 @@ d3 $ gF1 $ gM2
   # gain 0.9
 d4 $ gF2 $ gM3
   $ whenmod 128 64 (# silence)
-  $ midiOn "^89" (ply 2)
+  $ midiOn "^76" (ply 2)
   $ superimpose (
-    (# crushbus 41 (range 16 5 "^53")) . (# hpf 500) . (|* gain 0.8)
+    (# crushbus 41 (range 16 5 "^32")) . (# hpf 500) . (|* gain 0.8)
   )
   $ someCyclesBy "<1!8 1!8 0!8 1!8 0!8 1!8 0!8 1!8>" -- Prog Couplet
     (|+| note ("<g3 <f3 af3> <ef3 [ef3 f3]> <d3 bf3>>")) -- v3
@@ -108,7 +108,7 @@ d5 $ gF3 $ gM3 -- v1: Avec deux progs incertaines, pas d'arp
     -- (|+ note "<[bf4, d5, f5] [a4, d5, fs5] [g4, <as4!3 c5>, d5] [fs4, ef5, <fs5!3 c5>]>") -- Mix variation v2
   -- $ note ("0"- 12)
   # "FMRhodes1"
-  # modIndex (range 0 3 "^54")
+  # modIndex (range 0 3 "^33")
   # gain 1.1
   # legato 4
   # att 0.1

live/collab/benoit/tous_ensemble.tidal

@@ -5,7 +5,8 @@ d1
   $ midiOff "^41" (<| "k . k(3,8)")
   $ "[jazz,kick:4]"
 d2 $ gF1 $ gM1 
-  $ midiOn "^41" (<| "~ c ~ c")
+  -- FIXME(#94) d2 drives more controls than the grid gives it (BT2 only — BL1-3 are the family mutes). ^42 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^42 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d2's own control with gSel.
+  $ midiOn "^42" (<| "~ c ~ c")
   $ midiOff "^42" (<| "k . k(3,8)")
   $ "cp" 
   # lpf 400
@@ -42,7 +43,7 @@ d4 $ gF2 $ gM3
   $ "gfunk_bass:3" 
   # cut 4
   # gain 1.4
-  # crushbus 41 (range 16 3.5 "^52")
+  # crushbus 41 (range 16 3.5 "^32")
   # pan 0.3 # room 0.3 # dry 0.7
 d5 $ gF3 $ gM3
   -- $ slow 2
@@ -57,7 +58,7 @@ d5 $ gF3 $ gM3
   )
   # "FMRhodes1" 
   # gain 1.7
-  # modIndex (range 0 8 "^53")
+  # modIndex (range 0 8 "^33")
   # room 0.8 # dry 0.9 # sz 0.5
   # pan 0.6
 d8 $ gF1 $ gM1

live/collab/cookie/from_scratch.tidal

@@ -11,8 +11,8 @@ setcps (120/60/4)
 -- TODO: Suggestion gM1/2/3 filtres partiels
 -- let gM3 = 
 d1 $ gF1 $ gM1 
-  $ midiOn "^42" (struct "t t t t")
-  $ midiOff "^42" (struct "t . t(3,8)")
+  $ midiOn "^41" (struct "t t t t")
+  $ midiOff "^41" (struct "t . t(3,8)")
   $ "jazz"
   # gain 1.5
 d2 $ gF1 $ gM2 
@@ -26,15 +26,15 @@ d4 $ gF2 $ gM3
   $ note (scale "dorian" ("0 0 4 <2 1 2 7>") + "fs2") # "bassWarsaw" 
   # cut 4 
   # gain 1.3
-  # crushbus 41 (range 16 2.5 "^53")
-  # octerbus 42 (range 0 2.5 "^53")
+  # crushbus 41 (range 16 2.5 "^32")
+  # octerbus 42 (range 0 2.5 "^32")
 d5 $ gF3 $ gM3 
   -- $ degradeBy 0.4
   $ slice 8 "<0 1 2 3 4 5 6 7>" 
   $ "gfunk_lead:5" 
   # cut 5 
   # gain 1.7
-  # octersubbus 51 (range 0 2.5 "^54")
+  # octersubbus 51 (range 0 2.5 "^33")
 d8 $ gF1 $ gM2
   $ midiOff "^60" (mask "t(4,8,1)" . chop 8) -- TECHNO MASK !!
   $ chop 8

live/collab/cookie/from_scratch_prep2.tidal

@@ -8,12 +8,12 @@ once $ "gfunk_lead:5"
 do
 setcps (120/60/4)
 d1 $ gF1 $ gM1 
-  $ midiOn "^42" (struct "t*4" )
-  $ midiOff "^42" (struct "t .  t(<3 [3 <1 5 [5 3] 8>]>,8)")
+  $ midiOn "^41" (struct "t*4" )
+  $ midiOff "^41" (struct "t .  t(<3 [3 <1 5 [5 3] 8>]>,8)")
   $ "jazz" # lpf 300
 d2 $ gF1 $ gM2 
-  $ midiOn "^43" (struct "~ t ~ <t t*2 [t!3 ~] t*[4 2]>")
-  $ midiOff "^43" (struct "~ t")
+  $ midiOn "^42" (struct "~ t ~ <t t*2 [t!3 ~] t*[4 2]>")
+  $ midiOff "^42" (struct "~ t")
   $ "vec1_snare:25" 
 -- # hpf 500
 d3 $ gF1 $ gM2 $ "hh([<8 12> <8 12 8? 16>],16)" # "h2ogmhh:3"
@@ -27,8 +27,8 @@ d5 $ gF3 $ gM3
   # cut 5
 d8 $ gF1 $ gM2  
   $ midiOff "^60" (mask "t(4,8,1)" . chop 16)
-  $ midiOn "^56" (# n 19)
-  $ midiOn "^36" (# n 74)
+  $ midiOn "^36" (# n 19)
+  $ midiOn "^56" (# n 74)
   $ chop 8 $ loopAt 2 
   $ "jungle_breaks:45" 
   # cut 8

live/collab/etienne/concombre.tidal

@@ -7,11 +7,11 @@ d1 $ gF $ gM
   $ superimpose (const $ "~ s ~ s*<1 2 1 [1|2]>" # "snare:24" # gain 1.3 # note (8))
   $ fix (|* gain 0.9) "jazz"
   $ fix (|* gain 1.2) "kick:5"
-  $ midiOn "^42" (<| "k k k <k [<~ k> k]>")
-  $ midiOff "^42" (<| "k ~ [~ k] <~!3 k>")
+  $ midiOn "^41" (<| "k k k <k [<~ k> k]>")
+  $ midiOff "^41" (<| "k ~ [~ k] <~!3 k>")
   $ "[kick:5,jazz]"
 d2 $ gF $ gM
-  $ midiOn "^43" (fast 2)
+  $ midiOn "^42" (fast 2)
   $ "~ s ~ s"
 -- $ "~ ~ s ~"
 -- $ "~ ~ ~ ~ s ~ ~ ~"
@@ -20,28 +20,28 @@ d2 $ gF $ gM
 d3 $ gF $ gM
   $ ply "2!3 1"
   $ "dr*8"
-  # crushbus 51 (range 16 2.5 "^53")
+  # crushbus 51 (range 16 2.5 "^31")
   # midiG' "^80" 0 1.5
 d5 $ gF2 $ gM
   $ chop 8
   $ "90s_matrix:3"
-  # crushbus 51 (range 16 2.5 "^53")
+  # crushbus 51 (range 16 2.5 "^33")
   # sz 0.9
   # room 0.3
   # cut 5
   # midiG' "^81" 0 1.2
 d7 $ gF2
-  $ midiOn "^57" (off "e" (mask "t!7 f"))
+  $ midiOn "^59" (off "e" (mask "t!7 f"))
   -- $ struct "t*4"
   $ note (arp "<up down>" $ "<c3'nine'5!2 g3'min7'5!2>")
   -- $ note (arp "<up up>" $ "<>")
   # "bassWarsaw"
-  # crushbus 71 (range 16 2.5 "^54")
+  # crushbus 71 (range 16 2.5 "^35")
   # midiG' "^82" 0 1.8
 d6 $ gF2 $ gM
-  $ midiOn "^57" (ply "4 8")
+  $ midiOn "^90" (ply "4 8")
   $ "90s_matrix:0"
-  # crushbus 61 (range 16 2.5 "^55")
+  # crushbus 61 (range 16 2.5 "^34")
   # sz 0.9
   # cut 6
   # midiG' "^83" 0 2
@@ -51,7 +51,7 @@ d8 $ gF2
   $ arp "up"
   $ note ("a3'min'4" + "[0,<12!3 24>]")
   # "acidOto3092"
-  # crushbus 81 (range 16 3.5 "^56")
+  # crushbus 81 (range 16 3.5 "^36")
   # rel 2
   # midiG' "^84" 0 2
 d9 $ gF -- Breaks silence pesant.

live/collab/igor/hello_studio.tidal

@@ -49,8 +49,8 @@ d5 $ g2
   $ note (arp "up" "<c'min'4!3 g'min'4>"
   - "[12,24]")
   # "bassWarsaw"
-  # gMaster (range 0 1.4 "^17")
-  # crushbus 41 (range 16 4.5 "^18")
+  # gMaster (range 0 1.4 "^33")
+  # crushbus 41 (range 16 4.5 "^53")
 d6
   $ g2
   -- $ striate 4
@@ -63,7 +63,7 @@ d6
   # room 0.4
   # dry 0.99
   # sz 0.8
-  # modIndex (range 0 25 "^19")
+  # modIndex (range 0 25 "^34")
   -- # hpf (range 0 5000 "^19")
   # gMaster 0.7
 

live/collab/jane/drifting_soul.tidal

@@ -11,8 +11,8 @@ d2 $ gF1 $ gM2 $ "~ s ~ [s*<1!3 2> ~]"
 d3 $ gF1 $ gM2 $ "d(3,8) d(<3!3 5>,8)"
   # "drum:2" # "h2ogmhh:1" # gain 1.2 # cut 3 -- Drill that Baby
 d5 $ gF3 $ gM3 -- Jane's Piano
-  $ midiOn "^90" (ply "<4 2 1 2> <2 [1 8]>")
-  $ midiOn "^58" (slice 4 "<0 1 2 <3 <2 1>>>*4")
+  $ midiOn "^89" (ply "<4 2 1 2> <2 [1 8]>")
+  $ midiOn "^57" (slice 4 "<0 1 2 <3 <2 1>>>*4")
   $ gF2 $ gM2
   $ n "<0!8 1!3 0 1!3 1*4>" -- TODO: I'd like to let her develop more
   -- $ n "<0 ~>"
@@ -21,8 +21,8 @@ d5 $ gF3 $ gM3 -- Jane's Piano
   # pan (slow 16 $ range 0.6 0.45 saw)
   # gain 1.5
 d4 $ gF2  $ gM3 -- Cello bass
-  $ midiOn "^89" (|+| note "[0 12 0]")
-  $ midiOn "^57" (|+| note "0 0 <7 [7 9](3,8) 7 [7 9 12 7]> 0")
+  $ midiOn "^44" (|+| note "[0 12 0]")
+  $ midiOn "^76" (|+| note "0 0 <7 [7 9](3,8) 7 [7 9 12 7]> 0")
   $ juxBy 0.6 (|+| note ("7([3 1],8)"))
   $ note ("<[fs@7 <~ bf>] [fs@7 <~ cs>] <bf ef> <cs!3 bf>>")
   |* gain "<[1@7 0.9] 1 1 1>"
@@ -44,7 +44,7 @@ d11 $ gM3 $ gF3
   # gain 1.2
 d7 $ gF1 $ gM3 -- SCRATCH
   $ midiOn "^91" (ply "2 4 <8 8 4 16>")
-  $ midiOn "^55" (# n 13)
+  $ midiOn "^35" (# n 13)
   $ midiOn "^59"(# n 15)
   $ chop 16
   $ loopAt 4

live/collab/l'ine*fable/premiere_fable.tidal

@@ -5,7 +5,7 @@ d1 $ gM1 $ gF1
   $ superimpose ( -- Technique ine*fable : la basse du kick
     (# "vec2_bass_ob:190")
     . (# att 0.2) . (# rel 1))
-  $ midiOff "^42" (mask "t f f t")
+  $ midiOff "^41" (mask "t f f t")
   $ fix ((|* gain 1.2) . (# lpf 300)) "clubkick:2"
   $ fix ((|* gain 1) . (# hpf 300)) "hardkick_rha"
   $ speed "1 1 1 [1,[~ -4]]"
@@ -19,7 +19,7 @@ d4 $ gF2 $ gM3
   $ freq "102 108 110 ~ 105 130 52 33" 
   # "bassWarsaw" 
   # gain 1.3
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^32")
 d4 $ gF2 $ gM3 
   $ note ("<[cs ~!3 . gs] [c ~!3 . < g [g@3 c6]>]>" - 24)
   # "bassWarsaw"

live/collab/louis/anarchie.tidal

@@ -4,8 +4,8 @@ do
 setcps (104/60/4)
 let modIndex = pF "modIndex"
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (struct "t t t*<1!6 2 1> t*<1!7 2>") -- RUN 4/4
-  $ midiOff "^42" (struct "t . ~ t ~ ~ ") -- OFFBEAT DNB
+  $ midiOn "^41"  (struct "t t t*<1!6 2 1> t*<1!7 2>") -- RUN 4/4
+  $ midiOff "^41" (struct "t . ~ t ~ ~ ") -- OFFBEAT DNB
   $ stack [
   "kick" # lpf 10000 # cut 1,
   "rumble" |* gain 1.3
@@ -33,7 +33,7 @@ d3 $ gF1 $ gM2
 d4 $ gF2 $ gM3 
   $ note ("<bf af ef@2>" - 24)
   # "bassWarsaw"
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^32")
   # room 0.4 # sz 0.5 # dry 1.4
 d5 $ gF3 $ gM3
   $ mask "<f t f f>"

live/collab/louis/d_accord.tidal

@@ -5,8 +5,8 @@ setcps (124/60/4)
 let modIndex = pF "modIndex"
 let chord = "<Dm79 FM79 CM79 CM79>"
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (struct "t t t*<1!6 2 1> t*<1!7 2>") -- RUN 4/4
-  $ midiOff "^42" (struct "t . ~ t ~ ~ ") -- OFFBEAT DNB
+  $ midiOn "^41"  (struct "t t t*<1!6 2 1> t*<1!7 2>") -- RUN 4/4
+  $ midiOff "^41" (struct "t . ~ t ~ ~ ") -- OFFBEAT DNB
   $ stack [
   "kick" # lpf 10000 # cut 1,
   "rumble" |* gain 1.3
@@ -42,7 +42,7 @@ d4 $ gF2 $ gM3
   $ jchord chord
   # "bassWarsaw"
   # octave 2
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^32")
   # lpfbus 41 (range 40 260 (fast 32 $ ((0.2 ~>) $ sine)))
   -- # lpf 340
   # lpq 0.3
@@ -57,7 +57,7 @@ d5 $ gF3 $ gM3
   # gain 1.3
 d8 $ gF1 $ gM2
   $ midiOff "^60" (mask "t(4,8,1)") -- Techno drum mask
-  $ midiOn "^56" (loopAt 2 . (# "jungle_breaks:23")) -- Raise COMEON!
+  $ midiOn "^36" (loopAt 2 . (# "jungle_breaks:23")) -- Raise COMEON!
   $ midiOn "^92" ( -- Bouton Nassim <3
     slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>"
     . loopAt 1 . (# "breaks165")

live/collab/mousquetaires/blue_gold.tidal

@@ -34,25 +34,25 @@ d3 $ gF1 $ gM2 -- Highest hats
   # room 0.2 # dry 0.99 # sz 0.25
 d4 $ gF2 $ gM3 -- BASSLINE VIOLENTE PAR VALENTIN <3
   $ superimpose (
-    (# crushbus 41 (range 16 3.5 "^53"))
+    (# crushbus 41 (range 16 3.5 "^32"))
     . (# hpf 500)
   )
-  $ midiOn "^89" (ply "2 <2 <4 8>>")
+  $ midiOn "^76" (ply "2 <2 <4 8>>")
   $ fast (4/3) -- Le fameux
-  $ midiOff "^57" -- L'attente
+  $ midiOff "^44" -- L'attente
     (sometimesBy "<1!3 [0 <0 1>]>" (mask "t(<5!3 <5 8>>,8) t(<5!3 5>,8)"))
   $ ("e" ~>) -- Decalage
   $ note ("<[fs4 <a5!2 gs!4 fs5!4 <[a6 gs6 fs6]!3 [fs6 gs6 a6]>>@3]*4>")
   # "bassWarsaw" |- note 24
   # pan 0.4
-  # octersubbus 42 (range 0 2 "^33")
-  # octerbus 43 (range 0 0.52 "^33")
+  # octersubbus 42 (range 0 2 "^52")
+  # octerbus 43 (range 0 0.52 "^52")
   # gain 2
   # legato "[0.8 0.5]*4"
 d5 $ gM3 $ gF3 -- Suns of Gold Keys, samples
-  $ midiOn "^90" (ply "2 <2 <4 8>>")
-  $ midiOn "^58" (slice 8 "<0 1 2 3>(<3 <5 [5 3]> <3!3 [1]> <8!3 [8 4]>>,8)")
-  $ midiOff "^58" (slice 8 "<0 1 2 3 4 5 6 7>")
+  $ midiOn "^89" (ply "2 <2 <4 8>>")
+  $ midiOn "^57" (slice 8 "<0 1 2 3>(<3 <5 [5 3]> <3!3 [1]> <8!3 [8 4]>>,8)")
+  $ midiOff "^57" (slice 8 "<0 1 2 3 4 5 6 7>")
   $ "suns_keys" # n "<0 <1 2> 3 3>"
   # pan 0.8
   # room 0.8 # sz 0.5
@@ -63,14 +63,14 @@ d5 $ gM3 $ gF3 -- Suns of Gold Keys, samples
   # gain 1.2
 d7 $ gM3 $ gF3 -- Suns of Gold Guitars, sampled and cut
   $ superimpose ((# cut 71) .
-    (# crushbus 73 (range 16 2.9 "^55")) -- CRASH THIS GUITAR
+    (# crushbus 73 (range 16 2.9 "^35")) -- CRASH THIS GUITAR
   )
   $ midiOn "^91" (ply "1 . 2 <2 <4 8>>")
   $ slice 8 "0 0 0 <0 <1 2>>"
   $ "suns_guitar:0/2"
   # cut 7
-  # octersubbus 71 (range 0 1.9 "^35") -- BURN THIS GUITAR
-  # lpfbus 72 (range 10000 200 "^35")
+  # octersubbus 71 (range 0 1.9 "^55") -- BURN THIS GUITAR
+  # lpfbus 72 (range 10000 200 "^55")
   # pan 0.2
   # gain 1.1
 d8 $ gF1 $ gM2

live/collab/nass/mains_libres.tidal

@@ -5,15 +5,15 @@ setcps (165/60/4)
 d1 
   $ gF1 $ gM1
   -- $ midiOff "^42"  (<| "<k [~!7 k*<1 2>]>")
-  $ midiOff "^42" (<| "k . ~ k ~ ~")
-  $ midiOn "^42" (<| "k  k . k <k [~ k] k k*2>")
+  $ midiOff "^41" (<| "k . ~ k ~ ~")
+  $ midiOn "^41" (<| "k  k . k <k [~ k] k k*2>")
   $ "popkick:2"
   -- # lpf 300 -- TODO Sound design this kick <3
   -- # cut 1
   # gain 2
 d2 $ gF1 $ gM2
-  $ midiOff "^43" (<| "~ s ~ s*<1!3 2>")
-  $ midiOn "^43" (<| "~ . s*<1!3 2> ~")
+  $ midiOff "^42" (<| "~ s ~ s*<1!3 2>")
+  $ midiOn "^42" (<| "~ . s*<1!3 2> ~")
   $ "[realclaps:0]"
   -- # "h2ogmcp"
   -- # gain (1.0 * "<[1]!16 [1 <1 <1 [1 0.93] 1 [0.9]>>]!16>")
@@ -42,7 +42,7 @@ d5 $ gF2 $ gM3
     + (arp "up" "c'maj'4 c'maj'4")
   )
   # "FMRhodes1" 
-  # modIndex (range 0 16 "^54")
+  # modIndex (range 0 16 "^33")
   # gain 1.3 
   # cut 5
   # room 0.3
@@ -57,7 +57,7 @@ d4 $ gF2 $ gM3
   ) 
   -- # "moog:1" 
   # "bassWarsaw" |- note 36
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^32")
   # pan 0.4
   # cut 4
   # gain 1.5
@@ -68,14 +68,14 @@ d5 $ gF3 $ gM3 -- Les ptites keys de fin de session tranquilou
   $ slice 8 "<0 1 2 3 4 5 6 7>" 
   $ "gfunk_lead:13" # cut 4
   # gain 1.8
-  # crushbus 51 (range 16 3.5 "^54")
+  # crushbus 51 (range 16 3.5 "^33")
   # pan 0.9
   # room 0.3 
 d7 $ gF3 $ gM3 $ "trance_amb:0/2" # cut 7
 d8 $ gF1 $ gM2
   $ midiOff "^60" (mask "t(4,8,1)") -- Techno drum mask
   $ midiOn "^36 " (loopAt 4 . (# "jungle_breaks:22")) -- Raise COMEON!
-  $ midiOn "^56" (loopAt 4 . (# "jungle_breaks:23")) -- Raise COMEON!
+  $ midiOn "^36" (loopAt 4 . (# "jungle_breaks:23")) -- Raise COMEON!
   $ midiOn "^92" ( -- Bouton Nassim <3
     slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>"
     . loopAt 1 . (# "breaks165")

live/collab/quentin/pain_with_love.tidal

@@ -16,19 +16,19 @@ d2 $ gM2 $ gF1 $ endSong -- Snare le fantome de la plage
   # rel 2
   # gain 1.5
 d3 $ gF1 $ gM2 $ endSong
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^43" (ply 2)
   $ whenmod 8 6     (juxBy 0.8 rev)
   $ "hh*[8 <[8!7 16] [8!3 16] 8 [16 32 16]>]"
   # "drum:2"
   # delay 0.5
   # delayt 0.15
 d4 $ gF2 $ gM3 -- Dubesque bass
-  $ superimpose ((# crushbus 41 (range 16 5 "^53")) . (# lpf 500))
+  $ superimpose ((# crushbus 41 (range 16 5 "^32")) . (# lpf 500))
   $ note ("g2 <g2 [<g2 a2> <a2 g2>]>")  -- Melodie
   + "0(<3 3 5 3>,8) 0(<3!3 <1 [2 1] 5 8>>,8)" -- Structure
   # "bassWarsaw"
   # gain 1.1
-  # squizbus 42 (range 0 8 "^33")
+  # squizbus 42 (range 0 8 "^52")
   # room 0.3 # sz 0.8 # dry 1.1
   # pan 0.4
 d5 $ gF3 $ gM3 -- Marimba bulles de savon dans l'espace

live/collab/raph/acab.tidal

 do
 d1 $ gF1 $ gM1 
-  $ midiOn "^42"  (<| "k k k <k [<~ k> k]>")
-  $ midiOff "^42" (<| "k . k(<1!4 3!11 5 [5 8]>,8)" )
+  $ midiOn "^41"  (<| "k k k <k [<~ k> k]>")
+  $ midiOff "^41" (<| "k . k(<1!4 3!11 5 [5 8]>,8)" )
   $ "kick:4"
 d2 $ gF1 $ gM2 $ "~ cp ~ cp" # note "-4"
 d3 $ gF1 $ gM2 $ "~ s ~ s ~ s ~ s*2" 
@@ -11,9 +11,9 @@ d4 $ gF2 $ note (
   "<a4 c5 a4 b4>" + "[0(3,8) <0!4 7!3 12>(3,8)]"
   )
   # "vec1_acid:26"
-  # crushbus 41 (range 16 3.5 "^53")
-  # octersubbus 42 (range 0 1.95 "^33")
-  # octersubsubbus 43 (range 0 1.95 "^33")
+  # crushbus 41 (range 16 3.5 "^32")
+  # octersubbus 42 (range 0 1.95 "^52")
+  # octersubsubbus 43 (range 0 1.95 "^52")
 d5 $ gF3 
   $ note (
   "<a5 c6 a5 b5>*2" + "0(5,8)" - 12

live/collab/raph/ambiance.tidal

@@ -6,7 +6,7 @@ do
 -- d1 $ gF1 $ gM1 $ "kick:5"
 -- d1 $ gF1 $ gM1 $ "kick:5"
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (<| "k k k <k [<~ k> k*<1 4>]>")
+  $ midiOn "^41"  (<| "k k k <k [<~ k> k*<1 4>]>")
   -- $ midiOn "^42" (<| "k k(<3 [3 5]>,8)")
   $ "kick:5"
 d2 $ gF1 $ gM2
@@ -46,6 +46,6 @@ d4 $ gF2 $ gM3  -- Bass electrique
   # att 0.2
   # rel 2
   # room 0.4 # dry 1.2 # sz 0.5
-  # octersubbus 42 (range 0 4 "^33")
-  # crushbus 41 (range 16 2.3 "^53")
+  # octersubbus 42 (range 0 4 "^32")
+  # crushbus 41 (range 16 2.3 "^52")
   # cut 4

live/collab/raph/chevalerie.tidal

 do
 setcps (160/60/4)
 d1 $ gF1 $ gM1
-  $ midiOn "^42" (<| "k k k*<1 1 0 1 1 1 1 2> k*<1!3 2>")
-  $ midiOff "^42" (<| "k . ~ k ~ ~")
+  $ midiOn "^41" (<| "k k k*<1 1 0 1 1 1 1 2> k*<1!3 2>")
+  $ midiOff "^41" (<| "k . ~ k ~ ~")
   $ "[cpu,kick:5]"
   # gain 0.8
   # lpf 2000
 d2 $ gF1 $ gM2 $ "~ sn ~ sn*<1!3 2>" # "snare:30" # lpf 4000
 d3 $ gF1 $ gM2 $ "[~ hh]*4" # "h2ogmhh" # gain 0.8
 d4 $ gF2 $ gM3
-  $ midiOn "^57" (struct "t(4,8)")
-  $ midiOn "^89" (off "e" id)
+  $ midiOn "^44" (struct "t(4,8)")
+  $ midiOn "^76" (off "e" id)
   -- TODO Vary bassline, pas juste l'attente
   $ note "<a*2 ~> ~ <~ <<d6!4 c5!4>*<2 1>>> <~ <c6!4 bs5!4>>"
   # "bassWarsaw" |- note 36
-  # crushbus 41 (range 11 2.8 "^53")
-  # roombus  42 (range 0 0.8 "^53") # sz 0.8 # dry 1.1 # lpf 5000
+  # crushbus 41 (range 11 2.8 "^32")
+  # roombus  42 (range 0 0.8 "^32") # sz 0.8 # dry 1.1 # lpf 5000
   # legato 2
 d5 $ gF3 $ gM3
   $ whenmod 16 8 (juxBy 0.5 (("e" ~>) . (|+ note 12) . (# cut 51)))
@@ -27,7 +27,7 @@ d5 $ gF3 $ gM3
   + 24 -- Octave
   )
   # "giorgio_syn:28"
-  # octerbus 51 (range 0 1.5 "^54")
+  # octerbus 51 (range 0 1.5 "^33")
   # gain 1.5
   # pan "<0.2!4 0.8!4>"
   # cut 5
@@ -38,7 +38,7 @@ d8 $ gF1  $ gM2
   $ loopAt 2
   $ chop 8
   $ midiOff ("^60" + "^92") (mask "f(8,16)" . chop 8)
-  $ midiOn "^56" (# n 23)
+  $ midiOn "^36" (# n 23)
   $ midiOn "^92" (loopAt 0.5 . (# "breaks165"))
   $ slice 4 "<0!3 2> <1!3 3> 2 3"
   $ "jungle_breaks:22"

live/collab/raph/dub_a_trois.tidal

@@ -3,8 +3,8 @@ setcps (80/60/4)
 -- let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
 let gMute = (midiOn "^73" (mask "f*16"))
 d1 $ gF1 $ gM1
-  $ midiOn "^42" (<| "k k k <k k*2 k [~ k]>")
-  $ midiOff "^42" (<| "k ~ ~ <~!3 k>. k ~ <~ k> <k ~>")-- RubADub+adjustements
+  $ midiOn "^41" (<| "k k k <k k*2 k [~ k]>")
+  $ midiOff "^41" (<| "k ~ ~ <~!3 k>. k ~ <~ k> <k ~>")-- RubADub+adjustements
   $ "[cpu,jazz]"
   # lpf 5000
 d2 $ gF1 $ gM2
@@ -12,12 +12,12 @@ d2 $ gF1 $ gM2
 d3 $ gF1 $ gM2
   $ "drum:2*[16 <16 [16 8] 8 [16 32]>]"
 d4 $ gF2 $ gM3
-  $ midiOn "^89" (struct "t*8")
+  $ midiOn "^44" (struct "t*8")
   -- $ superimpose (ma) . (# cut 41))
   $ note ("<c!4 ef ef g g> <c!4 ef ef g g>@3 . ~!7 <~ <b3 d3>>" - 1)
   # "bass3:2"
   # cut 4
-  # crushbus 41 (range 16 2.5 "^53")
+  # crushbus 41 (range 16 2.5 "^32")
 d5 $ gF3 $ gM3
   $ (|+| note (arp "up" "~ 0 ~ 0" + (slow 2 "<g4 as4 c4 <d4 ds4>>") + 6))
   $ slice 16 ("0")
@@ -26,7 +26,7 @@ d5 $ gF3 $ gM3
   # room 0.4 # dry 1.2
   # cut 5
 d8 $ gF1 $ gMute
-  $ midiOn "^56" (loopAt 0.5 . (# "jungle_breaks:45") . (|* gain 0.8))
+  $ midiOn "^36" (loopAt 0.5 . (# "jungle_breaks:45") . (|* gain 0.8))
   $ midiOn "^92" (ply "<2!3 4>")
   $ loopAt 4
   $ chop 16

live/collab/raph/el_diablo.tidal

@@ -6,8 +6,8 @@ let gDJF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
 let g1 = (gDJF1)
 let g2 = (gDJF2)
 d1 $ g1
-  $ midiOn "^42"  (<| "k . k(<<3 1> 1 3 5>,8)")
-  $ midiOff "^42" (<| "k")
+  $ midiOn "^41"  (<| "k . k(<<3 1> 1 3 5>,8)")
+  $ midiOff "^41" (<| "k")
   $ "[jazz,909]"
   # midiG' "^78" 0 1.2
 d2 $ g2 $ "~ snare:42"
@@ -21,8 +21,8 @@ d4 $ g1
   $ "break:1"
   # cut 4
   # midiG' "^80" 0 1
-  # octerbus       40 (range 0 1.2 "^52")
-  # octersubbus    41 (range 0 5 "^32")
+  # octerbus       40 (range 0 1.2 "^32")
+  # octersubbus    41 (range 0 5 "^52")
   # octersubsubbus 42 (range 0 5 "^16")
 d5
   $ g2
@@ -44,7 +44,7 @@ d6 $ g2
   # lpf 3000
   # voice 0.1
   # midiG' "^81" 0 1
-  # crushbus 61 (range 16 3.2 "^53")
+  # crushbus 61 (range 16 3.2 "^34")
   # room 0.4
 
   -- La pub c'est le mitard

live/collab/raph/explo_rha_teur.tidal

@@ -7,7 +7,7 @@ d1 $ gF4 $ gM1
     (# "hardkick_rha") .
     -- (# n "<14!3 15 <14 15>>")
     (# n 14)
-    . (|* gain (range 0 1 "^30"))
+    . (|* gain (range 0 1 "^29"))
     ) -- SALE
   $ "k k*2 k <k k*2 k*<4 2 4 1> [~ k*<1 1 <1 <2 [4 2]>> <2 4>>]>"
   # "[jazz,hardkick_rha:5]"
@@ -26,18 +26,18 @@ d8 $ gF1 $ gM2
   $ midiOn "^92" (ply 4)
   $ loopAt 2
   $ chop 8
-  $ midiOn "^56" (loopAt 0.5 . (>| "breaks165"))
+  $ midiOn "^36" (loopAt 0.5 . (>| "breaks165"))
   $ "jungle_breaks:11"
   # cut 8
   # room 0.4 # dry 1.1
   # gain 1.5
 d4 $ gF2 $ gM3 -- Incroyable melodie mega chargee explosive
-  $ midiOn "^89" (ply 4)
-  $ midiOn "^57" (mask "t([<2!4 4!4 8!4 16!4> 2],16)"
+  $ midiOn "^76" (ply 4)
+  $ midiOn "^44" (mask "t([<2!4 4!4 8!4 16!4> 2],16)"
   . (# room 0.4) . (# dry 0.9))
   -- $ midiOn "^57" (fast 4)
   $ chop 64
-  $ superimpose (# crushbus 41 (range 16 4 "^33"))
+  $ superimpose (# crushbus 41 (range 16 4 "^32"))
   $ slice 4 (slow 4 "<0 1 2 3>")
   $ "rhadamanthe_melo:15"
   # gain 1.2
@@ -46,8 +46,8 @@ d5 -- Descente inexorable
     "<[e4 c4 b3 a3] [e4 c4 b3 a3] [f4 d4 c4 b3] [f4 d4 c4 b3]>"
     )
   # "FMRhodes1"
-  # crushbus 51 (range 16 4 "^54")
-  # modIndex (range 0 4 "^34")
+  # crushbus 51 (range 16 4 "^33")
+  # modIndex (range 0 4 "^53")
   # gain 1.4
   # room 0.2
 d6 $ gF3 $ gM3 -- Gros effet basse tremolo

live/collab/raph/hard_monday.tidal

@@ -4,23 +4,24 @@ let gF =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gMute = (midiOn "^73" (mask "f*16"))
 let gM = gMask . gMute
 d1 $ gF $ gM1 -- Kick variable
+  -- FIXME(#94) d1 drives more controls than the grid gives it (BT1 only — BL1-3 are the family mutes). ^41 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^41 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d1's own control with gSel.
   $ midiOn "^41" (
     # "hardkick:2" -- Kick GABBER
    )
   $ midiOn "^75" (fast 2)
-  $ midiOn  "^42" (struct "t t <t!3 [t t*2]> <t [t t] t [t t*2]>") -- FIXME GABBER DOUBLE
+  $ midiOn  "^41" (struct "t t <t!3 [t t*2]> <t [t t] t [t t*2]>") -- FIXME GABBER DOUBLE
   -- $ midiOff "^42" (struct "~ <t!3 ~>") -- L'attente
-  $ midiOff "^42" (struct "t ~")
+  $ midiOff "^41" (struct "t ~")
   -- $ "[techno:0,808bd:2,909,kick:4]" -- Kick explosif!
   $ "[techno:0,808bd:2,jazz]" -- Kick raisonnable
   # "[techno:0,jazz]" -- Kick dnb
   # midiG' "^78" 0 1
 d2 $ gF $ gMute -- Clap timer
-  $ midiOn "^43" (<| "c c c*<1!6 2 2> c*<1 2>")
-  $ midiOff "^43" (<| "~ c")
+  $ midiOn "^42" (<| "c c c*<1!6 2 2> c*<1 2>")
+  $ midiOff "^42" (<| "~ c")
   $ drumFrom "[linnlm1]" "cp"
   # lpf 1200
-  # distortbus 21 (range 0 2 "^31")
+  # distortbus 21 (range 0 2 "^30")
   # midiG' "^79" 0 1
 d3 $ gF $ gMute -- Chapeau!
   $ "~ h ~ h*<1!3 2> ~ h*<1!7 2> ~ h*<1 <2 4>>"
@@ -33,7 +34,7 @@ d4 $ gF3
     "c [c d ef] c [c d ef] c [c d ef] c [c <ef f g gs> <f g gs as>]"
     - 24)
   # "bassWarsaw"
-  # crushbus 41 (range 16 3.93 "^53")
+  # crushbus 41 (range 16 3.93 "^32")
   # cut 4
   # pan 0.3
   # legato 0.75
@@ -42,7 +43,7 @@ d6 $ gF3
   -- $ slow 2
   $ note "c [c d ef] c [c d ef] c [c d ef] c [c <ef f g gs> <f g gs as>]"
   # "harpsichord1"
-  # crushbus 61 (range 16 3.93 "^54")
+  # crushbus 61 (range 16 3.93 "^34")
   # cut 6
 # pan 0.3
   # legato 0.5
@@ -59,7 +60,7 @@ d7 $ gF2
   $ midiOn "^91" (arp "up")
   $ note ("<[c4 <f4 gs4> <gs4 <c5 b4>>@6]>")
   # "phazer"
-  # crushbus 61 (range 16 3.93 "^54")
+  # crushbus 61 (range 16 3.93 "^35")
   -- # cut 7
   # pan 0.3
   # legato 0.5
@@ -92,7 +93,7 @@ d6 $ gM3 $ gF3
   # room 0.8 # dry 1
   # sz 0.64
   # midiG' "^82" 0 1
-  # crushbus 61 (range 16 3.93 "^54")
+  # crushbus 61 (range 16 3.93 "^34")
   # legato 2
   # cut 6
 

live/collab/raph/hello_tek.tidal

@@ -8,10 +8,10 @@ let f1 = (# djfbus 1 (range 0.05 0.95 "^49"))
 let f2 = (# djfbus 2 (range 0.25 0.75 "^29"))
 let f3 = (# djfbus 3 (range 0.15 0.85 "^13"))
 d1 $ f1
-  $ midiOn "^42" (
+  $ midiOn "^41" (
     (<| "k . ~ k ~ ~" )
   )
-  $ midiOff "^42" (<| "k*<1 1 2 <1 2>> . k(3,8)" )
+  $ midiOff "^41" (<| "k*<1 1 2 <1 2>> . k(3,8)" )
   $ "[kick:5,jazz,reverbkick]"
   # end 0.25
   # midiG' "^78" 0 0.8
@@ -25,20 +25,20 @@ d3 $ f2
   # midiG' "^80" 0 0.8
   # cut 3
 d4 $ f3
-  $ midiOn "^58" (slice 4 ("0 0 0 <0 1 2>"))
+  $ midiOn "^76" (slice 4 ("0 0 0 <0 1 2>"))
   $ loopAt 4
   $ "tek_loop:1"
   # cut 4
   # gain 0.7
   # midiG' "^82" 0 0.8
   # pan 0.7
-  # crushbus 4 (range 12 1.5 "^54")
+  # crushbus 4 (range 12 1.5 "^32")
 d5 $ f1
   $ superimpose ((# octave 3) . (# "bassWarsaw") . mask "t f!7")
   $ note ("<e <f c>>" + "[c,c([3 <3!4 5!2 3 8>],8)]")
   # "tek_bass"
   # pan 0.3
-  # crushbus 5 (range 10 3.5 "^53")
+  # crushbus 5 (range 10 3.5 "^33")
   # midiG' "^81" 0 1.2
 d7 $ f3
   $ someCyclesBy "<1!6 <0 1> 0!1>" (# gain 0)

live/collab/raph/meshuggah.tidal

@@ -4,7 +4,7 @@ setcps (120/60/4)
 let gMute = (midiOn "^73" (mask "f*16"))
 let gM = gMask . gMute
 d1 $ gM $ gF1 $ mask "<t f!3 t!28>"
-  $ midiOn "^42" (struct "t*<4!3 [4 4 4 <12 6>]>")
+  $ midiOn "^41" (struct "t*<4!3 [4 4 4 <12 6>]>")
   $ fix (|* gain 0.8) "kick"
   $ "[jazz,808bd:4,kick:4]"
   # midiG' "^78" 0 1.2
@@ -18,7 +18,7 @@ d3 $ gM $ gF1 $ "drum:2*<[8 4] 8 8 [8 16]>" -- [8 8 8 8] 32
 d4 $ slow 4
   $ contrast
   (gF2 . (# midiG' "^81" 0 2) . (# crush 16)) -- Graves
-  (gF3 . (# midiG' "^82" 0 1.4) . (midiOn "^58" rev) . (# pan 0.8) . (fix (|+| note (arp "<up <up down> down>" "<c'maj'2!3 c'maj'4>")) "FMRhodes1")
+  (gF3 . (# midiG' "^82" 0 1.4) . (midiOn "^44" rev) . (# pan 0.8) . (fix (|+| note (arp "<up <up down> down>" "<c'maj'2!3 c'maj'4>")) "FMRhodes1")
   . (# sustain "e e e e e e q") . (|+ note 12) . (# "[FMRhodes1,FMRhodes2]"))  -- Aigus
   (note (scale "aeolian" "[0,1,2,3,4,5,6,7]" - 28))
   -- $ fix (# pan 0.8) (note (scale "aeolian" "[0,1,2,3,4,5,6,7]" + 7 - 28))
@@ -27,7 +27,7 @@ d4 $ slow 4
   ) - 28)
   # "bassWarsaw"
   # pan 0.2
-  # crushbus 41 (range 16 2.5 "^53")
+  # crushbus 41 (range 16 2.5 "^32")
 d8 $ gM $ gF1
   $ midiOn "^92" (ply "2")
   $ midiOn "^60" (ply "1 2 . <2!3 4>")

live/collab/raph/oldskool_radius.tidal

@@ -36,22 +36,22 @@ d2 $ g1 $ "~ cp" # lpf 2000 # room 0.5 # dry 1
 d3 $ g2 $ "[hh <hh!3 <~!3 hh*<1 2>>>]*8"
   # midiG' "^80" 0 1.2
 d4 $ g2
-  $ midiOn "^90" (juxBy 0.8 (rev .
+  $ midiOn "^44" (juxBy 0.8 (rev .
     (# cut 12) .
     chop 8 .
     (|* gain 0.8))
   )
-  $ midiOn "^58" (slice 4 ("0 1 <2!3 [~ 2]> 3*<4 2 [4 2] 4>"))
+  $ midiOn "^76" (slice 4 ("0 1 <2!3 [~ 2]> 3*<4 2 [4 2] 4>"))
   $ "raph_jardin" # n "<4!3 <5 4> 4 4 3 2>"
   # cut 11
   # lpf 2000
   # midiG' "^82" 0 1.2
-  # crushbus 41 (range 12 2.5 "^54")
+  # crushbus 41 (range 12 2.5 "^32")
 d5 $ g1
   $ midiOn "^89" (striate "2 <2!3 4>" . chop 8)
   $ "fbass:3"
   # cut 5
-  # crushbus 51 (range 12 2.5 "^53")
+  # crushbus 51 (range 12 2.5 "^33")
   # midiG' "^81" 0 1.2
 
 

live/collab/raph/partir.tidal

@@ -18,7 +18,7 @@ d2 $ g1 $ m -- Snare 90s hip-hop
   -- $ mask "<f!8 t!54>"
   -- $ whenmod 4 3 (ply "<2!4 2 2 4 <4 8>>")
   -- $ fast "<2 <2!8 [4!3 2]!8>>"
-  $ midiOff "^43" (mask "f t")
+  $ midiOff "^42" (mask "f t")
   $ "~ s ~ s" # "[snare:8]"
   # midiG' "^79" 0 1.2
 d3 $ g1 $ m -- Drumroll offert
@@ -44,11 +44,12 @@ d5 $ g2 -- BASSLINE
   # cut 4
   # pan 0.3
   # midiG' "^81" 0 0.57
-  # lesliebus 41 (range "-1" 1 "^17")
+  # lesliebus 41 (range "-1" 1 "^33")
   # lrate (slow 4 $ "<[0.7 1.2!3] 2.4 4.8 6.7>")
   # lpf 5000
-  # lsizebus 42 (range 1.9 6.7 "^33")
-  # crushbus 43 (range 16 2 ("^53" - 0.1 * (fast 4 perlin)))
+  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^53 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # lsizebus 42 (range 1.9 6.7 "^53")
+  -- # crushbus 43 (range 16 2 ("^53" - 0.1 * (fast 4 perlin)))
   # room 0.2
 d6
   $ midiOn "^58" (iter "1 4")

live/collab/raph/playa_fun.tidal

@@ -2,16 +2,16 @@ do
 setcps (160/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1 -- Kick
-  $ midiOn  "^42" (<| "k k k <k <[~ k] k*2>>")
-  $ midiOff "^42" (<| "k  . ~. k ~ ~ ")
+  $ midiOn  "^41" (<| "k k k <k <[~ k] k*2>>")
+  $ midiOff "^41" (<| "k  . ~. k ~ ~ ")
   $ "[kick:4]"
   # gain 1.2
   # lpf 400
   -- TODO(tempo): wrap the range in `quantise 1` — 128 CC steps rarely land on a round BPM
   # cps ((range 60 180 "^29")/60/4)
 d2 $ gF1 $ gM2 
-  $ midiOn "^43" (<| "~ s ~ s")
-  $ midiOn "^43" (<| "~ s ~ s*<1 2 [2 1] [4 <2 8>]>" )
+  $ midiOn "^42" (<| "~ s ~ s")
+  $ midiOn "^42" (<| "~ s ~ s*<1 2 [2 1] [4 <2 8>]>" )
   $ "cp" # hpf 1400 # gain 1.3
 d3 $ gF1 $ gM2$ "hh(3,8) hh(3,8,1)" # "vec1_snare:11"
 d5 $ slow 2 $ "playa" # begin "<0.1!4 0.2!4 0.3!4 0.4!4>" # cut 5

live/collab/raph/punkachien.tidal

@@ -21,7 +21,9 @@ d3 $ gF1 $ gM2
   -- # midiG' "^80" 0 1
   # room 0.2 # sz 0.1 # dry (slow 4 $ range 0.9 0.6 saw)
 d4 $ gF2 $ gM3
-  $ fix (|* gain (range 1 0.5 ("^17" + "^35"))) "vec1_acid:11"
+  -- FIXME(#54) d4 drives more controls than the grid gives it (B4 + C4). ^52 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^52 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d4's own control with gSel.
+  -- FIXME(#54) d4 drives more controls than the grid gives it (B4 + C4). ^32 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^32 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d4's own control with gSel.
+  $ fix (|* gain (range 1 0.5 ("^32" + "^52"))) "vec1_acid:11"
   $ midiOn "^44" (struct "t(<3!3 [<3 8> <5!3 16>]>,8)")
   $ superimpose ((|* gain "^16") . (# n 10) . (# legato 0.8))
   $ superimpose ((|* gain "^32") . (# n 12)
@@ -36,14 +38,14 @@ d4 $ gF2 $ gM3
 -- d5 $ gF3 $ gM3
 d5 $ gF3 $ gM3
   $ superimpose ((# hpf 500) . (ply "<1!3 <2 4>>")
-  . (# crushbus 51 (range 16 3 "^54"))
+  . (# crushbus 51 (range 16 3 "^33"))
   )
   $ note ("a(3,8) . as*<1 2> af" + "<0!8 12!8>")
   # "cpluck:1"
   # room 0.3
-  # octerbus 52 (range 0 0.8 "^34")
-  # octersubbus 53 (range 0 0 "^34")
-  # octersubsubbus 54 (range 0 0 "^34")
+  # octerbus 52 (range 0 0.8 "^53")
+  # octersubbus 53 (range 0 0 "^53")
+  # octersubsubbus 54 (range 0 0 "^53")
 d6
   $ loopAt 2
   $ slice 2 "<0 1>"
@@ -72,8 +74,8 @@ d8 $ gF1 $ gM2
     . (# room 0)
   )
   $ midiOn "^60" (mask "f(8,16)" . chop 16)
-  $ midiOn "^56" (# "jungle_breaks:7")
-  $ midiOn "^36" (# "jungle_breaks:37")
+  $ midiOn "^36" (# "jungle_breaks:7")
+  $ midiOn "^56" (# "jungle_breaks:37")
   $ chop 16 $  "jungle_breaks:101"
   # cut 8
 d9 $ gF3 $ gM3

live/collab/raph/quatre_magiques.tidal

@@ -4,7 +4,7 @@ setcps (160/60/4)
 -- let gMute = (midiOn "^73" (mask "f*16"))
 let modIndex = pF "modIndex"
 d1 $ gF1 $ gM1 -- Kick
-  $ midiOn "^42" (<| "k  . ~ k ~ ~ ")
+  $ midiOn "^41" (<| "k  . ~ k ~ ~ ")
   $ "[bskick,jazz]"
   # gain 1.2
   # gain 1.4

live/collab/raph/ratus.tidal

@@ -3,8 +3,8 @@ do
 setcps (120/60/4)
 let modIndex = pF "modIndex"
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (struct "t t t*<1!6 2 1> t*<1!7 2>")
-  $ midiOff "^42" (struct "t . ~ t ~ <~!3 t*<2 [2 1] [4 2] [2 4]>>")
+  $ midiOn "^41"  (struct "t t t*<1!6 2 1> t*<1!7 2>")
+  $ midiOff "^41" (struct "t . ~ t ~ <~!3 t*<2 [2 1] [4 2] [2 4]>>")
   $ stack [
   "kick" # lpf 10000 # cut 1,
   "rumble" |* gain 1.3
@@ -17,8 +17,8 @@ d1 $ gF1 $ gM1
   -- TODO(tempo): wrap the range in `quantise 1` — 128 CC steps rarely land on a round BPM
   # cps ((range 75 165 "^29")/60/4)
 d2 $ gF1 $ gM2
-  $ midiOn "^43" (<|"~ s ~ s*<1 2>")
-  $ midiOff "^43" (<| "~ s")
+  $ midiOn "^42" (<|"~ s ~ s*<1 2>")
+  $ midiOff "^42" (<| "~ s")
   $ "[snare:24]"
   # gain 1.4
 d3 $ gF1 $ gM2
@@ -30,8 +30,8 @@ d4 $ gF2 $ gM3 $ loopAt 4
   # bandf 400
   # lpf 1200
   # gain 2
-  # crushbus 41 (range 16 3.5 "^53")
-  # octerbus 42 (range 0 1.5 "^33")
+  # crushbus 41 (range 16 3.5 "^32")
+  # octerbus 42 (range 0 1.5 "^52")
 d5 $ gF3 $ gM3 
   $ note ("a4" - "[0,12]" + (scale "aeolian" 
   -- "<0!3 [0 1 2 <3 [3 4]>]>" -- Exploration
@@ -39,8 +39,8 @@ d5 $ gF3 $ gM3
   + "<0!8 12!8 24!8 -12!8>"
   ))
   # "FMRhodes1"
-  # roombus 51 (range 0 2 "^34")
-  # modIndex (range 0 32 "^54")
+  # roombus 51 (range 0 2 "^33")
+  # modIndex (range 0 32 "^53")
   # gain 1.7
   # delay 0.4 # delayfb 0.5 # delayt 0.125
 d7 $ gM3 $ gF1 
@@ -49,9 +49,9 @@ d7 $ gM3 $ gF1
   -- $ loopAt 4 
   $ "trance_loops:2" # cut 8
   # speed (range "-8" 8
-   "^55")
+   "^35")
    # gain 1.5
-   # squizbus 71 (range 0 4 "^35")
+   # squizbus 71 (range 0 4 "^55")
    # room 0.4
 d8 $ gF1 $ gM2 
   $ chop 4 $ loopAt 2 

live/collab/raph/sale_piano.tidal

@@ -14,10 +14,10 @@ d3
   # "h2ogmsn"
   # gain 2 # cut 3 -- Drill that Baby
 d5 $ gF3 $ gM3
-  $ superimpose (# tremdpbus 51 (range 0 4 "^54"))
-  $ superimpose (# tremrbus 52 (range 0 4 "^34"))
+  $ superimpose (# tremdpbus 51 (range 0 4 "^33"))
+  $ superimpose (# tremrbus 52 (range 0 4 "^53"))
   -- $ superimpose (# crushbus 51 (range 16 4 "^54"))
-  $ midiOn "^90" (ply "<4 2 1 2> <2 [1 8]>")
+  $ midiOn "^89" (ply "<4 2 1 2> <2 [1 8]>")
   -- $ midiOn "^58" (slice 4 "<0 1 2 <3 <2 1>>>*4")
   $ gF2 $ gM2
   -- $ n "<0!8 1!3 0 1!3 1*4>"
@@ -51,7 +51,7 @@ d12 $ gM3 $ gF3
   # gain 1.2
 d7 $ gF1 $ gM3 -- SCRATCH
   $ midiOn "^91" (ply "2 4 <8 8 4 16>")
-  $ midiOn "^55" (# n 15)
+  $ midiOn "^35" (# n 15)
   $ midiOn "^59" (# n 15)
   $ chop 16
   $ loopAt 4
@@ -63,7 +63,7 @@ d8 $ gF1 $ gM2
   $ midiOn "^92" (ply 4)
   $ loopAt 2
   $ chop 8
-  $ midiOn "^56" (>| "jungle_breaks:10")
+  $ midiOn "^36" (>| "jungle_breaks:10")
   $ "jungle_breaks:11"
   # cut 8
   # room 0.4 # dry 1.1

live/collab/raph/saria.tidal

@@ -28,9 +28,9 @@ resetCycles
 setcps (140/60/4)
 d1 $ gF1 $ gM1
   -- $ mask "<f!8 t!56>" -- Mask regulier
-  $ midiOn "^42"  (<| "k k k <k k*2 [~ k] k*[2 <2 4>]>")
-  $ midiOff "^42" (<| "k . ~ k ~ ~")
-  $ midiOn "^42" (# "hardkick_rha:1")
+  $ midiOn "^41"  (<| "k k k <k k*2 [~ k] k*[2 <2 4>]>")
+  $ midiOff "^41" (<| "k . ~ k ~ ~")
+  $ midiOn "^41" (# "hardkick_rha:1")
   $ "[808bd:4,808bd:2]"
   # gain 1.3
   # lpf 2000
@@ -48,7 +48,7 @@ d2 $ gF1 $ gM2
   -- # gain "1 1 0.93 1"
 d3 $ gF1 $ gM2
   -- $ whenmod 8 15 (mask "t t t f")
-  $ midiOn "^42" (mask "t(4,8,1)")-- Le snare s'est fait... kick?!
+  $ midiOn "^43" (mask "t(4,8,1)")-- Le snare s'est fait... kick?!
   $ "hh*[8 <16!6 8!2> <8!7 16>]"
   # "h2ogmhh:3" # cut 3 # gain (1.2 * "1 1 0.9 1 0.9 0.85 0.9 1")
 d8 $ gF1 $ gM2
@@ -72,10 +72,10 @@ d4 $ gF2 $ gM3
   # gain 1.2
   # crush 6
 d5 $ gF3 $ gM3
-  $ fix ((|* gain (range 1 0  ("^34" + "^54"))) . (# "FMRhodes1")) "a"
-  $ fix ((|* gain (range 0 0.8 "^54")) . (|* gain 1.1) . (# "vec1_acid:28")) "b"
-  $ fix ((|* gain (range 0 0.8 "^34")) . (|* gain 1.1) . (# "vec1_acid:34")) "c"
-  $ midiOn "^58" (slice 4 "0 1 0 0*4")
+  $ fix ((|* gain (range 1 0  ("^33" + "^53"))) . (# "FMRhodes1")) "a"
+  $ fix ((|* gain (range 0 0.8 "^53")) . (|* gain 1.1) . (# "vec1_acid:28")) "b"
+  $ fix ((|* gain (range 0 0.8 "^33")) . (|* gain 1.1) . (# "vec1_acid:34")) "c"
+  $ midiOn "^89" (slice 4 "0 1 0 0*4")
   $ superimpose ((|* gain (slow 16 $ range 0 1 saw)) . (|+ note 12) . (|+ pan 0.2))
   $ note (
     "<[f4@3 a4 b4@4] [f4 a4 b4 e5 d5@2 b4 c5] [b4 g4 e4@4 ~ d4] [e4 g4 e4@5 ~] >"

live/collab/raph/sautillant.tidal

@@ -11,28 +11,28 @@ d2 $ g1
   # "bass:0" # lpf 4500 # att 0.005 # rel 1
   # midiG' "^79" 0 0.9
 d3 $ g1
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^43" (ply 2)
   $ mask "<t!3 [t . <t [f t]> f <f t>]>"
   $ "h*8" # n "0 0 1 <0 2>" # "h2ogmhh"
   # midiG' "^80" 0 1
 d4 $ g2 -- AIGLE DE LA MATRICE
   $ "90s_matrix:2/4"
-  # crushbus 41 (range 16 2.4 "^53")
+  # crushbus 41 (range 16 2.4 "^32")
   # midiG' "^81" 0 0.6
   # cut 4
 d5 $ g2
   $ slice 4 "<[0 1] [2 3] [0 1] [2 3*2]>"
   $ loopAt 2
-  $ midiOn "^58" (# n 5)
+  $ midiOn "^57" (# n 5)
   $ "fbass:0" # cut 5
   # midiG' "^82" 0 0.9
-  # crushbus 51 (range 16 2.4 "^54")
+  # crushbus 51 (range 16 2.4 "^33")
   # pan 0.8
 
 
 -- Abandon
 d5
-  $ midiOn "^90" (off "1/16" (id))
+  $ midiOn "^89" (off "1/16" (id))
   $ slice 16 (slow 4 $ run 16)
   $ loopAt 16
   $ "synth_nes:1"

live/collab/raph/vacances_solaires.tidal

@@ -3,8 +3,8 @@ do
 setcps (120/60/4)
 d1 $ gM1 $ gF1  
   $ whenmod 8 6 (mask "f")
-  $ midiOn  "^42"  (<| "k k k k*<1!3 2>")
-  $ midiOff "^42"  (<| "k ~ ~ <~ [~ k]>" )
+  $ midiOn  "^41"  (<| "k k k k*<1!3 2>")
+  $ midiOff "^41"  (<| "k ~ ~ <~ [~ k]>" )
   $ "[808bd:1,jazz,kick:4]"
   # gain (1.45 * "1!7 0.9")
 d2 $ gM2 $ gF1 $ "~ s <[~ <~!4 s!12>]> s*<1!3 2>" 
@@ -17,16 +17,16 @@ d3 $ gM2 $ gF1
   $ "<~ h> h ~ h ~ h*<1 2 2 <1 [4 2]>> ~ h"
   # "h2ogmhh:4" # gain 1.5
 d4 $ gM3 $ gF2 
-  $ midiOn "^89" (ply "<2!3 [2 4]>")
-  $ midiOn "^57" (slice 4 "0 [1 2] 0 3*<1 2 [2 1] 4>")
-  $ midiOn "^33" (slow 2)
+  $ midiOn "^76" (ply "<2!3 [2 4]>")
+  $ midiOn "^44" (slice 4 "0 [1 2] 0 3*<1 2 [2 1] 4>")
+  $ midiOn "^32" (slow 2)
   $ n "<10 <10!3 8> <10!3 6> <8!3 5>>" 
   # "blues_guitar_hoochie_60" 
   # cut 4
   # room (slow 32 $ range 0 0.6 saw)
   # sz 0.8 
   # dry 1.3
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^52")
   # gain 1.4
   # octersub 0.5
 d5 $ gM3 $ gF3

live/collab/rhadamanthe.tidal

@@ -7,7 +7,7 @@ let mBreak = (midiOn "^41" (mask "t f . f <f!4 t!4> <f!2 t!6> t"))
 let m = mBreak
 let modIndex = pF "modIndex"
 d1 $ f1
-  $ midiOn "^42" (fast 2)
+  $ midiOn "^41" (fast 2)
   $ "[cpu,jazz]*2"
   # midiG' "^78" 0 1.8
 d2 $ f1 $ mask "<t!16 f!8 t!8>"
@@ -29,7 +29,7 @@ d4 $ f1
   )))
   $ note (scale "aeolian" "<0 3 5 7>")
   # "moog"
-  # crushbus 4 (range 16 2 "^53")
+  # crushbus 4 (range 16 2 "^32")
   # cut 4
   # pan 0.2
   # midiG' "^81" 0 1
@@ -40,7 +40,7 @@ d5 $ f2
   )))
   $ note (scale "aeolian" "<0 3 5 7>")
   # "FMRhodes1"
-  # modIndex (range 0 100 "^54")
+  # modIndex (range 0 100 "^33")
   # cut 5
   # room 0.4
   # dry 1.5

live/collab/ryan/day0.tidal

@@ -19,7 +19,7 @@ d3 $ gF1 $ gM2
   $ "dr*[8 <8 <16 [16 32]>>]" # gain 0.8
 d4 $ gM3 $ gF2
   $ "giorgio_syn:2/2"
-  # crushbus 41 (range 16 2.5 "^53")
+  # crushbus 41 (range 16 2.5 "^32")
   # cut 4
   # gain 0.8
 d8 $ gF1 $ gM2 $ loopAt 2
@@ -35,7 +35,7 @@ d2 $ gF1 $ gM2
 d3 $ gF1 $ gM2
   -- $ "h(3,8) h(<3 <5 [5 <1 <8 [8 16]>>]>>,8)"
   $ "h(3,8) h(3,8)" # pan "0.2 0.8"
-  # drumFrom "rolandtr909" "hh" # cut 3 # gain 0.9 # legato (range 0.05 0.9 "^32")
+  # drumFrom "rolandtr909" "hh" # cut 3 # gain 0.9 # legato (range 0.05 0.9 "^31")
 d9 -- Bogdan the Grime sample provider
   $ whenmod 16 12 ( -- I'm from Cardiff!
     (# "bogdan_grime:1") . (# begin "<0!3 0.25>") . (# end "<0.5!3 0.25>")
@@ -76,17 +76,17 @@ d4 $ gF2 $ gM3 -- Bassline aqualgorithmique
   # pan 0.3
   # room 0.4
   # octersubsub 0
-  # crushbus 41 (range 16 3.5 "^53")
-  # octersubsubbus 42 (range 0 2 "^33")
+  # crushbus 41 (range 16 3.5 "^32")
+  # octersubsubbus 42 (range 0 2 "^52")
   # gain 0.7
 d5 $ gM3 $ gF3 -- Marimba fondamental
-  $ midiOff "^58" (mask "t(<4 <2 4>>,4) t(<3!7 5>,8)")
+  $ midiOff "^57" (mask "t(<4 <2 4>>,4) t(<3!7 5>,8)")
   $ juxBy 0.4 rev
   $ note ("<[b4 [~ d5]. [fs5@3 fs5]] [e5 fs5 e5 fs5. [d5@3 fs5]]>")
   # "marimba1"
-  # att (range 0.8 0.2 "^34")
+  # att (range 0.8 0.2 "^33")
   # rel 1
-  # squizbus 51 (range 0 2.5 "^54")
+  # squizbus 51 (range 0 2.5 "^53")
   -- # delay 0 # delayfb 0.8 # delayt 0.25
   # pan 0.9
   # gain 3
@@ -109,9 +109,9 @@ d10 $ gF2 $ gM3 -- Menace
  # cut 9
 d7 $ gM3 $ gF2
   -- $ ply 2
-  $ midiOn "^59" (# speed "-0.25")
-  $ midiOn "^91" (struct "t*<8!3 [8 4]>")
-  $ someCyclesBy "^19" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>")
+  $ midiOn "^91" (# speed "-0.25")
+  $ midiOn "^59" (struct "t*<8!3 [8 4]>")
+  $ someCyclesBy "^35" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>")
   $ chop 16
   $ loopAt 4 $ "meth_bass:18" # cut 7 # gain 0.6
   -- # octersubsubbus 73 (range 0 8 "^19")

live/collab/stevie/aime_la_jungle.tidal

@@ -8,13 +8,13 @@ resetCycles
 do
 setcps(140/60/4)
 d1 $ gF1 $ gM1
-  $ midiOn  "^42" (<| "k k k <k k(3,8) k [k k*2]>")
-  $ midiOff "^42" (<| "k . ~ k ~ ~")
+  $ midiOn  "^41" (<| "k k k <k k(3,8) k [k k*2]>")
+  $ midiOff "^41" (<| "k . ~ k ~ ~")
   $ "[jazz,kick:5]"
 d2 $ gF1 $ gM2 $ "~ ~ ~ <~ s> . s" # "snare:4"
 d3 $ gF1 $ gM2 $ "d(<3!12 2!4>,8) d(<3!3 5>,8)" # "ho" # gain 0.8 # att 0.1 # rel 2
 d4 $ gF2 $ gM3 $ note "<b2 d3 cs3 fs3>" # "bassWarsaw"
-  # crushbus 41 (range 16 3.6 "^53")
+  # crushbus 41 (range 16 3.6 "^32")
 d8 $ gF1 $ gM2 -- JazzyBelle JazzyBreak
   $ midiOn "^92" (ply "2 <2 <4 [4 8]>>")
   -- $ slice 4 "0 1*<1 2 4> 2? 3*<1!3 2>"

live/collab/val/edgy.tidal

@@ -4,11 +4,11 @@ let gF =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gMute = (midiOn "^73" (mask "f*16"))
 let gM = gMask . gMute
 d1 $ gF2
-  $ midiOn  "^42" (<| "k*4")
+  $ midiOn  "^41" (<| "k*4")
   -- $ midiOff "^42" (<| "k . k(<3!3 5>,8,<0!3 1>)")
   -- $ midiOff "^42" ((off "") . ("k k k k"))
   $ "[kick:5,kick:8]"
-  # delaybus 11 (range 0 0.4 "^30")
+  # delaybus 11 (range 0 0.4 "^29")
   # delay "e"
   # delayfb 0
   # midiG' "^78" 0 1.3
@@ -28,7 +28,7 @@ d5 $ gF2
   $ note (fast (4/3) $ "g4(<4 [4 8]>,8, 1)" + "<0 [0 0 7] 0 [0 12]>")
   # "cpluck:2"
   # legato 2
-  # crushbus 51 (range 16 2.5 "^54")
+  # crushbus 51 (range 16 2.5 "^33")
   # cut 5
   # room 0.9
   # dry 1
@@ -37,13 +37,13 @@ d5 $ gF2
 -- # midiG' "^82" 0 1.5
 
 d6 $ gF $ gM -- Break rayon laser =------------>
-  $ midiOn "^91" (ply 8)
-  $ midiOn "^59" (ply "1 <1!3 2>")
-  $ midiOff "^59" (slow 4)
+  $ midiOn "^90" (ply 8)
+  $ midiOn "^58" (ply "1 <1!3 2>")
+  $ midiOff "^58" (slow 4)
   $ slice 8 (run "<8!7 16>")
   $ "[~ break:4]"
   # cut 6
-  # speed (range 0 2 "^55")
+  # speed (range 0 2 "^34")
   # midiG' "^83" 0 1.5
 
 once $ ""

live/collab/val/euclidian_machine.tidal

@@ -42,8 +42,8 @@ d3
   (s "drum:2")
   # midiG' "^79" 0 1.2
 d4
-  $ midiOn "^44" (fast 0.5)
-  $ midiOn "^76" (ply 2)
+  $ midiOn "^76" (fast 0.5)
+  $ midiOn "^44" (ply 2)
   $ midiRot "52"
   $ noVoid $ midiEuclid
     (round <$> pasInscrit "16" "32")
@@ -51,8 +51,8 @@ d4
   (s "hh")
   # midiG' "^80" 0 1.2
 d5
-  $ midiOn "^57" (fast 0.5)
-  $ midiOn "^89" (ply 2)
+  $ midiOn "^89" (fast 0.5)
+  $ midiOn "^57" (ply 2)
   $ midiRot "53"
   $ noVoid $ midiEuclid
     (round <$> pasInscrit "17" "33")
@@ -60,8 +60,8 @@ d5
   (s "hh")
   # midiG' "^81" 0 1.5
 d6
-  $ midiOn "^58" (fast 0.5)
-  $ midiOn "^90" (ply 2)
+  $ midiOn "^90" (fast 0.5)
+  $ midiOn "^58" (ply 2)
   $ midiRot "54"
   $ noVoid $ midiEuclid
     (round <$> pasInscrit "18" "34")
@@ -83,8 +83,8 @@ d7
   # sz (slow 32 $ range 0 0.7 saw)
   # midiG' "^83" 0 1.2
 d8
-  $ midiOn "^60" (fast 0.5)
-  $ midiOn "^92" (ply 2)
+  $ midiOn "^92" (fast 0.5)
+  $ midiOn "^60" (ply 2)
   $ midiRot "56"
   $ noVoid $ midiEuclid
     (round <$> pasInscrit "20" "36")

live/collab/val/soir_noir.tidal

@@ -3,8 +3,8 @@ resetCycles
 do
 setcps (120/60/4)
 d1 $ gF1 $ gM1
-  $ midiOff "^42"  (<| "<k [~!7 k*<1 2>]>")
-  $ midiOn "^42" (<| "k k <k!3 [k*2 ~]> k")
+  $ midiOff "^41"  (<| "<k [~!7 k*<1 2>]>")
+  $ midiOn "^41" (<| "k k <k!3 [k*2 ~]> k")
   $ "kick:5"
 --   # room 0.2 # dry 1.1
 --   # gain "<1 0.8>"
@@ -18,7 +18,7 @@ d2 $ gF1 $ gM2
 -- d3 $ gF1 $ gM1 $ "h(3,8) h(<3 <5 [5 <1 <8 [8 16]>>]>>,8)"
 --   # drumFrom "rolandtr909" "hh" # cut 3 # gain 0.6 # legato 0.25
 d3
-  $ midiOn "^44" (stut 4 "0.8" "e")
+  $ midiOn "^43" (stut 4 "0.8" "e")
   $ n ("~ 1 ~ 2 ~ 2 ~ <1!3 2>") # "rampleS24" # cut 3
 d4 $ gF2 $ gM3 $ note (
   "b4(<3 5 3 [3 5]>,8) <a5 <ef5 a4>>(<1!3 3>,8,<0 1>)"
@@ -38,7 +38,7 @@ d4 $ gF2 $ gM3 -- BASSE SIMPLE
   -- # crushbus 42 (range 16 2 "^33")
   # cut 4
 d7 $ gF2
-  $ midiOn "^89" (ply "<1 2> <2!3 4 4!3 8>")
+  $ midiOn "^91" (ply "<1 2> <2!3 4 4!3 8>")
   $ slice 8 ("[0 1 2 3]*2" + "<0!4 3!4>")
   -- $ loopAt 8
   $ n "<3!3 4>"
@@ -72,9 +72,9 @@ d5 -- ARPEGIATEUR
 --   # gain 1.2
 d8 $ gF1 $ gM2 -- Come on breaks!
   $ chop 8
-  $ midiOn "^56" (loopAt (2/3) . (# n "<74>"))
+  $ midiOn "^36" (loopAt (2/3) . (# n "<74>"))
   $ midiOn "^92" (ply 4)
-  $ midiOn "^36" (loopAt (2/3) . (# n "19")) -- Pure COMEON!
+  $ midiOn "^56" (loopAt (2/3) . (# n "19")) -- Pure COMEON!
   -- $ midiOn "^56" ((# n "23")) -- Raise COMEON!
   $ midiOff "^60" (mask "t(4,8)")
   $ loopAt 2

live/collab/val/template.tidal

@@ -45,7 +45,7 @@ let gF =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gMute = (midiOn "^73" (mask "f*16"))
 let gM = gMask . gMute
 d1 $ gF
-  $ midiOn "^42" (<| "k k k k*2")
+  $ midiOn "^41" (<| "k k k k*2")
   $ (<| "k")
   $ "jazz"
   # midiG' "^78" 0 1.2

live/dub/amis_roots.tidal

@@ -10,7 +10,7 @@ d1 $ g
   $ "[rootsDrums,jazz]"
   # midiG' "^78" 0 1.8
 d2  $ g
-  $ midiOn "^43" (fast 2)
+  $ midiOn "^42" (fast 2)
   $ superimpose ((# "cp") . (# room 0))
   $ n "[~ 4]*<2!6 4 [4 2]>"
   # "rootsDrums"
@@ -27,22 +27,22 @@ d6
   $ n "<2!4 2 3 3 ~>"
   # "rootsBass"
   # midiG' "^81" 0 1.5
-  # crushbus 62 (range 16 1.4 "^53")
+  # crushbus 62 (range 16 1.4 "^34")
   # cut 6
   # pan 0.15
 d4 $ g
-  $ midiOn "^58" (slice 4 ("<[0 1] [2 3]>"))
+  $ midiOn "^76" (slice 4 ("<[0 1] [2 3]>"))
   -- $ "<g g g/2 [~ <~ g ~ g*2>] g ~ g ~ g ~ ~ [~ g*4]>"
   $ "g/4"
   # s "rootsGuitar"
-  # lesliebus 42 (range 0 16 "^54")
-  # lratebus 41 ("^34")
+  # lesliebus 42 (range 0 16 "^32")
+  # lratebus 41 ("^52")
   # midiG' "^82" 0 1.5
   # cut 4
   # pan 0.3
 d5
   $ g
-  $ degradeBy "^56"
+  $ degradeBy "^33"
   $ slice 16 (run 16)
   $ loopAt 2
   $ "rootsMix:1"
@@ -72,5 +72,5 @@ d7 $ g
     |+| "0 <7 <7 12>>"
   )
   # "FMRhodes2"
-  # crushbus 72 (range 16 4.3 "^36")
-  # midiG' "^20" 0 1.4
+  # crushbus 72 (range 16 4.3 "^35")
+  # midiG' "^55" 0 1.4

live/dub/tubby_study.tidal

@@ -40,14 +40,14 @@ d4 -- Bassline classique
   $ slice 4 "1"
   $ loopAt 4
   $ "rootsBass:2"
-  # lsize (range 0 2 "^33")
-  # lesliebus 41 (range 0 1 "^53")
+  # lsize (range 0 2 "^32")
+  # lesliebus 41 (range 0 1 "^52")
   # lrate 6.8
   # cut 4
   # pan 0.2
   # midiG' "^81" 0 1.8
 d5 $ f2
-  $ midiOn "^90" (stutWith 4 "e" (
+  $ midiOn "^57" (stutWith 4 "e" (
     (|+ cut 1) . (|* gain 0.9) . (# legato 2)
     ))
   $ off "h" id
@@ -60,9 +60,9 @@ d6 $ f2 -- Piano contretemps delayed crushed
  -- $ note "d6"
  # "superpiano"
  # velocity 0.4
- # delayfb (range 0.5 1.1 "^55") -- 1D: fb / size controlled with single knob
- # crushbus 61 (range 16 5 "^19") -- Weird interferences with delay
+ # delayfb (range 0.5 1.1 "^34") -- 1D: fb / size controlled with single knob
+ # crushbus 61 (range 16 5 "^54") -- Weird interferences with delay
  # delayt "h"
- # delay (range 0 1.01 "^55")
+ # delay (range 0 1.01 "^34")
  # room 0.3
  # midiG' "^83" 0 1.8

live/fusion/comete/808_et_etoiles.tidal

@@ -21,7 +21,7 @@ d1 $ g -- Kick ;)
   $ fix (|* gain (range 0.5 1.2 "^50")) "808bd:3"
   $ fix (|* gain 1.15) "808bd:5"
   $ fix (
-    (|* gain (range 0.5 1.2 "^30"))
+    (|* gain (range 0.5 1.2 "^29"))
     . (# att 0.01) . (# rel 2)
     ) "909"
   $ "kick"
@@ -34,17 +34,17 @@ d2 $ g -- CP/Snare Contretemps
   # lpf (slow 16 $ range 4000 200 saw)
   # midiG' "^79" 0 0.9
 d4 $ g -- ELECTRIC bass
-  $ midiOn "^89" (chop 4)
-  $ midiOn "^57" ((sometimesBy "f t" rev) . chop 8)
+  $ midiOn "^76" (chop 4)
+  $ midiOn "^44" ((sometimesBy "f t" rev) . chop 8)
   $ "90s_matrix:3"
   # cut 4
   # midiG' "^81" 0 0.65
   # pan 0.666
-  # crushbus 41 (range 16 1.5 "^53")
+  # crushbus 41 (range 16 1.5 "^32")
 d5 $ g
   $ mask "<f!32 t!32>"
   $ superimpose ((# cut 51)
-  . (# crushbus 51 (range 16 1.5 "^54")))
+  . (# crushbus 51 (range 16 1.5 "^33")))
   $ "90s_glassatm:3"
   # cut 5
   # midiG' "^82" 0 0.5

live/fusion/morning/latin_core.tidal

@@ -3,8 +3,8 @@ let scale = getScale (scaleTable ++ [("latin", [1,3,4,6,8,10])])
 setcps (65/60/4)
 let mFast = midiOn "^41" (fast 2)
 d1 $ mFast
-  $ midiOn "^42" ((<| "k k k <k [~ k]>"))
-  $ midiOff "^42" (<| "k . k(<3!3 [<3 8> 5]>,8)" )
+  $ midiOn "^41" ((<| "k k k <k [~ k]>"))
+  $ midiOff "^41" (<| "k . k(<3!3 [<3 8> 5]>,8)" )
   $ "jazz"
   # midiG' "^78" 0 1.8
 d2
@@ -30,7 +30,7 @@ d4
   # room 0.42 # sz 0.8 # dry 1
 d5 $ note (scale "latin" ("-2@3 <-2 -3 -4 -5> . -2 <0 0 1 <2 4>>") - 12)
   # "bassWarsaw"
-  # crushbus 51 (range 16 2.5 "^53")
+  # crushbus 51 (range 16 2.5 "^33")
   # midiG' "^81" 0 2
 d6
   $ note (scale "latin" (arp "up" "1*<1 1 2 1 2 1!3> ~ . <[1 3 2 3 <5 6 6 7>] [1 3 <5 6>]>")

live/hip/lofi/du_miel.tidal

@@ -45,7 +45,7 @@ d4
   $ arp "up!3 <converge <down downup>>"
   $ note (chordsMin - 24)
   # "bassWarsaw"
-  # crushbus 41 (range 14 8 "^53")
+  # crushbus 41 (range 14 8 "^32")
   # pan 0.3
   # room 0.2
   # gain 0.6
@@ -54,7 +54,7 @@ d5 $ g
   $ note (chords - 24)
   # "FMRhodes1"
   # att 1 # rel 2
-  # modIndex (range 0 2 "^54")
+  # modIndex (range 0 2 "^33")
   # room 0.8
   # dry 1
   # sz 0.2

live/hip/lofi/soleil_enthousiaste.tidal

@@ -17,7 +17,7 @@ d2 $ g1 $ "~ . s ~ ~ <~!4 s!4>"
   # "[sn:20,snare:8]"
   # midiG' ("^79" * "~ . 1 0.9") 0 0.9
 d3 $ g1
-  $ midiOn "^44" (fast 2)
+  $ midiOn "^43" (fast 2)
   $ sometimesBy 0.1 (fast 2)
   $ "d*[8 <8 <4 [4 16]>>]"
   # "drum:2"
@@ -44,11 +44,11 @@ d5 $ g2
   - 24)
   # "bassWarsaw"
   # midiG' "^81" 0 1.3
-  # crushbus 51 (range 16 4.6 "^53")
+  # crushbus 51 (range 16 4.6 "^33")
   # pan 0.3
 d6
   $ slice 16 ("<0!4 ~!3 0> 1 2 3 4 5 6*<1!3 2> <7 15>")
   $ "break:18"
   # midiG' "^84" 0 1.3
-  # speed (range 0 2 "^56")
+  # speed (range 0 2 "^34")
   # cut 6

live/jam/cbow.tidal

@@ -18,9 +18,9 @@ let gDJF = (whenmod 32 24 (# lpf (max 200 (slow 16 $ range 5000 0 sine))))
 let g = gF
 setcps (100/60/4)
 d1 $ gDJF $ g
-  $ midiOff "^42" (mask "<f f [t f] t t!28>")
-  $ midiOn "^42"  (<| "k k k <k!3 k*2>")
-  $ midiOff "^42" (<| "k . k <~ [<~ k> <k ~>]>")-- RubADub
+  $ midiOff "^41" (mask "<f f [t f] t t!28>")
+  $ midiOn "^41"  (<| "k k k <k!3 k*2>")
+  $ midiOff "^41" (<| "k . k <~ [<~ k> <k ~>]>")-- RubADub
   $ "[jazz,bd]"
   # midiG' "^78" 0 1.1
 d2 $ gDJF $ g -- Snare prog
@@ -28,10 +28,10 @@ d2 $ gDJF $ g -- Snare prog
   # "h2ogmsn:6"
   # midiG' "^79" 0 1.1
 d5 $ g -- Breakbeat
-  $ midiOn "^76" (ply "<2!3 [4 <4 1>]>")
-  $ midiOn "^44" (slow "<4 2>")
-  $ sometimesBy "^32" (ply "<4 [4|2] 2 <1!3 4>>")
-  $ someCyclesBy (0.9 * "^52") (scramble "1 4")
+  $ midiOn "^89" (ply "<2!3 [4 <4 1>]>")
+  $ midiOn "^57" (slow "<4 2>")
+  $ sometimesBy "^33" (ply "<4 [4|2] 2 <1!3 4>>")
+  $ someCyclesBy (0.9 * "^53") (scramble "1 4")
   $ chop 8
   -- $ slice 4 "0 1 <0 2 6 2> <1 3 7 3>"
   $ loopAt 1
@@ -41,7 +41,8 @@ d5 $ g -- Breakbeat
 d3 $ g -- Bass bows
   $ gDJF
   $ gLeslie
-  $ midiOn "^57" (euclid "<1 <1 [1 2] 5> 3 5>" 8)
+  $ midiOn "^43" (euclid "<1 <1 [1 2] 5> 3 5>" 8)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^89 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^89 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^89" (chop 16)
   $ slow 4
   $ note (
@@ -52,10 +53,10 @@ d3 $ g -- Bass bows
   -- # room 0.6
   # sz 0.5
   # midiG' "^81" 0 0.86
-  # crushbus 31 (range 10 2 "^53")
+  # crushbus 31 (range 10 2 "^31")
 d4 $ g  -- Higher bows
-  $ midiOn "^90" (off "e" (|+ note "<7!3 12>"))
-  $ midiOn "^58" gLeslie
+  $ midiOn "^44" (off "e" (|+ note "<7!3 12>"))
+  $ midiOn "^76" gLeslie
   -- $ mask "<f!8 t!24>"
   $ whenmod 8 7 (ply "1 4")
   $ slow 2
@@ -67,17 +68,17 @@ d4 $ g  -- Higher bows
   # cut 4
   # room 0.2
   # pan 0.6
-  # crushbus 41 (range 10 2 "^54")
+  # crushbus 41 (range 10 2 "^32")
   # midiG' "^82" 0 1.05
 d8 $ g -- Angels
-  $ midiOn "^59" ( -- Crowd of thoughts
+  $ midiOn "^60" ( -- Crowd of thoughts
     off "<s!16 e!16>"
     (|+ note "7 12") . (# cut 81) . (|* gain 0.86))
   $ note "<[<c!4 d!2 c!2 g4!4> . ~!3 <~ <d g4>>] a4>"
   # "cbow:3"
   # cut 8
   # pan 0.86
-  # crushbus 81 (range 10 2 "^55")
+  # crushbus 81 (range 10 2 "^36")
   # midiG' "^83" 0 1.4
 d9
   $ midiOn "^92" (ply "2 <1 <4 [4 8]>>")

live/midi/nova/120_techoirs.tidal

@@ -37,23 +37,24 @@ d1 $ g
   # gM' 0 1 "^78"
 d2 $ g
   $ sometimesBy ("^51") (jux rev)
-  $ sometimesBy ("^31") (ply 2)
+  $ sometimesBy ("^30") (ply 2)
   $ whenmod 4 3 (mask "t . t t f t")
   $ "[gretsch:4,drum:2]*[4 8]"
   # gM' 0.5 1.4 "^79"
   # pan 0.6
   # lpf 4000
 d3 $ g
-  $ novaOn ("^76") (rev . slice 4 (run 4))
+  $ novaOn ("^43") (rev . slice 4 (run 4))
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ novaOn ("^44") (striate 16)
-  $ someCyclesBy ("^52") (
+  $ someCyclesBy ("^31") (
     slice 8 "[0 2 0 <6 4>]*2")
   $ "fbreak120:9"
   # gM' 0.5 1.3 "^80"
   # lpf 5000
   # cut 3
 d4 $ g
-  $ midiOn "^57" (superimpose (
+  $ midiOn "^76" (superimpose (
     (|+ note 24)
     . chop (slow 4 "<1 2 4 8>")
     . arp "updown"
@@ -62,10 +63,10 @@ d4 $ g
   $ note prog
   # "bassWarsaw"
   # gM' 0 1.3 "^81"
-  # lpq "^33"
+  # lpq "^32"
   # room 0.5
   # octave 3
-  # crush (range 10 4.2 "^53")
+  # crush (range 10 4.2 "^52")
   # sz 0.8
 d7 $ g
   $ whenmod 16 8 (fast 2)
@@ -86,7 +87,8 @@ d8 $ g -- CHOIRS
   # "moogBass"
   # octave 3
   -- # amp 0.5
-  # crush (range 10 5.5 "^20")
-  # hpf (range 0 10000 "^36")
-  # cutoff (range 120 10000 "^56")
+  # crush (range 10 5.5 "^36")
+  -- FIXME(#54) d8 drives more controls than the grid gives it (B8 + C8). ^56 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d8's own control.
+  -- # hpf (range 0 10000 "^56")
+  -- # cutoff (range 120 10000 "^56")
   # gM' 0.45 1.2 "^84"

live/midi/nova/80fonk.tidal

@@ -39,7 +39,7 @@ d1 $ gF
 d2 $ gF
   $ whenPont1 (fast "4!3 <4!3 2 4 2>")
   $ sometimesBy ("^51") (jux rev)
-  $ sometimesBy ("^31") (ply 2)
+  $ sometimesBy ("^30") (ply 2)
   $ fast "[8 <8 16>]"
   $ "[dr,drum:2]"
   # pan ("^16")
@@ -47,7 +47,8 @@ d2 $ gF
   # gM "^79"
 d3 $ gF
   $ whenPont1 (mask "t(<4!3 6 4 2>,16)")
-  $ someCyclesBy ("^32") (striate 16)
+  $ someCyclesBy ("^31") (striate 16)
+  -- FIXME(#54) d3 drives more controls than the grid gives it (B3 only (C1-3 are the family gF filters)). ^52 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^52 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ someCyclesBy ("^52") (
     slice 8 "[0 2 0 <6 4>]*2")
   $ "fbreak80"
@@ -56,11 +57,11 @@ d3 $ gF
   # cut 3
 d4 $ gF
   $ jux (|+ room 0.1)
-  $ sometimesBy ("^53") (rev . chop 8)
+  $ sometimesBy ("^32") (rev . chop 8)
   $ loopAt 2
   $ "fguitar:8"
   # gM "^81"
-  # pan (0.5 + (perlin * "^17"))
+  # pan (0.5 + (perlin * "^52"))
   # cut 3
 d5
 -- $ gF
@@ -72,7 +73,7 @@ d5
   -- # lpq ("^34")
   -- # lpf (range 10000 0 "^54")
   # gM' 0.25 1.1 "^82"
-  # pan (0.5 + (perlin * "^18"))
+  # pan (0.5 + (perlin * "^33"))
 
 d6
   $ "[~ s]*<2!4 4!3 [4 8]>"

live/midi/nova/DX_tech.tidal

@@ -10,7 +10,7 @@ setcps (120/60/4)
 d1
   $ g
   $ every' 8 6 (# silence)
-  $ sometimesBy "^42" (slow 2)
+  $ sometimesBy "^41" (slow 2)
   $ fast 4
   $ "[jazz,tech:5]"
   # gM' 0 1.2 "^78"
@@ -22,7 +22,7 @@ d2
   $ "hh*8"
   # gM' 0 1.3 "^79"
 d3 $ g
-  $ sometimesBy "^57" ( -- OFF ARP!
+  $ sometimesBy "^43" ( -- OFF ARP!
     off "q" id . (arpeggiate . (# legato 1))
   )
   $ note "<e'min7 f'maj7 d'sus4 a4'min7>"
@@ -30,7 +30,7 @@ d3 $ g
   # "bassWarsaw"
   # gM' 0 1.1 "^81"
   # room 0.5 # sz 0.5
-  # crush (range 16 5.2 "^53")
+  # crush (range 16 5.2 "^31")
 d4
   $ g
   $ whenmod 4 2 (superimpose ((# "clap") . (# lpf 5000) . (|* gain 0.8)))

live/midi/nova/FFF/pray.tidal

@@ -19,8 +19,8 @@ let g = (gDJF)
 d1 $ g  -- KICK
   -- $ whenmod 8 6 (# silence)
   $ novaOn "^74" (mask "t(11,12)" . fast "<2!6 4 2>") -- Folie
-  $ novaOn "^42" (<| "k*<1!8 2!8> . k(<0 1 0 1 3 5 5 8>,8,<0!3 2>)") -- L'annonce
-  $ novaOff "^42" (<| "k(<1 [1|2|5]>,8) . k(<3 5>,8)") -- Le classique
+  $ novaOn "^41" (<| "k*<1!8 2!8> . k(<0 1 0 1 3 5 5 8>,8,<0!3 2>)") -- L'annonce
+  $ novaOff "^41" (<| "k(<1 [1|2|5]>,8) . k(<3 5>,8)") -- Le classique
   $ "reverbkick"
   # room 0.2
   # pan 0.4
@@ -30,7 +30,7 @@ d4 $ g -- BREAKBEAT
   (slice 8 "0 4")
   $ someCyclesBy "^75" -- Laggy
   (slice 8 "0 <1 1(<3 5>,8,<0 4>)> 2 3(<3 5>,8)")
-  $ someCyclesBy "^76" -- Fulltime!
+  $ someCyclesBy "^44" -- Fulltime!
   (slice 8 "0 1 2 <3!2 ~ 3> 4 5 6 7*<1 <2 4>>")
   $ loopAt 1 $ slice 8 (run 8)
   $ "break:1"
@@ -38,7 +38,7 @@ d4 $ g -- BREAKBEAT
   # speedbus 41 (range 0 2 "^51")
   # cut 4
 d2 $ g -- Snares gretscha
-  $ someCyclesBy "^44" (
+  $ someCyclesBy "^42" (
     (whenmod 16 8 (# lpf (slow 8 $ range 15000 1000 saw))
     . hurry 2
     . (|* gain 1.1)
@@ -50,18 +50,18 @@ d2 $ g -- Snares gretscha
   # pan 0.3
   # gM' 0.2 1.4 "^80"
 d3 $ g -- Metal drumroll
-  $ someCyclesBy "^60" (fast "1 . 2 4")
+  $ someCyclesBy "^43" (fast "1 . 2 4")
   $ "gretsch*<8!3 [16 . [16 | 32]]>" # n "[4|5]"
   # note ("<-2 -4 -2 0>")
   # gM' 0 0.9 "^84"
 d5 -- Fragments of Wiley
-  $ (# lpf (range 5000 200 "^54"))
+  $ (# lpf (range 5000 200 "^33"))
   $ g
-  $ novaOn "^90" (segment "<2 [2 4] [4 8] [16 32]>")
-  $ novaOn  "^58" (slow 16)
-  $ novaOff "^58" (slow 4)
+  $ novaOn "^57" (segment "<2 [2 4] [4 8] [16 32]>")
+  $ novaOn  "^89" (slow 16)
+  $ novaOff "^89" (slow 4)
   $ "pray"
-  # crush (range 10 2.5 "^54")
+  # crush (range 10 2.5 "^33")
   # n "<0!4 1!8>"
   # cut 5
   # pan 0.8
@@ -70,7 +70,7 @@ d6 -- TODO Rework
   $ superimpose (arp "<up!2 down up>" . fast 2 . (|- note 12))
   $ note ("[e3,<~ gs4!2 b4>,e4] [fs3,fs4]")
   # "FMRhodes1"
-  # rel (range 0.2 1 "^53")
+  # rel (range 0.2 1 "^34")
   # amp (range 0.4 0.8 "^81")
   # gM' 0.8 1.6 "^81"
 d7 $ g
@@ -78,5 +78,5 @@ d7 $ g
   $ midiOn "^59" (fast 2)
   $ s "~ clap"
   # room 0.5 # size 0.4 # dry 0.95
-  # note (range "-6" 6 "^55")
+  # note (range "-6" 6 "^35")
   # gM' 0 1.6 "^83"

live/midi/nova/FM/heure_a_perdre.tidal

@@ -52,7 +52,7 @@ d1 -- Kick 4/4
   $ midiOn  "^41"  (<| "k <<k!8 ~ k!7> k!3 ~ k!3> k <k <k*2 [~ k]>>")
   $ midiOff "^41" (<| "k <k!2 <k k?> ~>")
   $ "[jazz,kick:5]*4"
-  # midiG' ("^77" * "^55") 0 1
+  # midiG' ("^77" * "^29") 0 1
 d2 -- Hats contretemps
   $ ply "1 1 <1 <[2|1] 2>> 1"
   $ mask "<f!12 t!24>"
@@ -60,33 +60,41 @@ d2 -- Hats contretemps
   $ "[~ hh]*4"
   # n "<8!7 [8!3 10]>"
   # release (slow 16 (range 1 0.05 saw))
-  # gain (1.4 * (slow 4 $ range 1 1.48 saw) * "^77" * "^56")
+  # gain (1.4 * (slow 4 $ range 1 1.48 saw) * "^77" * "^30")
   # pan (slow 4 $ range 0.98 0.5 saw)
 d3 $ g -- Running Hats
   $ mask "<f!4 t!12>"
-  $ midiOn "^41"  (fast 2)
+  $ midiOn "^43"  (fast 2)
   $ fast ("<1!4 2!4 4!24>" * "<1!8 2!8>" * "1 1 1 <1 [1 2] [2 1] 2>")
   $ "hh"
   # pan (slow 16 $ range 0.2 0.8 saw)
-  # gain (1.7 * "^77" * "^56")
+  # gain (1.7 * "^77" * "^31")
 d5 $ g
   $ off "h" id
-  $ midiOn "^42" (scramble 4 . ply 2 . often (chop "<2!3 4 2 [2 4] 2 4>"))
-  $ midiOn "^43" (off "q" ((# room 0.2) . (|* gain 0.8)))
+  $ midiOn "^89" (scramble 4 . ply 2 . often (chop "<2!3 4 2 [2 4] 2 4>"))
+  $ midiOn "^57" (off "q" ((# room 0.2) . (|* gain 0.8)))
   $ degradeBy ("<0 0.5> 1!7" * "^50")
+  -- FIXME(#94) d5 drives more controls than the grid gives it (BT5 + BL5). ^44 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^44 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d5's own control with gSel.
   $ midiOn "^44" (degradeBy "0 1!5 0.5 0.25")
   $ note mel
   # s "superfm"
   # midiG' "^78" 0 1.3
-  # crushbus 51 (range 10 2.65 "^29")
+  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^33 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # crushbus 51 (range 10 2.65 "^33")
   # pan "[<0.2 0.8> <0.8 0.2>]"
-  # octave (3 + "^59" + "^60")
+  -- FIXME(#94) d5 drives more controls than the grid gives it (BT5 + BL5). ^60 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- FIXME(#94) d5 drives more controls than the grid gives it (BT5 + BL5). ^59 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # octave (3 + "^59" + "^60")
   # fmfeedback "^79"
-  # fmamps                        ["^15", "^16", "^17", 0, 0, 0]
+  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^53 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # fmamps                        ["^15", "^16", "^53", 0, 0, 0]
   # fmratios                      [1, 4, (slow 8 $ "<0.126 0.26 [0.51 0.52]>"), 0, 0, 0]
-  # fmdetunes                     ["^51", 1 - "^52", "^53", 0, 0, 0]
-  # fmmod 1 1 ("<0 1.25>" + "^31")
-  # fmmod 1 2 (range 0 2 "^32")
+  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^52 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # fmdetunes                     ["^51", 1 - "^52", "^53", 0, 0, 0]
+  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^31 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # fmmod 1 1 ("<0 1.25>" + "^31")
+  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^32 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
+  -- # fmmod 1 2 (range 0 2 "^32")
   # fmmod 1 3 (range 0 4 "^33")
   -- # fmmod 3 2 (range 0 3 (slow 4 sine + "^52"))
   # envlevel 1 [1, 0.5, 0, 0, 0, 0]

live/midi/nova/ambient/ambient_chaos.tidal

@@ -15,8 +15,8 @@ d12 $ gM3 $ gF3 -- PIANO DE DEBUGGING
   -- # room 0.3 # sz ("0.2 0.4 0.6")
 d1 $ gF1 $ gM1 -- KICK PLEIN
   -- $ fix ((# att 0.05) . (# lpf 4500) . (# gain 0.9)) "rampleR1:0"
-  $ midiOn "^42" (<| "k k k <k!3 <k*2 [k*2 k] [k ~ k] [k*4]>>")
-  $ midiOff "^42" (<| "k <~!4 k ~ ~ k*2> . ~ ~ [~ <~ k>] k")
+  $ midiOn "^41" (<| "k k k <k!3 <k*2 [k*2 k] [k ~ k] [k*4]>>")
+  $ midiOff "^41" (<| "k <~!4 k ~ ~ k*2> . ~ ~ [~ <~ k>] k")
   $ "[rampleR1:0]"
   # gain 1.4
 d2 $ gF1 $ gM2
@@ -39,19 +39,19 @@ d4 $ gF2 $ gM3 -- La gravite, inevitable
     + 0
   )
   # "bassWarsaw"
-  # octersubbus 41 (range 0 3 "^53")
+  # octersubbus 41 (range 0 3 "^32")
   # cut 4
   # pan 0.3
   # gain 1.7
 d5 $ gF3 $ gM3 -- La lumiere, partout
-  $ midiOn "^58" (chop 8)
-  $ midiOff "^58" (chop 2)
-  $ midiOn "^90" (ply "2 <2 4>")
+  $ midiOn "^89" (chop 8)
+  $ midiOff "^89" (chop 2)
+  $ midiOn "^57" (ply "2 <2 4>")
   $ note prog
   # "90s_glassatm:0"
   # cut 5
   # pan 0.8
-  # octerbus 51 (range 0.01 1.99 "^54")
+  # octerbus 51 (range 0.01 1.99 "^33")
 d7 $ gF1 $ gM3 -- Les inevitables trolls
   $ fix ((|* gain 0.8) . (|- note 4) . (# "rampleR0:3")) "r0bd1"
   $ fix (# "rampleR0:2") "r0bd"
@@ -60,9 +60,9 @@ d7 $ gF1 $ gM3 -- Les inevitables trolls
   # gain 0.8
 d8 $ gF1 $ gM2
   -- $ ply "1 2"
-  $ midiOn "^56" (# n "4")
-  $ midiOn "^60" (slice 16 (run "<[8!3 4]!3 <4 [4 <8 16>]>>"))
-  $ midiOn "^92" (ply 2)
+  $ midiOn "^36" (# n "4")
+  $ midiOn "^92" (slice 16 (run "<[8!3 4]!3 <4 [4 <8 16>]>>"))
+  $ midiOn "^60" (ply 2)
   $ chop 16
   $ loopAt 2
   $ "jungle_breaks:30"

live/midi/nova/ambient/mono_over.tidal

@@ -7,8 +7,8 @@ let gMute = (midiOn "^73" (mask "f*16"))
 let gM = gMask . gMute
 d1 $ gF1 $ gM
   $ superimpose ((# "jazz:0") . (|* gain 0.9))
-  $ midiOff "^42" (<| "k . <~ <[~ k] k(<3 [<1 <3 5>> 5]>,8)>>")
-  $ midiOn  "^42" (<| "k k k <k [<k ~> k]>")
+  $ midiOff "^41" (<| "k . <~ <[~ k] k(<3 [<1 <3 5>> 5]>,8)>>")
+  $ midiOn  "^41" (<| "k k k <k [<k ~> k]>")
   $ d "bd:1"
   # midiG' "^78" 0 1.3
 d2 $ gF1 $ superimpose ((# "snare:13") . (|*gain 0.8)) $ d "~ [sd:5]"
@@ -20,8 +20,8 @@ d4 $ gF2 $ slow 2 -- Intro dark bass rample
   $ "rampleO7"
   # n "<0 1 2 3>"
   # cut 4
-  # crushbus 41 (range 16 2 "^53")
-  # roombus  42 (range 0 0.52 "^33")
+  # crushbus 41 (range 16 2 "^32")
+  # roombus  42 (range 0 0.52 "^52")
   # midiG' "^81" 0 1.3
 d5 $ silence -- TODO SECONDE BASS GROOVY
 d6

live/midi/nova/beatober/oct_15_midoct.tidal

@@ -32,7 +32,7 @@ d4 $ gF2
   # room 0.4
   # sz 0.5
   # cut 4
-  # crushbus 41 (range 16 2.5 "^53")
+  # crushbus 41 (range 16 2.5 "^32")
   # midiG' "^81" 0 1
 d10 $ gF3
   $ slice 4 "<0!4 ~!12> ~ <~ <2 2?>> <~!32 3*<[1]!8 1 2 2 4 4 2 4 4>!32>"

live/midi/nova/beatober/oct_5.tidal

@@ -6,7 +6,7 @@ let gM = gMask . gMute
 let gDJF = (whenmod 64 32 (# djfbus 1 (slow 16 $ range 0.01 0.45 saw)))
 let gDJF = id
 d1 $ gDJF $ gM1 $ gF1 -- KICK SOUTENANT
-  $ midiOn "^42" (<| "k . ~ k ~ ~")
+  $ midiOn "^41" (<| "k . ~ k ~ ~")
   $ fix ((# drumFrom "rolandtr909" "bd:3")) "909bd"
   $ "[jazz,909bd]"
   # midiG' "^78" 0 1.9
@@ -22,19 +22,19 @@ d2 $ gDJF $ gF1 $ gM -- FIXME Meilleure dialectique kick/snare
   # pan 0.8
   # midiG' "^79" 0 1.9
 d3 $ gDJF $ gM $ gF1
-  $ midiOn "^76" (mask "t(16,32)" . ply 2 . off "e" id)
+  $ midiOn "^43" (mask "t(16,32)" . ply 2 . off "e" id)
   $ "~ h ~ h*<1!3 2> ~ h ~ h"
   # "h2ogmhh"
-  # attbus 31 (range 0.2 0.05 "^52")
+  # attbus 31 (range 0.2 0.05 "^31")
   # midiG' "^80" 0 1.9
   |* gain (range 0.85 1 (fast 2 perlin))
 d4 $ gF2
-  $ superimpose (# crushbus 41 (range 16 3 "^53"))
+  $ superimpose (# crushbus 41 (range 16 3 "^32"))
   $ note "<d4 e4 a3@2>"
   # "90s_matrix:3"
   # cut 4
   # pan 0.2
-  # triodebus 42 (range 0 4 "^33")
+  # triodebus 42 (range 0 4 "^52")
   # midiG' "^81" 0 2
 d5 $ gDJF $ gF1
   $ whenmod 8 7 (# delay 0.6)
@@ -53,7 +53,7 @@ d6 $ gF3
   $ fix (|* gain (slow 32 $ range 0 1 cosine)) "cpluck:5"
   $ fix (|* gain (slow 32 $ range 0.5 0 sine)) "cpluck:6"
   $ note ("e@2 c@2 e <f g c b4>")
-  # hbrickbus 61 (range 0 0.4 "^55")
+  # hbrickbus 61 (range 0 0.4 "^34")
   # "[cpluck:4,cpluck:5,cpluck:6]"
   # rel 2
   # pan 0.2
@@ -69,7 +69,7 @@ d7 $ gF3
   # delayt (1/8)
   # delayfb (slow 16 $ range 0.1 0.8 saw)
   # cut 7
-  # crushbus 71 (range 16 2.4 "^55")
+  # crushbus 71 (range 16 2.4 "^35")
   # lpf 4000
   # midiG' "^83" 0 1.3
 d8 $ gM $ gF1

live/midi/nova/boombap/al_salar.tidal

@@ -12,8 +12,8 @@ d2 $ gF1 $ gM2 $ "~ s ~ [s*<1!3 2> ~]"
   # gain 1.4
 d3 $ gF1 $ gM2 $ "d(3,8) d(3,8)" # "h2ogmsn" # gain 2 # cut 3 -- Drill that Baby
 d4 $ gF2 $ gM3 -- Basse languinante d'un vieux violoncelle
-  $ midiOn "^89" (off "0.25" id)
-  $ superimpose ((# crushbus 41 (range 16 2.5 "^53"))
+  $ midiOn "^44" (off "0.25" id)
+  $ superimpose ((# crushbus 41 (range 16 2.5 "^32"))
   . (|* gain 0.8)
   . (# hpf 500) . (# lpf 10000)
   )
@@ -29,7 +29,7 @@ d4 $ gF2 $ gM3 -- Basse languinante d'un vieux violoncelle
   # bandq 1
   # gain 1.2
   # lpf 500
-  # octersubbus 42 (range 0 1 "^33")
+  # octersubbus 42 (range 0 1 "^52")
   # tremr 1.4
 d8 $ gF1 $ gM2
  $ midiOn "^92" (
@@ -49,11 +49,11 @@ d8 $ gF1 $ gM2
  # gain 1.4
 d6 $ gF3 $ gM3 $ loopAt 4 $ "meth_bass:4" # gain 1.3
 d7 $ gF3 -- Choeurs des temps passés
-  $ midiOn "^59" ((# pan "[0.4 0.6]*8")
+  $ midiOn "^91" ((# pan "[0.4 0.6]*8")
   . chop "<16!3 32>" . (# rel 0.85)
   ) -- Pan the chops!
-  $ midiOn "^91" (ply "4 <4!3 <8 16>>")
-  $ midiOn "^19" (# freeze "<0.1 0.2 0.4 0.8>")
+  $ midiOn "^59" (ply "4 <4!3 <8 16>>")
+  $ midiOn "^35" (# freeze "<0.1 0.2 0.4 0.8>")
   -- $ ((# distortbus 71 (range 0 2 "^55"))
     -- . (# octerbus  72 (range 0 1.5 "^55"))
     -- . (# cut 71)
@@ -64,7 +64,7 @@ d7 $ gF3 -- Choeurs des temps passés
   # cut 7
   # room 0.3
   # dry 0.92
-  # tremrbus 72 (range 0 20 "^35")
+  # tremrbus 72 (range 0 20 "^55")
   # tremdp 2
   # hpf 2000
   # gain 2

live/midi/nova/boombap/boom_jane.tidal

@@ -27,9 +27,9 @@ d3 $ gF1 $ gM2 -- Drumroll fantome
   # sz 0.8
   # pan 0.7
 d4 $ gF2 $ gM3
-  $ midiOn "^89" (ply "4 2")
+  $ midiOn "^76" (ply "4 2")
   $ superimpose (
-    (# crushbus 41 (range 16 2.8 ("^53" + 0.25 * perlin)))
+    (# crushbus 41 (range 16 2.8 ("^32" + 0.25 * perlin)))
   . (# hpf 200)
   . (# lpf 10000)
   . (|* gain 1))
@@ -56,7 +56,7 @@ d8 $ gF1 $ gM2
   $ midiOn "^60" (mask "f(<4!3 [2 8]>,8)")
   $ chop 16
   $ loopAt 1
-  $ midiOn "^56" ((>| "jungle_breaks:109") . (|* gain 0.95))
+  $ midiOn "^36" ((>| "jungle_breaks:109") . (|* gain 0.95))
   $ "jungle_breaks:110"
   # cut 8
   # hpf 400

live/midi/nova/boombap/latin_au_chocolat.tidal

@@ -13,7 +13,7 @@ d3 $ gF1 $ gM2
   $ "dr*[8@3 <8!3 16>]"
   # delay 0.2 # delayt "s" # delayfb 0.4
 d5 $ gF3 $ gM3
-  $ midiOn "^90" (struct "t*8")
+  $ midiOn "^57" (struct "t*8")
   $ slow 2 $ slice 8 "<0 0 [1 2] 3 4!4 5!4 6 6 7 7>"
   $ "latin"
   # cut 5

live/midi/nova/boombap/module_amour.tidal

@@ -2,8 +2,8 @@ do
 setcps (160/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (<| "k k k <k k*2 k [~ k*<1 2>]>")
-  $ midiOff "^42" (<| "k ~ . ~ k ~ ~")
+  $ midiOn "^41"  (<| "k k k <k k*2 k [~ k*<1 2>]>")
+  $ midiOff "^41" (<| "k ~ . ~ k ~ ~")
   $ "[jazz,808bd:3]"
   -- $ "[808bd:4]"
   # gain 1.4
@@ -24,14 +24,14 @@ d3 $ gF1 $ gM2
   # delay 0.15
   # delayfb (slow 16 $ range 0.2 0.75 perlin)
 d4 $ gF2 $ gM3 -- BASSE QUI DONNE DES AILES <3
-  $ midiOn "^57" (|- note 12)
-  $ midiOn "^89" (ply "1 . <8 <12!3 24>>")
+  $ midiOn "^44" (|- note 12)
+  $ midiOn "^76" (ply "1 . <8 <12!3 24>>")
   $ whenmod 128 64 ( -- Echoes of triplets
     off 0.5 (struct "~ t(3,8)" . (|+ note 12) . ( |* gain 0.93)))
   $ whenmod 64 48 (>| note                                                                           "<d4 f4 a3 g3 d4 a3 <g3!0 [g3@3 [g3 a3]]> d3>")
   $ note "<d4 a3 g3 d3 g3 f3 [b2@3 [b2 f3]] d3>"
   # "bassWarsaw"
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^32")
   # gain 1.5
 d5 $ gF3 $ gM3
   $ someCyclesBy "<1!32 0!32>" (someCyclesBy (slow 16 $ range 0.99 0.1 saw) (degradeBy "~ 0 ~ <1!3 1?>")) -- La pluie
@@ -42,8 +42,8 @@ d5 $ gF3 $ gM3
   # octave 6
   # bandf 200
   # bandfrecv 10
-  # octerbus 51 (range 0 0.95 "^54") -- ETOILES
-  # octersubbus 52 (range 0 5 "^34") -- ETOILES
+  # octerbus 51 (range 0 0.95 "^33") -- ETOILES
+  # octersubbus 52 (range 0 5 "^53") -- ETOILES
   # gain 1.5
   # room 0.5
   # sz 0.8

live/midi/nova/boombap/rien_a_craindre.tidal

@@ -2,8 +2,8 @@ do
 setcps (80/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn "^42"  (fast 2 . (<| "k k <k!6 ~ ~> k*<<1!3 <0 1>> <2 [4 <4 2 2 4> 2 <4 [8 4]>]>>"))
-  $ midiOff "^42" (<| "k(<1 1 3 2>  ,8) . ~ <~!8 k!24> ~ [~ <~ k*<1 2>>]")
+  $ midiOn "^41"  (fast 2 . (<| "k k <k!6 ~ ~> k*<<1!3 <0 1>> <2 [4 <4 2 2 4> 2 <4 [8 4]>]>>"))
+  $ midiOff "^41" (<| "k(<1 1 3 2>  ,8) . ~ <~!8 k!24> ~ [~ <~ k*<1 2>>]")
   $ "[rampleM8:0,jazz,808bd:3]"
   # gain 1.4
   # room 0.1 # sz 0.5 # dry 0.9
@@ -24,13 +24,13 @@ d4 $ gF2 $ gM3
   # "bass3"
   |+ note "ds"
   # gain 2
-  # crushbus 41 (range 16 3.5 "^53")
+  # crushbus 41 (range 16 3.5 "^32")
 d5 $ gF3 $ gM3
   $ note ("c!15 <cs ef f bf4>" + "[0,12]")
   # "FMRhodes1"
   # chorus 0.5
-  # modIndex (range 0 4 "^34")
-  # crushbus 51 (range 16 5 "^54")
+  # modIndex (range 0 4 "^33")
+  # crushbus 51 (range 16 5 "^53")
   # gain 1.4
   # legato 0.125
   # delay 0.8 # delayt (1/32) # delayfb (slow 16 $ range 0 0.7 saw)
@@ -53,6 +53,6 @@ d7 $ gF3 $ gM3 -- PUNK TIMER
 d8 $ gF1 $ gM2
   $ whenmod 8 6 (mask "t([16 <16 8> . <8 4>],16)")
   $ chop 16
-  $ midiOn "^56" (loopAt 1 . (>| "jungle_breaks:108"))
+  $ midiOn "^36" (loopAt 1 . (>| "jungle_breaks:108"))
   $ loopAt 1 $ "jungle_breaks:107"
   # cut 8

live/midi/nova/boombap/saloon.tidal

@@ -42,8 +42,8 @@ d4 $ g2 -- Broken Saloon
     -- . (|+ note 12)
     -- . (# cut 51)
   -- )
-  $ midiOn "^58" (iter 16)
-  $ sometimesBy "^54" (striate 4 . ply "1 <1 <2 [2 4]>>")
+  $ midiOn "^44" (iter 16)
+  $ sometimesBy "^32" (striate 4 . ply "1 <1 <2 [2 4]>>")
   $ slice 8 (run "<4!2 2 <8 [8 4] [4 8] 4>>" + (slow 8 "<0 4>"))
   $ loopAt 2
   $ "fpiano:8"

live/midi/nova/boombap/sept20.tidal

@@ -35,10 +35,10 @@ d4 $ gF2 $ gM3 -- MEDIEVAL DARK BASSLINE <3
       "<0 [0 <12 [12 0]>]>" +
       "0(3,8) 0(3,8)" +"0 0 0 <7>"
       + 12
-      )) . (# cut 41) . (|* ampbus 43 "^33")
+      )) . (# cut 41) . (|* ampbus 43 "^32")
     )
-  $ midiOn "^89" (ply "<4 <8 [8 . 16 <32 64>]>>" . (# cut 41))
-  $ superimpose ((# crushbus 41 (range 16 2.8 "^53"))
+  $ midiOn "^76" (ply "<4 <8 [8 . 16 <32 64>]>>" . (# cut 41))
+  $ superimpose ((# crushbus 41 (range 16 2.8 "^52"))
   . (# hpf 300)
   . (# lpf 10000)
   . (|* gain 1.5))
@@ -100,7 +100,7 @@ d10 $ gF3 $ gM3 -- Des visiteurs venus d'ailleurs
   # cut 10
 d6 $ gF2 $ gM3 $ "meth_bass:3"
   # note "-9"
-  # crushbus 61 (range 16 2.5 "^30")
+  # crushbus 61 (range 16 2.5 "^34")
   # cut 6 # gain 1
 
   -- once $ "visiteurs:9" # end 0.56 # rel 1.3 # cut 4

live/midi/nova/breaks.tidal

@@ -30,5 +30,5 @@ d1
   # room 0.6 # size 0.5 # dry 1
   # cut 1
 d3
-  $ novaOn "^44" (fast "2 <2 [4 2]>")
+  $ novaOn "^43" (fast "2 <2 [4 2]>")
   $ "dr*8"# gM' 0 1 "^80"

live/midi/nova/breaks/StolenChoir.tidal

@@ -27,7 +27,7 @@ d1 $ g
   # gM' 0 1.1 "^78"
 d2 $ g
   $ (# gM' 0.35 0.9 "^79")
-  $ novaOn "^43" (slow 2)
+  $ novaOn "^42" (slow 2)
   $ novaOn  "^75" (const $ loopAt 1
     $ slice 4 ("<0 0 2 0> <1 1 3 1> 2 3")
     $ "breaks165")
@@ -46,13 +46,13 @@ d4 $ g $ slice 8 ("<0!3 1 1 0 1 0>(<3 <1 5>>,8)") $ "choir:4"
   # cut 4
   # gM' 0 0.8 "^81"
 d5 $ g
-  $ novaOn "^58" (chop (4 + ("12" * "^90")))
+  $ novaOn "^57" (chop (4 + ("12" * "^89")))
   $ whenmod 4 2 (stutWith 4 "e" (# legato 0.25))
   $ note chords
   # "moogBass"
-  # gM' 0.2 0.5 ("^82" / (1 + (0.4) * "^54"))
-  # crushbus 51 (range 10 1 "^34")
-  # chorus (range 0 4 "^54") -- 0.7
+  # gM' 0.2 0.5 ("^82" / (1 + (0.4) * "^33"))
+  # crushbus 51 (range 10 1 "^53")
+  # chorus (range 0 4 "^33") -- 0.7
 
 
 

live/midi/nova/breaks/break_at_home.tidal

@@ -12,7 +12,7 @@ d1 $ g1
   # midiG' "^78" 0 1.4
 d2 $ g1
   $ midiOn "^75" (>| "breaks165")
-  $ splice 4 (run (4 + ("^43" * 2)))
+  $ splice 4 (run (4 + ("^42" * 2)))
   $ loopAt 2
   $ "break:4"
   # midiG' "^79" 0 1.3
@@ -21,7 +21,7 @@ d4 $ g2
   $ note ("<c3!3 [bf2@6 ~ g2]>")
   # "bassWarsaw"
   # midiG' "^81" 0 1.3
-  # crushbus 41 (range 16 4 "^53")
+  # crushbus 41 (range 16 4 "^32")
   # room 0.2
   # cut 4
 

live/midi/nova/breaks/break_dynasty.tidal

@@ -8,9 +8,9 @@ let prog = "<[c,e,g,b] [c,e,g,bf] [c,ef,g,bf] [c,e,g,b]>"
 d1
   $ gF $ gMute
   $ midiOn "^74" (fast 2)
-  $ midiOn "^42" (-- Run
+  $ midiOn "^41" (-- Run
     slow 2 . (<| "k k k k"))
-  $ midiOff "^42" (<| "k . ~ k ~ ~") -- L'attente
+  $ midiOff "^41" (<| "k . ~ k ~ ~") -- L'attente
   $ "[meth_1902:2,kick:8]" # note "-2"
   # midiG' "^78" 0 1.3
 d2 $ gF $ gM -- Snare glitch high
@@ -28,7 +28,8 @@ d2 $ gF $ gM -- Snare glitch high
   -- # n "<0 1 2 3>"
   -- # midiG' "^80" 0 1.2
 d3 $ gF $ gM $ loopAt 2
-  $ midiOff "^44" (slow 2)
+  $ midiOff "^43" (slow 2)
+  -- FIXME(#94) d3 drives more controls than the grid gives it (BT3 only — BL1-3 are the family mutes). ^76 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^76 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d3's own control with gSel.
   $ midiOn "^76" (ply 2)
   $ chop 16
   $ "jungle_breaks:6"
@@ -43,11 +44,11 @@ d5 $ gF2
   # "bassWarsaw"
   # legato 2
   # cut 5
-  # crushbus 51 (range 16 2 "^53")
+  # crushbus 51 (range 16 2 "^33")
   # midiG' "^81" 0 1.5
   # room 0.2 # sz 0.2
 d4 $ gF3
-  $ midiOn "^58" (
+  $ midiOn "^44" (
     -- (often (off 0.5 (slow "1 " . mask "f t" . (|+ note 12) . (|* gain 0.9))))
     -- . (off ("h" + "s") id . arp "up")
     -- .
@@ -56,7 +57,7 @@ d4 $ gF3
   $ whenmod 64 32 (# note (progAlt - 12))
   $ note (prog - 12)
   # "FMRhodes2"
-  # modIndex (range 0 16 "^54")
+  # modIndex (range 0 16 "^32")
   # pan 0.8
   # midiG' "^82" 0 1.3
 d7 $ gF3
@@ -65,7 +66,7 @@ d7 $ gF3
   $ "shiloh:2"
   # pan 0.2
   # cut 7
-  # midiG' ("^83" * (1 - 0.5 * "^19")) 0 1.5
+  # midiG' ("^83" * (1 - 0.5 * "^35")) 0 1.5
   # delaybus 61 (range 0 1 "^55")
   # delayfb 0.5
   # delaytime 0.375
@@ -84,8 +85,9 @@ d8 $ gF $ gM
   $ midiOn "^92" (ply "2 <2 4>")
   $ loopAt 1
   $ chop 8
-  $ someCyclesBy "^20" ((# n 20))
-  $ someCyclesBy "^36" (loopAt 2 . (# n 81))
+  $ someCyclesBy "^36" ((# n 20))
+  -- FIXME(#54) d8 drives more controls than the grid gives it (B8 + C8). ^56 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^56 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d8's own control with gSel.
+  $ someCyclesBy "^56" (loopAt 2 . (# n 81))
   $ sometimesBy  "^56" ((iter "1 4"))
   $ "jungle_breaks:13"
   # room 0.2 # dry 1.05 # sz 0.4

live/midi/nova/breaks/break_low.tidal

@@ -13,9 +13,9 @@ d1 -- Snare
   # "[jazz,cpu]"
   # midiG' "^78" 0 0.9
 d2 -- Snare
-  $ midiOn "^41" (fast 4)
+  $ midiOn "^42" (fast 4)
   $ g
-  $ midiOff "^41" (slow "<2!16 1!16>" )
+  $ midiOff "^42" (slow "<2!16 1!16>" )
   $ "~ [snare:20,clap]"
   # midiG "^79"
   # room 0.8 # sz 0.8 # dry 0.99
@@ -44,13 +44,13 @@ d5 -- Bassline
         + "0(5,8)" |+ "0 [7 12]"
         -- + 12
       ))
-      . (# crushbus 51 (range 12 1.85 "^53"))
+      . (# crushbus 51 (range 12 1.85 "^33"))
     )
   )
   $ note ("d . ~ <c(3,8)!4 [c(2,3),d(2,4,1)]!4>")
   # octave 3
   # "bassWarsaw"
-  # crushbus 5 (range 10 5 "^53")
+  # crushbus 5 (range 10 5 "^33")
   # room 0.5
   # sz 0.4
   -- # pan 0.21
@@ -61,7 +61,7 @@ d6 $ g
   # octave 3
   # modIndex "[0,5]"
   # "FMRhodes1"
-  # crush (range 10 4.8 "^54")
+  # crush (range 10 4.8 "^34")
   # midiG' "^82" 0 1.4
 d7 $ g
   -- $ slice 8 ("7*4")
@@ -75,6 +75,6 @@ d8 $ g -- Da Bogdan MOFO
   # lpqbus 8 (range 0 0.5 sine)
   # crush (slow 16 $ range 16 2.5 perlin)
   # cut 8
-  # gain "^56"
+  # gain "^36"
 
   once $ "dr" # gain 1

live/midi/nova/breaks/break_the_rentree.tidal

@@ -3,8 +3,8 @@ resetCycles
 do
 setcps (80/60/4)
 d1 $ gF1 -- THIS TIME IT'S GONNA BE SLOW
-  $ midiOn "^42" (struct "t t t <t t*2 t [~ t]>")
-  $ midiOff "^42" (
+  $ midiOn "^41" (struct "t t t <t t*2 t [~ t]>")
+  $ midiOff "^41" (
      (someCyclesBy (slow 16 $ range 0 0.8 saw)( -- Hackish run
        superimpose ((0.5 ~>) . mask "t(1,8)")
        )
@@ -48,8 +48,8 @@ d4 $ gF1 -- Drumroll au retard orchestre
   # pan 0.55
   # midiG' "^84" 0 1
 d6 $ gF2 -- Programmatic bass
-  $ midiOn "^89" (slice 4 "1*<2 4>" . (# cut 6))
-  $ midiOn "^57" (
+  $ midiOn "^90" (slice 4 "1*<2 4>" . (# cut 6))
+  $ midiOn "^58" (
     someCyclesBy "<f!24 t!8>" (slice "<16 8 4 2>" (run 16))
     . someCyclesBy "<f!16 t!8 f!8>" (slice 8 "[0 .. 4] . [7 .. 5]")
     . someCyclesBy "<f!8 t!8 f!16>" (slice 8 (run 4))
@@ -60,7 +60,7 @@ d6 $ gF2 -- Programmatic bass
   # gain 0.6
   # room 0.4
   # midiG' "^81" 0 1.3
-  # crushbus 61 (range 16 4 "^53")
+  # crushbus 61 (range 16 4 "^34")
   # room "<0.35!3 0.7>"
 d5 $ gF2 -- Le rythme de la rentree
   -- $ mask "<f!7 t f!7 t f!14 t!2 t!16>"

live/midi/nova/breaks/break_the_storm.tidal

@@ -8,12 +8,12 @@ d1 $ gF1 $ gM1
 d2 $ gF1 $ gM2 $ "~ cp ~ cp*<1!3 2>" # "snare:24" # gain 1.4
 d3 $ gF1 $ gM2 $ "hh([12 <12 16 12 6>],16)" # "h2ogmhh"
 d4 $ gF2 $ gM3
-  $ midiOn "^57" (mask "t(<4!3 <6 8>>,8,1)")
+  $ midiOn "^44" (mask "t(<4!3 <6 8>>,8,1)")
   $ fast 2 
   $ note ("<[e3 b3 g3 b3] [e3 a3 cs4 a3]>"  - "[0,12]")
   # "bassWarsaw"
-  # crushbus 42 (range 16 2 "^33")
-  # octersubbus 41 (range 0 2 "^53")
+  # crushbus 42 (range 16 2 "^32")
+  # octersubbus 41 (range 0 2 "^52")
   # room 0.4 # sz 0.8
 d5 $ gF3 $ gM3 $ note ("<e!3 cs>@7 [<d d g d>]" - 12) # "FMRhodes1"
 d7 $ gF3 $ gM3 $ note "<e3!3 cs2>@7 [d]" # "FMRhodes2"

live/midi/nova/breaks/code_secret.tidal

@@ -9,8 +9,8 @@ let gMute = (midiOn "^73" (mask "f*16"))
 let gM = gMask . gMute
 setcps (93/60/4)
 d1 $ gF1 $ gM1
-  $ midiOn "^42" (<| "k k k k")
-  $ midiOff "^42" (<| "k ~ ~ <~ k> . ~ k ~ <~!3 k*<1 2>>")
+  $ midiOn "^41" (<| "k k k k")
+  $ midiOff "^41" (<| "k ~ ~ <~ k> . ~ k ~ <~!3 k*<1 2>>")
   $ fix ((# att 0.1) . (# rel 10)) "wobble"
   $ "[jazz,808bd:4,wobble]"
   -- # midiG' "^78" 0 1.5
@@ -28,12 +28,12 @@ d4 $ gF2 $ gM3
   # "moogBass"
   # chorus 0
   # pan 0.1
-  # crushbus 41 (range 16 2.5 "^53")
+  # crushbus 41 (range 16 2.5 "^32")
 d10
   $ note ("<b4 c4 cs4 c4>" + 12)
   # "moogBass"
 d5 $ gF3
-  $ midiOn "^58" (ply "<[4 2] 4 [4 8] [4 <[8 4] <16 [16 4]>>]>")
+  $ midiOn "^89" (ply "<[4 2] 4 [4 8] [4 <[8 4] <16 [16 4]>>]>")
   -- $ arpeggiate
   $ note ( -- TODO ADD CLIMB?
     "<[e4,g4,b4] [e4,g4,c5] [e4,g4,cs5] [e4,g4,c5]>"
@@ -41,16 +41,16 @@ d5 $ gF3
     + (slow 4 "<0 <12 24>>")
     + "12"
   )
-  # modIndex (range 0 4.5 "^34")
-  # crushbus 51 (range 16 4.5 "^54")
+  # modIndex (range 0 4.5 "^33")
+  # crushbus 51 (range 16 4.5 "^53")
   # "marimba1"
   # pan 0.8
   # gain 1.2
 d8 $ gM $ gF1
   $ midiOn "^92" (ply 4)
-  $ midiOff "^56" (slice 4 "0 1 2 3*<1 2 4 8>")
+  $ midiOff "^36" (slice 4 "0 1 2 3*<1 2 4 8>")
   $ loopAt 4 $ chop 16
-  $ midiOn "^56" (loopAt 0.25 . (>| "breaks165"))
+  $ midiOn "^36" (loopAt 0.25 . (>| "breaks165"))
   $ "trance_loops:0"
   # cut 8
   -- # midiG' "^84" 0 1.8

live/midi/nova/breaks/jesus_loves_disco.tidal

@@ -5,8 +5,8 @@ setcps (130/60/4)
 let width = pF "width"
 let dMask = (whenmod 8 7 (mask "t t <t f> f"))
 d1 $ gF1 $ gM1 
-  $ midiOn "^42" (<| "k k k <k k*2 k [~ k?]>")
-  $ midiOff "^42" (<| "k . k" )
+  $ midiOn "^41" (<| "k k k <k k*2 k [~ k?]>")
+  $ midiOff "^41" (<| "k . k" )
   $ "[kick:5,808bd:5]" 
   # gain 1.4
 d2 $ "~ s ~ s" # "vec1_snare:30"
@@ -16,11 +16,11 @@ d3
   # gain 1.4
 d5 $ gF3 $ gM3 
   $ superimpose ((# cut 51) . (jux (# cut 52)) .
-  (midiOn "^90" (ply 4)) .
+  (midiOn "^89" (ply 4)) .
   (# begin 0.79) . (# end 0.85) . (# pan 0.8) . (# hpf 3000)
-  . (# gain "^54")
+  . (# gain "^33")
   )
-  $ midiOn "^58" (slow 2)
+  $ midiOn "^57" (slow 2)
   $ "rhadamanthe_melo:20/4" 
   # cut 5
   -- # pan 0.3

live/midi/nova/breaks/madeleine_de_paris.tidal

@@ -3,8 +3,8 @@ do
 setcps (80/60/4)
 -- resetCycles
 d1 $ gF1 $ gM1
-  $ midiOn  "^42"  (fast 2 . (<| "k k k k*2"))
-  $ midiOff "^42" (<| "k*<1!7 2> ~ . ~ <~!7 [k*2 k]>")
+  $ midiOn  "^41"  (fast 2 . (<| "k k k k*2"))
+  $ midiOff "^41" (<| "k*<1!7 2> ~ . ~ <~!7 [k*2 k]>")
   $ fix (# lpf 1200) "kick"
   $ "[jazz, kick:3]" 
   -- # room 0.2 # sz 0.3 # dry 1.4
@@ -23,11 +23,11 @@ d4 $ gF2 $ gM3
   # "moog:1" 
   # room 0.2 
   # sz 0.4
-  # crushbus 41 (range 12 3 "^53")
-  # octersubbus 42 (range 0 2 "^33")
+  # crushbus 41 (range 12 3 "^32")
+  # octersubbus 42 (range 0 2 "^52")
 d5 $ gF2 $ gM3
-  $ superimpose ((|* gain (range 0 1.5 "^34")) . (# n 5) . (|+ note 12))
-  $ midiOn "^58" (fast 2)
+  $ superimpose ((|* gain (range 0 1.5 "^33")) . (# n 5) . (|+ note 12))
+  $ midiOn "^89" (fast 2)
   $ fast 2 
   $ note ("d4 a3*<1!12 2!4> d4 <a3!3 <b3 f3>>" + 3)
   # n "4"
@@ -38,7 +38,7 @@ d8 $ gF1 $ gM2
   $ midiOn "^60" (splice 4 "0*2 1*<2 8 2 <4 3 5 8>> 2(3,8) 4*<1 2 1 8>")
   $ chop 8
   $ loopAt 2 
-  $ midiOn "^56" (|> "jungle_breaks:10")
+  $ midiOn "^36" (|> "jungle_breaks:10")
   $ "jungle_breaks:1" 
   # cut 8
 -- d7 $ gF1 $ gM1
@@ -88,5 +88,5 @@ d7 $ gF3 $ gM3 -- TEMPTATION VOICES
   # end "<0.8!8 1!8>"
   # "temptation" 
   # cut 9
-  # roombus  91 "^19"
-  # delaybus 92 (range 0 1.5 "^18") # delayt 0.5 # delayfb ("^75" * 0.7)
+  # roombus  91 "^35"
+  # delaybus 92 (range 0 1.5 "^55") # delayt 0.5 # delayfb ("^75" * 0.7)

live/midi/nova/breaks/midnight_breaking.tidal

@@ -9,8 +9,8 @@ let g1 = (# djfbus 1 (range 0.02 0.98 "^49"))
 let g2 = (# djfbus 2 (range 0.05 0.95 "^50"))
 let m = mBreak
 d1 $ g1 --
-  $ midiOn "^42" (<| "k k k <k [<~ k> k]>")
-  $ midiOff "^42" (<| "k . ~ <k k ~ ~> k*<1!3 2 2 2 1 2> <~ ~ k <k ~>>")
+  $ midiOn "^41" (<| "k k k <k [<~ k> k]>")
+  $ midiOff "^41" (<| "k . ~ <k k ~ ~> k*<1!3 2 2 2 1 2> <~ ~ k <k ~>>")
   $ "[jazz,hh:5]"
   -- # release "<0.7!3 1>"
   # midiG' "^78" 0 1.9
@@ -20,17 +20,18 @@ d3 $ g1 $ m -- Clap contretemps stable
    # room 0.8 # sz 0.6 # dry 0.9
    # midiG' "^79" 0 1.0
 d2 $ g1 $ m -- BREAK
-  $ midiOn ("^44" - "^76") (ply 2)
+  -- FIXME(#94) d2 drives more controls than the grid gives it (BT2 only — BL1-3 are the family mutes). ^76 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^76 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d2's own control with gSel.
+  $ midiOn ("^42" - "^76") (ply 2)
   $ midiOn "^76" (striate 2)
   $ loopAt 2
   $ whenmod 8 6 (off "h" id . mask "t . f")
   $ slice 8 (run 8)
   $ "break" # n "<13!12 14!4 15!16>"
   # midiG' "^80" 0 2
-  # speed (range 0 2 "^52")
+  # speed (range 0 2 "^30")
   # cut 2
 d4 $ g2 $ m -- Basse avec du repondant
-  $ midiOn "^57" (chop "8 1")
+  $ midiOn "^76" (chop "8 1")
   -- $ superimpose ((# cut 41)
   -- . (|+| note "0*<1!3 2 1!3 4 2!4 4!4> 7(<5 5 3 3>,8)")
   -- )
@@ -44,7 +45,7 @@ d4 $ g2 $ m -- Basse avec du repondant
     - 24
   )
   # "bassWarsaw"
-  # crushbus 4 (range 16 1.5 "^53")
+  # crushbus 4 (range 16 1.5 "^32")
   # cut 4
   # pan 0.2
   # midiG' "^81" 0 1.7
@@ -60,12 +61,12 @@ d6 $ g2 $ m -- Rhodes piano questionnant
   )
   # "FMRhodes1"
   # midiG' "^82" 0 2
-  # modIndex (range 0.1 32 "^54")
+  # modIndex (range 0.1 32 "^34")
   # cut 5
   # pan 0.8
 d5 -- NES arps
   $ (# crush 4)
-  $ midiOn "^59" (struct "t . t(3,8)")
+  $ midiOn "^57" (struct "t . t(3,8)")
   $ g2
   $ slow 2
   $ chop "<8!8 4!8 2!8 1!8>"
@@ -113,8 +114,8 @@ let g1 = (# djfbus 1 (range 0.02 0.98 "^49"))
 let g2 = (# djfbus 2 (range 0.05 0.95 "^50"))
 let m = mBreak
 d1 $ g1 --
-  $ midiOn "^42" (<| "k k k <k [<~ k> k]>")
-  $ midiOff "^42" (<| "k . ~ <k k ~ ~> k*<1!3 2 2 2 1 2> <~ ~ k <k ~>>")
+  $ midiOn "^41" (<| "k k k <k [<~ k> k]>")
+  $ midiOff "^41" (<| "k . ~ <k k ~ ~> k*<1!3 2 2 2 1 2> <~ ~ k <k ~>>")
   $ "[jazz,hh:5]"
 d2 $ "~ cp"
   # gain 0.9

live/midi/nova/breaks/rose_eternelle.tidal

@@ -41,9 +41,9 @@ d4 $ gF2 $ gM3
   # legato 2
   # gain 1.4
   # room 0.4 # cut 4
-  # crushbus 41 (range 16 2.5 "^52")
-  # octerbus 42 (range 0 0.95 "^32")
-  # octersubbus 43 (range 0 1.5 "^32")
+  # crushbus 41 (range 16 2.5 "^32")
+  # octerbus 42 (range 0 0.95 "^52")
+  # octersubbus 43 (range 0 1.5 "^52")
 d5 $ gF3 $ gM3 -- Ton son est rose
   $ midiOn "^89" (ply "4 4 4 <4 8>")
   $ slow 2 
@@ -58,8 +58,8 @@ d5 $ gF3 $ gM3 -- Ton son est rose
   # pan 0.3
 d6 $ gF3 $ gM3 -- Jorja too, she wants _you_ 
   $ midiOff "^58" (mask "<f f f t>")
-  $ midiOn "^54" (>| n "<40 41>")
-  $ midiOff "^54" (>| n (slow 2 $ ply 2 $ "<40 40 40 41 42 43 43 44 45 ~ 45 ~>"))
+  $ midiOn "^34" (>| n "<40 41>")
+  $ midiOff "^34" (>| n (slow 2 $ ply 2 $ "<40 40 40 41 42 43 43 44 45 ~ 45 ~>"))
   $ "rose" 
   # room 0.4 
   # cut 6 # gain 1.4