session: Rha+Raph

34c8c548 · PLN (Algolia) · c0f0edcc · 34c8c548 · 34c8c548 · 34c8c548
Commit 34c8c548 authored Aug 31, 2024 by PLN (Algolia)
18 changed files
--- a/backlog.md
+++ b/backlog.md
 # MASTER/RELEASE
 -- It's About Time [Take1?]
-- Burn this book
+-- Burn this book [TODO Refactor]
 -- SlowMo: Orchestrated, ready to record :)
 -- Suns of Gold <3

@@ -41,11 +41,15 @@ soir noir
 -- Vendredi saint & Samedi

 # Work in progress
-
 ## `24Facons` to love music
 ### August August
+-- Dernier Doute
+-- Acidule :)
+-- **_Bain électrique_**: sub bass and jungle breaks :)
+-- Alerte Verte: Le comeback <3 [TODO]
 -- Fabuleux 🎇
 -- Le Bruit des Bots [WIP]
+-- Chevalerie [RAPH][WIP]

 ## July Not Sure If Fry
 -- Nouveau Punk ✊
@@ -98,7 +102,6 @@ soir noir
  - _Prestance_: Ambient wip needs adjustment :)

  -- **Sel Marin**: Nuit noire dans la mer noire, TODO varier bass
-- **_Bain bouillant_**: sub bass and jungle breaks :)
 -- Wild Coffee: Complainte Jungle Paradisiaque -- bonne intro?
 -- Monday Fairy
 -- MauerPark!

--- a/link_samples.sh
+++ b/link_samples.sh
@@ -235,3 +235,67 @@ ln -s "/home/pln/Work/Sound/Samples/MethLab/BluMarTen - Jungle Jungle - 1989 to 
 ln -s "/home/pln/Work/Sound/Samples/MethLab/BluMarTen - Jungle Jungle - 1989 to 1999/Riffs, Arps & Hits" /home/pln/.local/share/SuperCollider/downloaded-quarks/Dirt-Samples/jungle_riffs\
 ln -s "/home/pln/Work/Sound/Samples/MethLab/BluMarTen - Jungle Jungle - 1989 to 1999/Vocals" /home/pln/.local/share/SuperCollider/downloaded-quarks/Dirt-Samples/jungle_vocals\

+# Rhadamanthe <3
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ 303\ Acid vec1_acid
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Fills vec1_fills
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Claps/ vec1_claps
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Long\ Basses/ vec1_basslong
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Loops/ vec1_loops
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ FX/ vec1_fx
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Snares/ vec1_snare
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Offbeat\ Bass/ vec1_bass_ob
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC1/VEC1\ Percussion vec1_perc
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC2/VEC2\ Offbeat\ Bass/ vec2_bass_ob
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC2/VEC2\ Synths/ vec2_synth
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC2/VEC2\ Synths/VEC2\ Acid\ Sounds vec2_synth_acid
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC2/VEC2\ Synths/VEC2\ HiString vec2_synth_histring
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vengeance\ 909/VEC3/VEC3\ Synths/ vec3_synth
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Pack\ médiéval/ medieval
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/TOUT\ POUR\ PROD\ DE\ LA\ TECH/50\ Free\ Raw\ Hardstyle\ Kicks\ 2019/ hardkick_rha
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/TOUT\ POUR\ PROD\ DE\ LA\ TECH/hardstyle-force-sample-pack/Hardstyle\ Force\ Sample\ Kit/Gated\ Kicks/ gtkick
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/TOUT\ POUR\ PROD\ DE\ LA\ TECH/hardstyle-force-sample-pack/Hardstyle\ Force\ Sample\ Kit/Hardstyle\ Kicks/ hardkick_rha2
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/TOUT\ POUR\ PROD\ DE\ LA\ TECH/hardstyle-force-sample-pack/Hardstyle\ Force\ Sample\ Kit/Leads/ nlead
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/TOUT\ POUR\ PROD\ DE\ LA\ TECH/hardstyle-force-sample-pack/Hardstyle\ Force\ Sample\ Kit/Hardstyle\ Vocals/ hard_vocals
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Splice/Vocaux/ rhadamanthe_vocals
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Splice/Melos/ rhadamanthe_melo
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Splice/Vocaux/ rhadamanthe_vocal
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Splice/FX/ rhadamanthe_fx
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Splice/Drums/ rhadamanthe_drum
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Splice/Samples\ divers/ rhadamanthe_divers
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/ORIGINAL_JUNGLE_BREAKS/JBK_DRUM_SOUNDS/JBK_CYMBALS jbk_cy
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/ORIGINAL_JUNGLE_BREAKS/JBK_DRUM_SOUNDS/JBK_HATS jbk_hat
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/ORIGINAL_JUNGLE_BREAKS/JBK_DRUM_SOUNDS/JBK_KICKS jbk_kick
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/ORIGINAL_JUNGLE_BREAKS/JBK_DRUM_SOUNDS/JBK_RIMS jbk_rim
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/ORIGINAL_JUNGLE_BREAKS/JBK_DRUM_SOUNDS/JBK_SNARE_ROLLS jbk_roll
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/ORIGINAL_JUNGLE_BREAKS/JBK_DRUM_SOUNDS/JBK_SNARES jbk_sn
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/Aircraft movie_aircraft
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/CatAndMouse movie_cat
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/DeadlyMerchandise movie_deadly
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/DeadNight movie_dead
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/FinalPlace movie_final
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/InTheGroove movie_groove
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/LifeEnds movie_ends
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/SecretPolice\ 1 movie_police
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/SoundEffects/ movie_fx
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/Startex/ movie_startex
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/TheMoklins movie_moklins
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/TheStatue movie_statue
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/TheWerewolf movie_wolf
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/TomLaval movie_laval
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/Typhoon movie_typhoon
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/Weekend movie_we
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/WinterInParis movie_paris
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 1/WrongNumber movie_wrong
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Atomic\ Espionage movie_atomic
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Break\ Of\ Dawn movie_dawn
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Dark\ Space movie_dark
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Deadly\ Dance movie_dance
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Deep\ Fear movie_fear
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Ocean\ Waves movie_ocean
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Music\ Matters movie_music
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Sweet\ Pure\ Gold movie_gold
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Wine\ for\ you movie_wine
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Haunted\ Man movie_haunted
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Lost\ Rules movie_lost
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/Rude\ Walker movie_rude
+ln -s /home/pln/Work/Sound/Samples/rhadamanthe/Vintage\ Movie\ Vocals/Vintage\ Movie\ Vocals\ 2/The\ Giant movie_giant
--- a/live/collab/baba/oparoles.tidal
+++ b/live/collab/baba/oparoles.tidal
+resetCycles
+
 once $ "paroles:2" # gain 1.2 # cut 2 # lpf 2000

 do
@@ -15,62 +17,111 @@ let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
 let gF3 = (# djfbus 3 (range 0.05  0.95 "^51"))
 let modIndex = pF "modIndex"
 d1 $ gMute2 $ gF1 -- Kick solide
-  $ fix ((|* gain 0.9) . (# lpf 1000)) "jazz"
+  $ fix ((|* gain 0.9) . (# lpf 1000)) "ja  zz"
  $ fix ((# att 0.02) . (# rel 0.5) . (# lpf 5000)) "kick:4"
  $ midiOn "^42" (struct "t t t t*<1!6 2 2>")
  $ midiOff "^42" (<| "k . ~ <~!3 k> ~ ~")
  $ "[jazz,kick:4]"
  # gain 1.2
-  -- # midiG' "^78" 0 1.5
-d2$ gMute1 $ gF1 -- snare contretemps variable
+d2 $ gMute1 $ gF1 -- snare contretemps variable
  $ fix ((|* gain 0.8) . (# legato 0.05)) "cp"
  $ midiOn "^43" (<| "~ cp ~ cp*<1 1 2 <1 2>>")
  $ midiOff "^43" (<| "~ [cp*<1!3 <2 <4 [4 2]>>> ~]")
-  $ "[cp,snare:24]"
+  $ "[cp,snare:30]"
  # pan 0.65
  # legato 0.22
-  -- # midiG' "^79" 0 1.6
 d3 $ gM1 $ gF1
  $ "~ d ~ d ~ d ~ <d!12 [~ d]!3 [d d]>"
  # "snare:34"
  # hpf 7000
-  -- # midiG' "^80" 0 1.5]
 d4 $ gF2 $ gMute3
+  $ midiOn "^57" (slice 16 "[0 ~]*<4!3 8>")
  $ midiOn "^89" (ply 8)
-  $ note "<b2 as2 gs2@2>"
+  $ note "<b2 <<as2 [as2@3 [~ <fs2 b2>]]>!6 cs3 [cs3@3 [~ ef3]]> gs2@2>"
  # "bassWarsaw"
-  # gain 1.2 # cut 4
+  # gain 1.4 # cut 4
  # crushbus 41 (range 16 4.5 "^53")
-  # octerbus 42 (range 0 1.2 "^33")
-  # octerbus 42 (range 0 1.2 "^33")
+  # octerbus 42 (range 0 0.04 "^33")
+  # octersubbus 43 (range 0 1.2 "^33")
+  # octersubsubbus 44 (range 0 1.2 "^33")
 d5 $ gF3 $ gM3 -- Baba hums
-  -- $ midiOn "^58" ((# n 1) . ())
-  $ n "<1@2 2@2 3@2 4@2>"
+  $ midiOff "^58" (mask "f")
+  $ midiOn "^90" ((# begin 0.5))
+  $ someCyclesBy "<t!16 f!16>" (>| n "<1@2 1@2 2@4>") -- Better usage!
+  $ n "<1@2 2@2 3@2 4@2>" -- Live v1
+  -- $ n "<3 ~>"
+  -- $ n "<[1@2]!8 [2@4]!8 [<<1@2 3@2> <1@2 4@2> 2@4>]!8>" -- Final Orchestration <3
+-- # att 0.8
+  # begin 0.02
+  -- # rel 4
  # "paroles" # cut 5
-  # octersubbus 51 (range 0 2.5 "^54")
-  # lpf 3000
+  # tremrbus 51 (range 0 8 "^54")
+  # tremdp 0.8
+  -- # lpf 3000
+  # hpf 400 -- Needed to remove kick in the background :'(
+  # pan 0.8
+  # att 0.02
+  # sustain 4
+  # rel 4
+  # room 0.5 # dry 0.8 # sz 0.8
  # legato 2
-d8 $ gF1 $ gM1 $ chop 8 $ loopAt 1
-  $ midiOn "^56" ((loopAt 2) . (# "jungle_breaks:30")) -- Clochettes?
-  $ midiOn "^92" (ply 2)
-  $ midiOff "^60" (mask "f(4,8)")
-  $ chop 8
+d6 $ gF2 $ gM2
+  $ whenmod 32 16 (slice 8 "<[~ 0 ~ 1 ~ 2 ~ 3]!3 [0 1 2 3]*<2 [2 4]>>")
+  $ note ("<b bf gs@2>" - "f")
+  # "meth_bass:3"
+  # lpf 4000
+  # lpq 0.2
+  # cut 6
+  # pan 0.4
+  # room 0.1 # dry 0.9 # sz (slow 16 $ range 0.2 0.9 saw)
+d7 $ gM3 $ gF3 -- Paroles!
+  $ midiOn "^91" (mask "<t f!3>" . (# begin 0.79) . (# end 1))
+  $ "paroles:6/2"
+  -- 0-0.09  0.103-0.20 0.22-0.29 0.33-43 0.44-53 535-64 65-78
+  # begin "<0    0.103 0.22 0.33 0.44 0.535 0.65 0.65>"
+  # end "  <0.09 0.2   0.29 0.43 0.53 0.64 0.78 0.78>"
+  # pan 0.3
+  # cut 7
+  # hpf 300
+d8 $ gF1 $ gM1
+  $ midiOn ("^60" - "^92") (ply "1!2 <1!3 <2 1 1 2>>!2" . mask "f(4,8)")
+  $ midiOn ("^56" - "^92") ((loopAt 1) . (# hpf 1500) . (# "jungle_breaks:30")) -- Clochettes?
  $ midiOn ("^92") ( -- Bouton Nassim <3
-    slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>"
-    . loopAt 2 . (# "breaks165")
-    . (# room 0)
+    slice 16 "[0 .. 7] . <[0 .. 7]!7 [0 1 . [2 3]]>"
+    . loopAt 0.5 . (# "breaks165") . (# octersub 2)
  )
-  $ "jungle_breaks:20"
+  $ chop 16
+  $ loopAt 2
+  $ "jungle_breaks:74"
+  # room 0
  # gain 1.2
-d9 $ gM3
-  $ fix (slow 2 . (# "jerome:0")
-  . (# begin "<0!6 0.5!2>")
-  . (# end "<<0.3!2 0!2> 0.5 0.9>")
+d9 $ gF3 -- Bonsoir, merci les basses <3
+  $ fix ((# "jerome:0")
+  . slice 4 "<<0!3 <2 3> 0!3 <2 3> 3 3 3*2 2 3 3 3*<1 <2 4>> 2*2 <[2 3]>!16> ~>"
  ) "bonsoir"
-  $ "[bonsoir]"  # cut 9
-d10 $ gM3 $ ply "<1!4 2!4>" $ "<jerome:4 ~>" # end "<0.5 <0.64 1>>" # cut 10 # octersub (slow 16 $ range 0.2 0.8 perlin)
-d11 $ "jerome/4" # n "<5 5 7 8>" # gain 1.2 # cut 11 # lpf 4000
-d12 $ "<~ ~ jerome ~>" # n "<1 2 3>" # gain 1.2 # cut 12 # lpf 4000
+  $ "[bonsoir]"  # cut 9 # room 0.4 # dry 1 # gain 1.1
+  # octersub 0.8 # octersubsub 0.5
+d10 $ gF3 -- F: Chaque annee Jerome, Baissez, Aucune Parole, Qu'une parole
+  $ slow 2
+  $ ply "<<1 2> 1!7>"
+  $ "jerome:6"
+  # begin "<0!3    0.15 0.15!3 0.41 0.57!3 0.8 0.9!4>"
+  # end   "<0.15!3 0.27 0.35!3 0.62 0.85!3 1.0 1.0!4>"
+  -- $ "<jerome:4 ~>" # end "<0.5 <0.64 1>>"  -- Jerome F ...baissez les basses
+  # cut 10 # octersub (slow 16 $ range 0.2 0.8 perlin)
+d11 $ gF3 -- M grave tremolo
+  $ "jerome:5"
+  # begin "<0.3!3 0>"
+  # end "<0.5!3 <0.2 1>>"
+  # gain 1.2
+  # cut 11
+  # lpf 4000
+d12 $ gF3 -- COLLECTIF
+  $ fix (|* gain 0.9) "jerome:9"
+  $ "<~ ~ jerome ~>"
+  # n "<1 2 2 3 2 9 1 <10 3>>"
+  # gain 1.2
+  # cut 12 # lpf 4000
 -- 5 7 8

 once $ "jerome:3" # cut 8
--- a/live/collab/mousquetaires/blue_gold.tidal
+++ b/live/collab/mousquetaires/blue_gold.tidal
@@ -6,7 +6,7 @@ let gMute2 = (midiOn "^74" (mask "f*16"))
 let gMute3 = (midiOn "^75" (mask "f*16"))
 let gM1 = gMask . gMute
 let gM2 = gMask . gMute2
-let gM3 = gMask . gMute3
+let gM3   = gMask . gMute3
 let gF1 =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
 let gF3 = (# djfbus 3 (range 0.05 0.95 "^51"))
@@ -44,6 +44,10 @@ d3 $ gF1 $ gM1 -- Highest hats
  # gain (1.4 * (range 0.85 1.05 (fast 4 perlin)))
  # room 0.2 # dry 0.99 # sz 0.25
 d4 $ gF2 $ gMute3
+  $ superimpose (
+    (# crushbus 41 (range 16 3.5 "^53"))
+    . (# hpf 500)
+  )
  $ midiOn "^89" (ply "2 <2 <4 8>>")
  $ fast (4/3) -- Le fameux
  $ midiOff "^57" -- L'attente
@@ -52,7 +56,6 @@ d4 $ gF2 $ gMute3
  $ note ("<[fs4 <a5!2 gs!4 fs5!4 <[a6 gs6 fs6]!3 [fs6 gs6 a6]>>@3]*4>")
  # "bassWarsaw" |- note 24
  # pan 0.4
-  # crushbus 41 (range 16 3.5 "^53")
  # octersubbus 42 (range 0 2 "^33")
  # octerbus 43 (range 0 0.52 "^33")
  # gain 2
@@ -65,15 +68,19 @@ d5 $ gM3 $ gF3
  # pan 0.8
  # room 0.8 # sz 0.5
  # cut 5
-  # octerbus 51 (range 0 1 "^54")
-d7 $ gM3 $ gF3
+  # tremrbus 51 (range 0 "<0 8>" "^78")
+  # tremdp 2
+  # gain 1.8
+d7 $ gMute3 $ gF3
+  $ superimpose ((# cut 71) .
+    (# crushbus 73 (range 16 2.5 "^55")) -- CRASH THIS GUITAR
+  )
  $ midiOn "^91" (ply "1 . 2 <2 <4 8>>")
  $ slice 8 "0 0 0 <0 <1 2>>"
  $ "suns_guitar:0/2"
  # cut 7
  # octersubbus 71 (range 0 1.9 "^35") -- BURN THIS GUITAR
  # lpfbus 72 (range 10000 200 "^35")
-  # crushbus 73 (range 16 2.5 "^55") -- CRASH THIS GUITAR
  # pan 0.2
  # gain 1.1
 d8 $ gF1 $ gM1
@@ -102,7 +109,7 @@ d9 $ gF3 $ gMute3 -- Voice of the Father
  # octerbus 91 (slow 16 $ range 0.5 0.2 sine)
  # hpf 1500
  # cut 9
-d10 -- CUES AND NOISES
+d10 -- CUES AND NOISES TODO Rework following
  $ fix (# lpf 2000) "rampleD5:3" -- Porte spaciale
  $ fix ((# legato 4) . (# cut 101) . mask "<f!3 t>" . slow 8) "risers"
  $ "[<~!3 rampleD5:3>,risers:5]"

--- a/live/collab/raph/acidule.tidal
+++ b/live/collab/raph/acidule.tidal
+do
+-- resetCycles
+setcps (120/60/4)
+let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
+let gMute1 = (midiOn "^73" (mask "f*16"))
+let gMute2 = (midiOn "^74" (mask "f*16"))
+let gMute3 = (midiOn "^75" (mask "f*16"))
+let gM1 = gMask . gMute1
+let gM2 = gMask . gMute2
+let gM3 = gMask . gMute3
+let gF1 =  (# djfbus 1 (range 0.05 0.95 "^49"))
+let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
+let gF3 = (# djfbus 3 (range 0.05 0.95 "^51"))
+let modIndex = pF "modIndex"
+d1 $ gMute2 $ gF1 -- Kick solide
+  $ superimpose ((# cut 11) -- Rumble
+  -- . (# att 0.2) . (# rel 2)
+  . (# gain 4)
+  . (# delay 0.125) . (# delayt "q") . (# delayfb 0) -- Smear
+  -- . (# room 0.12) . (# sz 0.1) . (# dry 0.2)
+  -- . (# legato 0.25)
+  . (# lpf 600) -- Low-pass  show
+  )
+  $ midiOn "^42" (struct "t t*<1!3 <1!4 2!4>> t <t <t!4 [~ t]!4> t t*2>")
+  $ midiOff "^42" (<| "k . ~ k ~ <~!3 k*[4 1]>")
+  $ "[techno:1,jazz]"
+  -- # gain 0.2
+  # lpf 2000
+  # pan 1
+  # cut 1
+d2 $ gF1 $ gM1 -- Basic clap ma gueule
+  $ midiOn "^43" (<| "~ <~!8 cp!8> . cp*<1!3 2> <~!8 [~ cp]!8>" )
+  $ midiOff "^43" (<| "~ <cp!3 <~ [cp*<2 4>]>>")
+  $ "cp"
+  # note "0!3 -1"
+  # lpf 4000
+d3 $ gF1 $ gM1
+  $ jux (rev)
+  $ whenmod 8 6 (mask "f t" . rev)
+  $ "h h*2 ~ h ~ h ~ <~!2 h h*2>"
+  # "rhadamanthe_drum:3"
+  # delay 0.5 # delayt 0.25 # delayfb 0.2
+  # pan 0.7
+  # legato (range 0.2 0.8 "^52")
+d4 $ gF2 $ gM3 -- FROZEN BASS
+  $ midiOn "^57" (# freeze 0.2)
+  $ midiOn "^89" (ply 2 . chop 8 . (# legato 0.5))
+  $ slow 8 $ slice 8 (run 8)
+  $ superimpose
+  ((# cut 41)
+  . (# crushbus 41 (range 8 2.5 "^53"))
+  . (# hpf 500)
+  . (# gain (slow 32 $ range 0.5 1.2 (saw + "^53")))
+  -- . (# legato 4)
+  . (# lpf 10000))
+  $ stack ["",
+  "s" -- Base Synth
+  ]
+  # "synth_commodore"
+  # squizbus 42 (range 0 0.8 "^33")
+  # lpf 500
+  # gain 0.9
+  # room 0.3
+  # dry 0.9
+  # octer 0.25
+  # octersub 1.25
+  # sz 0.2
+  # cut 4
+d10 $ gF3 -- Self-destruction riser
+  $ (stack [
+    n "<<55!8 ~!54> ~!3>"
+    # end "<0.5 1 0.5 1 0.5 0.5 0.5 1 0.5!5 1!3>"
+    # begin "<0 0.5 0 0.5 0 0 0 0.5 0!5 0.5!3>",
+    n "<<~!3 56>!32 ~!28 ~ 56 ~ ~>" # begin 0.5, -- Activated
+    n "<~!32 <~ <54!3 53 53!3 54>!16 ~!16>>" -- Systems
+    # crushbus 101 (slow 15 $ range 12 5 perlin),
+    ""
+  ])
+  # "rhadamanthe_vocal"
+d9 $ gF3
+  $ mask "<<t!4 f!4> t t f>"
+  $ note ("<d4!12>" + 5)
+  # "rhadamanthe_vocal:5"
+  # cut 9
+  # begin "<0!16 0!8 0.25!5 0.3!3>"
+  # octersub 0.5
+  # octersubsub 0.5
+  # gain 1.3
+d5 $ gF3 $ gM3 -- Piano lead acidule
+  $ midiOn "^58" (stutWith 4 0.125 (|- note 12))
+  $ superimpose (# modIndex (range 0 16 "^34"))
+  $ note ("b ~ ~ b ~ ~ <d!7 e6> <~ d>" - 12)
+  # "FMRhodes1"
+  # crushbus 51 (range 16 4.5 "^54")
+  # room 0.3# sz 0.5
+d7 $ gF2 $ gM3 -- Punishment bass
+  -- $ ply "<1!16 8!16>"
+  $ midiOn "^91" (ply 4 . (# legato 0.25))
+  $ note ("<b4 [~!3 <bf4 d4 e4 [e4 f4@3]>]>")
+  # room 0.4 # dry 2 # sz 0.8
+  # "moog" # cut 7
+  # gain 1.2  # cut 7
+  # octersub 0.5
+  # octer "<0!7 0.9>"
+  # delay 0.5 # delayt "e" # delayfb "<0 <0.4 0.9>>"
+  # crushbus 71 (range 10 2.5 "^55")
+d8 $ gF1 $ gM1
+  $ midiOn "^92" ( -- Bouton Nassim <3
+    slice 8 "0 1 2 <3!3 ~> <4!3 ~> 5 <6!3 6*2 ~!3 6> 7*<1!3 <2 4>>"
+    . loopAt 0.5 . (# "breaks165") . (# octersub 2)
+  )
+  $ midiOff "^60" (mask "t(4,8,1)" . chop 16)
+  $ midiOn "^56" (# "jungle_breaks:40")
+  $ midiOn ("^36" - "^92") (chop 8 . loopAt 4 . (# "trance_loops:4"))
+  $ chop 8
+  $ loopAt 2
+  $ "jungle_breaks:45"
+  # cut 8
+  # gain 1.42
+d11 $ gF2 $ gM3 -- Synthetique violon
+  $ note (stack ["<b6!3 [b6 a6@7]>", -- Low basis
+  "~ <b7!3 [b7 [<d8 <[d8 ~ e8 f8 e8 <d8@2 a8@2>@2]@3>>]]>"
+  ] - 24)
+  # "90s_synatm:21"
+  # cut 11
+  # room 0.4
+  # pan 0.8
+  # att 0.5
+  # sustain 0.5
+  # rel 2
+
+once $ "FMRhodes1"
--- a/live/collab/raph/chevalerie.tidal
+++ b/live/collab/raph/chevalerie.tidal
+do
+setcps (160/60/4)
+let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
+let gMute1 = (midiOn "^73" (mask "f*16"))
+let gMute2 = (midiOn "^74" (mask "f*16"))
+let gMute3 = (midiOn "^75" (mask "f*16"))
+let gM1 = gMask . gMute1
+let gM2 = gMask . gMute2
+let gM3 = gMask . gMute3
+d1 $ gF1 $ gMute2
+  $ midiOn "^42" (<| "k k k*<1 1 0 1 1 1 1 2> k*<1!3 2>")
+  $ midiOff "^42" (<| "k . ~ k ~ ~")
+  $ "[cpu,kick:5]"
+  # gain 0.8
+  # lpf 2000
+d2 $ gF1 $ gM1 $ "~ sn ~ sn*<1!3 2>" # "snare:30" # lpf 4000
+d3 $ gF1 $ gM1 $ "[~ hh]*4" # "h2ogmhh" # gain 0.8
+d4 $ gF2 $ gMute3
+  $ midiOn "^57" (struct "t(4,8)")
+  $ midiOn "^89" (off "e" id)
+  -- TODO Vary bassline, pas juste l'attente
+  $ note "<a*2 ~> ~ <~ <<d6!4 c5!4>*<2 1>>> <~ <c6!4 bs5!4>>"
+  # "bassWarsaw" |- note 36
+  # crushbus 41 (range 11 2.8 "^53")
+  # roombus  42 (range 0 0.8 "^53") # sz 0.8 # dry 1.1 # lpf 5000
+  # legato 2
+d5 $ gF3 $ gM3
+  $ whenmod 16 8 (juxBy 0.5 (("e" ~>) . (|+ note 12) . (# cut 51)))
+  -- $ whenmod 16 0 (superimpose ((# "FMRhodes2") . (|+ note 12)))
+  $ note (
+  "<[0(3,8) 0]!3 [0*4]>" -- Rythme
+  |+ "<[gs a@2] [b c5@2] [e f@2] [f fs@2]>" -- Notes
+  -- - "<12!8 0!8>"
+  + 24 -- Octave
+  )
+  # "giorgio_syn:28"
+  # octerbus 51 (range 0 1.5 "^54")
+  # gain 1.5
+  # pan "<0.2!4 0.8!4>"
+  # cut 5
+  # att 0.9
+  # rel 2
+-- d6 $
+d8 $ gF1  $ gM1
+  $ loopAt 2
+  $ chop 8
+  $ midiOff ("^60" + "^92") (mask "f(8,16)" . chop 8)
+  $ midiOn "^56" (# n 23)
+  $ midiOn "^92" (loopAt 0.5 . (# "breaks165"))
+  $ slice 4 "<0!3 2> <1!3 3> 2 3"
+  $ "jungle_breaks:22"
+  # gain 0.9 # cut 8
+
+
+gs a - b c - e f - f fs
--- a/live/collab/raph/dernier_doute.tidal
+++ b/live/collab/raph/dernier_doute.tidal
+do
+-- resetCycles
+setcps (110/60/4)
+let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
+let gMute1 = (midiOn "^73" (mask "f*16"))
+let gMute2 = (midiOn "^74" (mask "f*16"))
+let gMute3 = (midiOn "^75" (mask "f*16"))
+let gM1 = gMask . gMute1
+let gM2 = gMask . gMute2
+let gM3 = gMask . gMute3
+let gF1 =  (# djfbus 1 (range 0.05 0.95 "^49"))
+let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
+let gF3 = (# djfbus 3 (range 0.05 0.95 "^51"))
+let modIndex = pF "modIndex"
+d1 $ gMute2 $ gF1 -- Kick solide
+  $ superimpose ((# cut 11) -- Rumble
+  -- . (# att 0.2) . (# rel 2)
+  . (# gain 2.4)
+  . (# delay 0.8) . (# delayt "e") . (# delayfb 0) -- Smear
+  . (# room 0.06) . (# sz 0.1) . (# dry 0.82)
+  . (# legato 0.25)
+  . (# lpf 400) -- Low-pass  show
+  )
+  $ midiOn "^42" (struct "t t*<1!3 <1!4 2!4>> t <t <t!4 [~ t]!4> t t*2>")
+  $ midiOff "^42" (<| "k . ~ k ~ <~!3 k*[4 1]>")
+  $ "[techno:1,jazz]"
+  -- $ "[hardkick_rha:1]"
+  # lpf 400
+  # pan 1
+  # cut 1
+d2 $ gF1 $ gM1 $ "~ . s*<1!3 2 1 2 1 2> ~"
+  # "snare:70"
+  # note "-14"
+  # room 0.14 # dry 1 # gain 1.7
+d3 $ gF1 $ gM1
+  $ midiOn "^44" (<| "~ h ~ h ~ h*<1 2 2 1> ~ h*<1 1 2 <2 4>>")
+  $ midiOff "^44" (<| "h h ~!5 h*<1 2>" )
+  $ "h2ogmhh"
+  # delay 0.4 # delayt 0.125 # delayfb 0.2
+  # gain 1.2
+d4 $ gF2 $ gM3 -- TODO REWORK
+  $ midiOn "^57" (struct "t([16@3 <16!3 8 16 16 8 4>],8)")
+  $ midiOff "^57" (|+| note"0([5 <2!16 <3!16 5!16>>],8,1)")
+  $ superimpose (
+    (# cut 41)
+    . (# crushbus 41 (range 16 1.5 "^53"))
+    . (# hpf 200)
+    . (# lpf 10000)
+  )
+  $ note ((scale "phrygian"
+    "0 3 <7 6 5 7>"
+  )
+  - 1 -- Fondamentale: re
+  -- + 12 -- Octave: -1
+  )
+  # "giorgio_syn:6"
+  # octerbus 42 (range 0.25 1.2 "^33")
+  # cut 4
+  # scram (range 0 0.72 "^17")
+d7 $ gF3 $ gM3 -- Apollo call
+  $ note ((scale "phrygian" "0 2@2 3@3 <2!3 5 6 6 7 [9 9]>@2")
+    - 1 -- Fondamentale: re
+    - 12 -- Octave: -1
+    )
+  # "FMRhodes1"
+  # gain 2
+d5 $ gF3 $ gM3
+  $ midiOn "^58" (stut 4 0.9 "e")
+  $ note (
+    -- "<b <b fs b <d d6 d6>>@7]>"
+    "<b [~ . bf ~ ~ <~ bf g g>]>"
+    + 4)
+  # "jungle_bass:12"
+  # room 0.2 # dry 1.2 # sz 0.5
+  # lpf 1400
+  # lpq 0.4
+  # legato 0.5
+d8 $ gF1 $ gM1
+  $ midiOn "^92" (loopAt 0.5)
+  $ loopAt 2
+  $ midiOff "^60" (mask "t(8,16,1)" . chop 16)
+  $ chop 8
+  $ midiOn "^36" (splice 4 "<[0 1 2 3]!3 [0 1]>" . (# n 75)) -- DNB LOVERS
+  $ midiOn "^56" (# n 42)
+  $ "jungle_breaks:45"
+  # gain 1.4
+  # hpf 1500
+d9 $ gM3 $ gF3 $ slow 2 $ cat [
+  "movie_bad_attitude:3", -- chances
+  "movie_dawn:2 ~ movie_bad_attitude:10 ~", -- wrong thatsit
+  "movie_bad_attitude:8", -- sure
+  (slice 3 "[0 0 0 0 0] ~ [0 1 2] ~*3") $ "movie_bad_attitude:8", -- susususuSURE
+  "movie_dawn:2" # lpf 3000 # crush 4 # octersub 0.6, -- WRONG
+  -- "movie_bad_attitude:10",
+  -- "movie_bad_attitude:10", -- thatsit
+  -- "movie_bad_attitude:10",
+  "movie_dawn:11" -- love
+  ]
+  # cut 9 # gain 1.2
+  # room 0.2
+
+once $ "movie_bad_attitude:3" # gain 1.2 # orbit 8
+once $ "movie_bad_attitude:8" # gain 1.2 # orbit 8
+once $ "movie_bad_attitude:10" # gain 1.2 # orbit 8
+once $ "movie_dawn:2" # gain 1.2 # orbit 8
+once $ "movie_dawn:11" # gain 1.2 # orbit 8
+  b fs e     d
--- a/live/collab/raph/jeudrill.tidal
+++ b/live/collab/raph/jeudrill.tidal
@@ -19,6 +19,7 @@ d1 $ gF1 $ gMute2
  $ midiOn "^42" (<| "k . ~ k*<1 2> ~ <~ k k <~ k*4>>")
  $ "[kick:5,clubkick]"
  # room 0.2 # dry 1.1
+  # lpf 3000 -- TODO Sound design this kick <3
  # cut 1
  # gain 1.5
 d2 $ gF1 $ gM1
@@ -30,7 +31,7 @@ d3 $ gF1 $ gM1
  -- $ "h(3,8) h(<3 <5 [5 <1 <8 [8 16]>>]>>,8)"
  $ "h(3,8) h(3,8)" # pan "0.2 0.8"
  # drumFrom "rolandtr909" "hh" # cut 3 # gain 0.9 # legato (range 0.05 0.9 "^32")
-d9 -- Bogdan the Grime sample provider
+  d9 -- Bogdan the Grime sample provider
  $ whenmod 16 12 ( -- I'm from Cardiff!
    (# "bogdan_grime:1") . (# begin "<0!3 0.25>") . (# end "<0.5!3 0.25>")
  )
@@ -48,7 +49,7 @@ d8 $ gF1 $ gM1 -- Come on breaks!
  $ chop 8
  $ midiOn "^92" (ply 4)
  $ midiOn "^36" (loopAt 2 . (# n "<61>")) --
-  $ midiOn "^56" ((# n "19")) -- Pure COMEON!
+  $ midiOn "^56" ((# n "19") . (|* gain 1.2)) -- Pure COMEON!
  -- $ midiOn "^56" ((# n "23")) -- Raise COMEON!
  $ midiOff "^60" (mask "t(4,8)")
  $ loopAt 2
@@ -84,13 +85,20 @@ d5 $ gM3 $ gF3
  # pan 0.9
  # gain 3
  # room 0.3
-d10 $ gF2 -- Menace
- $ note "<b3 ~ ~ <[~!7 c4] [~!5 c4 ef4 <c4 fs4>]>>"
- # "90s_synatm:10"
+d10 $ gF2 $ gM3 -- Menace
+ $ someCyclesBy "<1!16 1!32 0!16>" (>| note "<b3 ~ ~ <[~!7 c4] [~!5 c4 ef4 <c4 fs4>]>>")
+ -- Variante Adrianesque
+ $ someCyclesBy "<0!16 1!32 0!16>" (>| note "<b3 ~ ~ [ c4@2 ~ . ef4 fs4 c4]>")
+ -- Variante Adrianesque Folle
+ $ someCyclesBy "<0!16 1!32 1!12 0!4>" (>| note "<b3 ~ [g4 a4 b4 a4 es4 a4 fs4 a4 c4] [~ ~ as4 ~]>")
+ -- Variante Adrianesque Folle2
+ $ someCyclesBy "<0!16 1!32 0!12 1!4>" (>| note "<[b3 ~] [as3 bs3 g3 cs4 ~ d4] [~ gs4 ~ ~] [~ ~ [as4 as4] ~]>")
+ $ "90s_synatm:10"
 # room 0.3 # sz 0.8
 # gain 1
 # att 0.10
 # rel 10
+ # crushbus 101 (range 16 3.5 "^14")
 # legato 2
 # cut 9
 d7 $ gM2 $ gF2

--- a/live/collab/raph/nouveau_punk.tidal
+++ b/live/collab/raph/nouveau_punk.tidal
@@ -13,11 +13,12 @@ d1 $ gF1 $ gMute2 -- Kick resolu
  $ midiOff "^42" (<| "t . ~ t ~ ~")
  $ "[rampleA0:1,jazz]"
  # gain 1.6
+  # cpsbus 1 (155/60/4)
 d2 $ gF1 $ gM1
  $ midiOn "^43" (<| "~ s ~ <s s*2 s [~ s]>")
  $ midiOff "^43" (<| "~ s ~ s*<1!4 2 2 4 8>")
-  $ "snare:32"
-  # gain 1.1
+  $ "[snare:38,snare:39]"
+  # gain 1.2
 d3 $ gF1 $ gM1
  $ midiOn "^76" (ply 2)
  $ "dr*<8!3 16>"
@@ -39,7 +40,7 @@ d4 $ gF2 $ gMute3 -- Ligne directrice: P-U-N-K
  # legato (range 0.42 1 "^33")
  # crushbus  41 (range 16 1.5 "^53")
  # room 0.2 # dry 1.9 # sz 0.6
-d5 $ gF2 $ gMute3
+d5 $ gF3 $ gMute3
  $ midiOn "^90" (ply "2 <1 4>")
  $ midiOn "^58" (
    chop "<4 4 8 16>"
@@ -51,11 +52,18 @@ d5 $ gF2 $ gMute3
  # octerbus 53 (range 0 1 "^34")
  # cut 5
  # pan 0.7
+d6 $ gF3
+  $ ply "<1!8 [4 <8 8 2 8>]!8>"
+  $ note "<e g a <b4 b4>>"
+  # "meth_bass:3"
+  # cut 6
+  # hpf 2000
 d9 $ gF3 $ gMute3 -- Violoncelle Manouche punko-magique
  -- $ chop "<4 4 8 16>"
  $ struct "t(<3!3 5>,8,<0!7 1>)"
  $ note (
-    "<e g a <b4 b4>>" + (arp "up" "[0,<7 7 9 7>,12]")
+    "<e g a <b4 b4>>"
+    + (arp "up" "[0,<7 7 9 7>,12]")
    )
  # "cpluck:2"
  # cut 9

--- a/live/collab/rhadamanthe/layering.tidal
+++ b/live/collab/rhadamanthe/layering.tidal
+-- Layer le meme kick 2x plutot que deux diff
+-- Pour assurer que la phase reste compatible
+
+-- Vise un pigeon et un seul
+-- Courir Un seul lievre a la fois
+
+-- Avance etape par etape, comprends ce que tu fais sur chaque son.
+
+
+-- C'est comme une piece de theatre. Qui leade l'acte 2?
+
+-- Tes drums, spacialise sur le cote
+
+-- On Mastering
+
+-- Cale le top de ton master mix à 6Db max, pour avoir la place de travailler ensuite
+-- -> Ton but final est que ça tape à 0, avec un LUFS qui tape min -5
+
+-- REFS
+-- Theorie musicale https://www.youtube.com/watch?v=MrW2tO7wBHc
+-- Layering, DAW tips, and more https://www.youtube.com/watch?v=YfwpqCoFp3o&pp=ygUac2ltcGxlIGNvbW1lIGxpdmUgbGF5ZXJpbmc%3D
+-- Underdog Electronic :
+--  -  Music theory and more Techno classes https://www.youtube.com/watch?v=JcjT7zgs6cs
+-- -> Techno Rumble Mastery
+-- Techno Drum Pattern: https://www.youtube.com/watch?v=jf_FIDIJNDs&pp=ygUsc2Fkb3dpY2sgcHJvZHVjdGlvbiBkYXJrIHRlY2hubyBkcnVtIHBhdHRlcm4%3D
+-- Juliaen Earle: ELUSIVE SECRET Schranz Percussion Loops https://www.youtube.com/watch?v=HktosleYT0Q
+-- EDM tips - Perfect Mastering Chain  https://www.youtube.com/watch?v=hyLQx6mIbVg
+
+-- STack de master par default:
+-- 1. Eq extreme (tej <-15 et >20k)
+-- 2. Eq parametrique (booster les lows sur les mids, et les highs sur les _side_)
+-- -> Il faut split ta basse! pour que ses graves soient fortes et centrees, mais que les highs puissent se deployer et remplir l'espace
+-- 3. Compresseur: pour gluer le tout, et que tout soit homogene
+-- 4. Saturateur: pour donner un grain final aux harmoniques hautes
+-- 5. Multiband Dynamics (adjust to taste)
+-- 6. Utility (ensure BassMono, all basses are mono, centric, everything below 200hz)
+-- 7. Limiter (I use two) -> to reboost the sound until the golden -5 LUFS level
+
+
+-- > Mastering friends: @onl.off de la part de @rhadamanthe_techno
+-- 40e par track :star-struck:
+
+-- LFOTool plugin, 50 balles bien investies <3
+
+-- Gate effects! plus de sautillant, plus de place entre deux sons
+
+-- Splice c'est le feu quand meme.
+
+
+
+
+do
+d1
+  -- $ fix ((# hpf 300) . (# lpf 10000)) "jizz"
+  $ fix ((# "jazz") . (# hpf 400)) "kickH"
+  $ fix ((# "jazz") . (# lpf 400) . (# distort 0.5)) "kickL"
+  $ struct "t t t <t t*2>"
+  $ "[kickL,kickH]"
+  # gain 1.5
+  -- # distort 1.2
+  -- # lpf 300
+d2 $ "~ clap" # lpf 3000
+d3 $ "dr*8"
+
+once $ "hardkick:1" # gain 1.8
--- a/live/midi/nova/boombap/el_mundo.tidal
+++ b/live/midi/nova/boombap/el_mundo.tidal
+-- TODO INTRO
+once $ "leon:19" -- Attends <3
+  # end 0.3
+  # cut 99 # orbit 8
+  # gain 1.4
+
+once $ "leon:20" -- Putain Non <3
+  -- # end 0.3
+  # cut 99 # orbit 8
+  # gain 1.4
+
+once $ "leon:19" -- Attends <3
+  # end 0.3
+  # cut 99 # orbit 8
+  # gain 1.4
+
+once $ "leon:19" -- Encore <3
+  # begin 0.4
+  # cut 99 # orbit 8
+  # gain 1.4
+
+do
+-- resetCycles -- TODO UNCOMMENT
+setcps (90/60/4)
+let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
+let gMute = (midiOn "^73" (mask "f*16"))
+let gMute2 = (midiOn "^74" (mask "f*16"))
+let gMute3 = (midiOn "^75" (mask "f*16"))
+let gM1 = gMask . gMute
+let gM2 = gMask . gMute2
+let gM3 = gMask . gMute3
+let gF1 =  (# djfbus 1 (range 0.01 0.99 "^49"))
+let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
+let gF3 = (# djfbus 3 (range 0.05 0.95 "^51"))
+d1 $ gF1 $ gM2
+  $ fix (# n 0) "jazz"
+  $ midiOff "^42" (>| n "0 . ~ [~ <~!2 0!2>]")
+  $ midiOn "^42"  (>| n "0 0 0 0*<1 2 1 4 1 2 2 1>")
+  $ "[rampleK1,jazz]"
+d2 $ gF1 $ gM1 $ "~ <s!3 [s s*2 . ~]>"
+  # "[rampleD4:1]"
+  -- # lpf 2000
+  # gain 1.4
+d3 $ gF1 $ gM1
+  $ "~ h ~ h ~ h ~ h*<1 2>"
+  # "h2ogmhh:3"
+  # gain 1.8
+d4 $ gF2 $ gM3
+  $ midiOn "^89" (struct "t*<<8 [8 4]!2 8> <4 [4 16]>>")
+  $ note "<<<g3!4 e2!4> [<g3!4 e2!4>@7 bf2]> b2>"
+  # "bassWarsaw"
+  # crushbus 41 (range 16 4   "^53")
+  # octersubbus 42 (range 0 1.5 "^53")
+  # room 0.4
+  # lpf 1500
+d5 $ gF3 $ gM3 -- Synth Marimba
+  $ superimpose (struct "t(<2 2 3 3>,8) t(<0 1 3 <1 5>>,8)"
+  . (|+| note (arp "<up!3 down>" "c'min'8")))
+  $ note "[<e4!3 a3>@3 <~ g3!7>]"
+  # "giorgio_syn:38"
+  # room 0.4 # sz 0.8
+  # octersubbus 51 (range 0 2.85 "^54")
+  # att 0.05
+  # rel 2
+d9
+  $ note ("e"
+  - 4 -- Calage
+  ) # "rampleK1:4" # gain 0.9
+  # room 0.4
+  # lpf 2000
+  # legato 2
+d7 $ gF3 $ gM3
+  $ whenmod 4 3 (juxBy 0.2 (("e" ~>) . (# cut 71) . (|* gain 0.6)))
+  $ midiOn "^91" (ply "1 <2 4>")
+  $ midiOff "^91" (mask "<t f>")
+  $ chop 4
+  $ "leon" # n "<0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 16 17 18!4>"
+  # cut 7
+  # gain 1.2
+  # roombus 71 (range 0.0 0.8 saw)
+  # panbus 72 (slow 4 $ range 0.2 0.8 (sine + (slow 4 $ sine)))
+  # tremrbus 51 (range 0 8 "^55")
+  # tremdp 0.8
+  -- # tremoloratebus 71 (range 0 2 "^55")
+d8 $ gF1 $ gM1
+  $ midiOn "^92" (ply "<2!3 [2 <4 8>]>")
+  $ midiOff "^60" (mask "f(4,8)" . chop "2")
+  $ chop 32
+  $ midiOn "^36" (loopAt 0.25 . (# "jungle_breaks:22"))
+  $ midiOn "^56" (loopAt 0.25 . (# n 2))
+  $ loopAt 8
+  $ "trance_loops:0"
+  # gain 1.1
+  # cut 8
--- a/live/midi/nova/breaks/bain_bouillant.tidal
+++ b/live/midi/nova/breaks/bain_bouillant.tidal
+-- Bain Electrique, ex Bain Bouillant
+
 do
+-- resetCycles
 setcps (128/60/4)
 let gF1 =  (# djfbus 1 (range 0.05 0.95 "^49"))
 let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
@@ -10,18 +13,20 @@ let gMute3 = (midiOn "^75" (mask "f*16"))
 let gM1 = gMask . gMute1
 let gM2 = gMask . gMute2
 let gM3 = gMask . gMute3
-let gO = (# octersubbus 5 (range 0 1 "^29")) . (# octerbus 6 (range 0 1.2 "^29"))
-d1 $ gF1 $ gM2 -- Kick
-  $ fix ((|* gain 0.9) . (# lpf 1000)) "jazz"
-  $ fix ((# att 0.02) . (# rel 0.5) . (# lpf 5000)) "kick:4"
+let gO = (# octersubbus 5 (range 0 1 "^29")) . (# octerbus 6 (range 0 0.52 "^29"))
+d1 $ gF1 $ gM2 -- Kick FIXME PLUS PUISSANT!!1!
+  -- $ superimpose ((# crush 5) . (# lpf 2000) . (# gain 2))
+  -- $ fix ((|* gain 0.9) . (# lpf 1000)) "jazz"
+  -- $ fix ((# att 0.02) . (# rel 0.5) . (# lpf 5000)) "kick:4"
  $ midiOn "^42" ((<| "k k k <k!7 [<k ~> k]>"))
  $ midiOff "^42" (
    -- (<| "<k!24 ~!8> ~ ~ <~!3 k> . ~ <~!7 k> ~ ~")
    (<| "k . ~ k ~ <~ k>")
    )
-$ "[jazz,kick:4]"
+  $ "[jazz,kick:4]"
+   -- # n "[5 5 5 <6 5>]" # note "0 [1 <0>]"
  -- $ "[rampleA0:3,jazz]"
-  # gain 1.2
+  # gain 1.4
 d2 $ gF1 $ gM1
  $ midiOn  "^43" (<| "~ s ~ s*<1 1 2 <1 4>>")
  $ midiOff "^43" (<| "~ s ~ s*<1 2 <1 2> 1>")
@@ -36,7 +41,7 @@ d3 $ gF1 $ gM1 -- Contretemps
  # "[snare:38]"
  # room 0
  # gain 0.9
-d4 $ gO $ gF2 $ gM3 -- SUBSUB INFRABASS
+d4 $ gO $ gF2 $ gMute3 -- SUBSUB INFRABASS
  $ midiOn "^57" (struct "t*8 t(<3!3 5>,8)")
  $ midiOn "^89" (stut 4 0.9 "e")
  -- $ juxBy 0.8 (
@@ -45,21 +50,21 @@ d4 $ gO $ gF2 $ gM3 -- SUBSUB INFRABASS
  -- )
  $ note "<g3!4 c3!4>(3,8)"
  # "jungbass:3"
-  # lpf 2000
  # cut 4
  # crushbus 41 (range 12 2 "^53")
-  -- # octersubsubbus 42 (range 0 1.2 "^33")
-  # pan 0.65
-  # gain 1.2
+  # octersubsubbus 42 (range 0 1.2 "^33")
+  # gain 1
+  # pan 0.3
 d5
-  $ gO $ gM3 $ gF2 -- Basse appel important
+  -- $ superimpose ((# distortbus 51 (range 0 1.2 "^34")) . (|+ cut 1))
+  $ gO $ gMute3 $ gF2 -- Basse appel important
  $ note "<fs3 [fs3@7 b3] [fs3@7 g3] [fs3@5 g3 fs3 d2] [b2@7 d2] [b2@7 d2] [b2@7 gs2] [b2 . b2 d3 <fs3 g3>]>"
  # "giorgio_syn:0"
  # pan 0.351
-  # lpfbus 52 (range 400 4000 "^34")
-  # distortbus 51 (range 0 1.2 "^54")
-  # cut 7
-  # gain 1.4
+  # lpfbus 52 (range 400 2000 "^54")
+  # cut 5
+  # gain 1.5
+  # pan 0.7
 d7 $ gO $ gF3 -- guitare salvatrice
  -- $ mask "<f!32 t!32>"
  $ slice 16 "0*[4 <4 4 1 1 4 4 1 4 1 1 4 4> 4 <1!3 4>]"
@@ -67,7 +72,7 @@ d7 $ gO $ gF3 -- guitare salvatrice
  $ loopAt 2
  $ "fguitar:55"
  # cut 7
-  # gain 0.9
+  # gain 1.4
 d6 $ gO $ gM1 $ gF1 -- Rim drums
  $ fix ((|* gain (1.2 + 0.1 * perlin))) (n 18)
  $ n (stack [
@@ -78,28 +83,81 @@ d6 $ gO $ gM1 $ gF1 -- Rim drums
  |* gain (range 0.8 1 perlin)
  # gain 1.5
 d8 $ gM1 $ gF1 -- BOOM BOOM THE BREAKS
-  $ midiOn "^92" (ply 2)
+  $ midiOn "^60" (mask "f(4,8)")
+  $ midiOn "^92" ( -- Bouton Nassim <3
+    superimpose ((# lpf 200) . (|* gain 1.5)) .
+    slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>"
+    . loopAt 0.5 . (# "breaks165")
+    . (# octer 0.4)
+    . (# room 0)
+    . (|* gain 1.2)
+  )
  $ fix (|* gain 0.8) ("jungle_breaks:24")
  $ whenmod 8 7 (slice 4 "0 3 2*<1 2> 1*<1 2 4 4>")
-  $ midiOn "^36" ((# n "19")) -- Pure COMEON!
-  $ midiOn "^56" ((# n "23")) -- Raise COMEON!
+  $ midiOn "^36" ((# n "19") . (|* gain 1.1)) -- Pure COMEON!
+  $ midiOn "^56" ((# n "23") . (|* gain 1.1)) -- Raise COMEON!
  -- $ midiOn "^60" (const $ loopAt 2 $ chop 8 $ "jungle_breaks:60" # gain 0.8)
  $ chop 16 $ loopAt 2
  $ "jungle_breaks:24"
-  # gain 1.2
-d9 $ gF3
-  $ ply "1 2 <1 <2 4 8 2>> <<2 1 4 <1 4>> 1>"
+  # gain 1.7
+d10 $ gF3 -- Ambient Pads
+  $ whenmod 64 32 (ply "1 2 <1 <2 4 8 2>> <<2 1 4 <1 4>> 1>")
  $ chop 8
  $ "jungle_pads:24/4"
  # note (2 + (slow 2 $ "<0 -5>"))
  # cut 9
-  # gain 0.8
+  # gain 1.4
  # lpf 5000
-d10 $ gF1 -- CONSTRUCTION NOISES
+d11 $ gF1 -- CONSTRUCTION NOISES
  -- $ fix (|* gain (slow 32 $ range 1 0.3 saw)) "giorgio_syn"
  $ (stack [
-  "<~!0 giorgio_syn:52!16>/2"
+  "<~!12 giorgio_syn:52!4>/2"
  ])
  # note (slow 2 "<0 <-4.5 -7>>")
  # cut 10
-  # gain 0.6
+  # gain 1
+d9 $ slow 4 -- Movie Dialogs on Electricity
+  $ cat [
+  "",
+  ("weird_dialogs:1" # end 0.51 # lpf 5000 # gain 0.9), -- Atomic
+  ("[~ weird_dialogs:1]" # begin 0.52 # lpf 5000  # gain 0.9), -- Predict
+  "",
+  ("weird_dialogs:8" # end 0.65 # gain 0.75), -- Do you think Wrong?
+  ("~ weird_dialogs:8" # begin 0.2 # gain 0.75), -- Wrong electricity
+  "",
+  ("weird_dialogs:9" # end 0.27), -- Faith
+  ("weird_dialogs:9" # begin 0.31 # end 0.8), -- Not Faith
+  ("weird_dialogs:9" # end 0.27), -- Faith
+  (ply 2 $ "weird_dialogs:9" # begin 0.8), -- Curiosity
+  ("weird_dialogs:14" # begin 0), -- Theory
+  (off "1" id $ "weird_dialogs:14" # begin 0.5 # end 0.8), -- Tested
+  ("weird_dialogs:14" # begin 0 # end 0.4), -- So sure
+  ("weird_dialogs:8" # begin 0.2 # end 0.59 # gain 0.75), -- Something Wrong
+  ("weird_dialogs:14" # begin 0 # end 0.4 # gain 0.9), -- So sure
+  ("weird_dialogs:8" # begin 0.2 # gain 0.75), -- Something Wrong
+  ("weird_dialogs:22" # gain 0.9), -- Explain my mission
+  ("weird_dialogs:10" # end 0.47), -- I find it works
+  ("weird_dialogs:10" # begin 0.5), -- To get me from one planet to another
+  ("weird_dialogs:29" # gain 0.9), -- Planet
+  ("weird_dialogs:22" # gain 0.9), -- Explain my mission
+  ("weird_dialogs:14" # begin 0.5 # end 0.65), -- Have you?
+  ("weird_dialogs:14" # begin 0.5 # end 0.65), -- Have you?
+  ("weird_dialogs:14" # begin 0.5 # end 0.65), -- Have you?
+  ("weird_dialogs:14" # begin 0.5 # end 0.65) -- Have you?
+  ]
+  |* gain 1.8 -- Global movie gain
+  # cut 9
+  # "weird_dialogs"
+
+once $ "weird_dialogs:38" # cut 9 # orbit 8 # gain 1.7
+  -- # end 0.51
+  -- # begin 0.3
+  -- # end 0.4
+
+d1 $ slow 4 $ ply 4
+  $ cat [
+  "cp*<1!3 2>",
+  "bd*4",
+  "dr*[8 16]",
+  note (arpeggiate "c'maj'4") # "giorgio_syn"]
+  # cut 1
--- a/live/midi/nova/dnb/alerte_verte.tidal
+++ b/live/midi/nova/dnb/alerte_verte.tidal
-import Sound.Tidal.ParVagues.Control
-
 resetCycles

 -- Alerte Verte
@@ -14,14 +12,25 @@ let gM2 = gMask . gMute2
 let gM3 = gMask . gMute3
 let g32Bridge = whenmod 64 32 (|* gain (slow 16 $ range 0.85 1.1 saw))
 d1 $ gF1 $ gMute2 -- KICK
+  $ mask "t t <t!14 f f> <t!12 f t f f>"
+  $ whenmod 16 14 (ply "<2 0>")
+  $ every' 8 7 (ply 2)
  $ midiOn "^74" (fast 2)
  $ midiOn "^42" (<| "k k k <k [~ k] k k*2>") -- RUN!
  $ midiOff "^42" (<| "b . ~ b ~ <~!3 b>") -- WAIT?
  -- $ midiOff ("^41" + "^42") (<| "k*2") -- ST0P.
  -- $ fix ((# lpf 6000) . (|* gain 0.9)) "techno:0"
-  $ fix ((# lpf 800) . (|* gain 0.85)) "kick:4"
-  $ "[techno:0,kick:4]"
+  -- $ "[techno:0,kick:4]"
+  $ stack [
+  ("kick:4" # lpf 2000 # octersub 0.8 ),
+  ("kick:4" # hpf 200 # squiz 2 # octersub 0.4)
+  ]
+  # lpf 800
  # release 0.8
+  # octer 0
+  # delay "<0!12 0.3!3 0.8>"
+  # delayfb "<0!3 0.5>"
+  # delayt 0.2
 d2 $ gF1 $ gM1 -- Snare tchak!
  $ midiOn "^43" (ply 2)
  $ whenmod 16 12 (struct "t*<4 4 8 16>") -- Snare Rush
@@ -34,8 +43,10 @@ d2 $ gF1 $ gM1 -- Snare tchak!
 d3 $ gF1 $ gM1 -- Running Hats
  $ g32Bridge
  $ midiOn "^44" (slow 2)
-  $ midiOn "^76" (fast 2)
-  $ "hh*[8 . 8 <16 8 4 [4 8]>]"
+  $ midiOn "^76" (mask "t(32,64)" . ply 2)
+  $ "~ h ~ h ~ h ~ h ~ h ~ h ~ h*<1 <0 1>> ~ h*<1 <2!3 0>>"
+  # "h2ogmhh:3"
+  # legato (0.5 + 0.1 * perlin)
  -- # n "[0|0|0|0|1|1|3|3]*8"
  |* gain (range 0.8 1.2 perlin)
  # room  (slow 8 $ range 0.2 0.45 saw)
@@ -44,9 +55,10 @@ d3 $ gF1 $ gM1 -- Running Hats
  # dry   (slow 4 $ range 0 2 perlin)
  # pan 0.6
  # cut 344
-  # gain 1.2
+  # gain 1.6
 d4 $ gF2 $ gMute3 -- Resolute Bass
-  $ superimpose ((# octer 0.7) . (|* gain (0.9 * "^33")) . (# cut 41))
+  $ superimpose ((# crushbus 41 (range 16 2.5 "^53")). (# pan 0.2))
+  $ superimpose ((# octerbus 42 ("^33")) . (# cut 41))
  -- $ jux ((# cut 41) . (|+ crush (range 0.5 1 perlin)))
  $ midiOn "^89" ( -- Glitch vary end
    slice 8 "<[0 1 <2!3 1*2> <3!3 1*2>]!4 0*4!2 [0 1 0 1] [0 1 0 [0 1 2 3]]>"
@@ -56,9 +68,9 @@ d4 $ gF2 $ gMute3 -- Resolute Bass
  $ loopAt 4
  $ chop 16
  $ "fbass:25"
-  # pan 0.45
-  # cut 4
-  # crushbus 41 (range 16 1.25 "^53")
+  # pan 0.8
+  -- # cut 4
+  # legato 1
 d5 $ gF3 $ gM3-- Guitar A/B - La surprise et l'attente
  $ fix (
    mask "<f!7 <t f>>"
@@ -104,11 +116,19 @@ d8 $ gF1 $ gM1 -- I WANT THEM DRUMS
    . (|* gain 1.1)
    )
  $ loopAt 2
-  $ midiOff "^60" (mask "t(4,8,1)")
+  $ midiOff "^60" (mask "t(8,16,1)") . chop 16
  $ chop 8
  $ "jungle_breaks:45" # cut 8
  # hpf 5000
+  # gain 1.2
 d9 $ gF3 $ gM3 -- Nappes crushées indépendantes
+  $ superimpose
+    ((# cut 91)
+    . (# crushbus 91 (range 16 1.5 "^19"))
+    . (# hpf 1400)
+    -- . (# delay 0.5) . (# delayt 0.125) . (# delayfb 0)
+    . (|* gain 0.5)
+    )
  $ midiOn "^92" (ply "<2 4 [8 16 [4|6|4]!6]>")
  -- $ superimpose ((|- note 12) . (# cut 101))
  $ note (euclid "<5 3 6>" 6
@@ -116,31 +136,57 @@ d9 $ gF3 $ gM3 -- Nappes crushées indépendantes
  # "moog"
  # cut 10
  # rel 1
+  # octersub 2
  # pan 0.85
-  # crushbus 100 (range 16 0.35 "^19")
  # lpf 2000
-  -- # midiG' "^20" 0.2 1.5
 d10 $ gF3 $ gM3 -- Sirene indépendante
+  $ superimpose ((# cut 101)
+  . (# lpf 3000)
+  . ( # crushbus 101 (range 10 0.1 "^29"))
+  . (|* gain 0.8)
+  )
  $ note ("<e e c e>/4")
  # octave 3
  # legato 2
  # "supersiren"
  # speed 0.2
-  # crushbus 110 (range 10 0.1 "^29")
-  # ampbus 111 (range 0 0.8 "^30")
+  # lpf 5000
+  # ampbus 111 (range 0 0.15 "^13")
  # pan "<0.2!16 0.8!16>"
  # room 0.4 # sz (slow 32 $ range 0.125 0.9 saw)
  # dry (slow 32 $ range 0 2 perlin)
  # cut 10
+  # gain 0.8
 d6 $ gF1 $ gM1 -- CLAPS!
  $ "~ c ~ <c!3 <c*2 [c c*2]>>" # "cp"
-  -- # midiG' "^84" 0 1.5
-
-
+d11
+  -- $ mask "<f!8 t!8>"
+  $ stack [
+  -- SELF-DESTRUCT SEQUENCE --
+  whenmod 8 6 (# silence) $ slow 4
+  $ whenmod 32 24 ((# begin 0.44) . (# end 1) . (# n 45)) -- Activated!
+  $ ("~!2 rhadamanthe_vocal:45" # gain 1.1
+  # begin "<0!2 0.44!2>" # end "<0.435!2 1!2>" # pan 0.1) # cut 110,
+  -- SYSTEM OVERLOAD
+  "<~!7 [~ rhadamanthe_vocal:46]>" # cut 111,
+  -- Cigarette Luck
+  n "<<14!3 6> ~ ~ <12 23>>" # "movie_wolf" # end "<0.55!8 1!8>"
+  # gain 0.7
+  # cut 112
+  # gain 1.2
+  ]
+d12 -- Angels of AAh --
+    $ slow 2
+    $ gF3 $ gM3
+    $ note "<[a3,<e4 e4(3,8)>] [a4([3 <3!3 5>],8),[~ <d4 fs4>]]>"
+    # "rhadamanthe_vocal:5" # legato 2
+    # gain 0.8 # room 0.4 # dry 1.2 # sz 0.5
+    # octersub (slow 16 $ range 0.2 0.8 perlin)
 d6 $ "seawolf:0/4"
  # cut 6
  # gain 0.75

-once $ "dr" # gain 1
+once $ "rhadamanthe_vocal:5" # cut 1
+

-once $ "macron"
+once $ "movie_giant:13" # orbit 8 -- Jungle
--- a/live/midi/nova/dnb/bruler_franchement.tidal
+++ b/live/midi/nova/dnb/bruler_franchement.tidal
@@ -19,6 +19,7 @@ d1 -- Kick premier`
  -- $ fix ((# att 0.5) . (# legato 0.5) . (|- note 6  show             )) ("tek_kick:3")
  $ "[kick:4]"
  # room 0.2 # sz 0.8 # dry 1.1
+  # gain 0.93
 d2 $ gM1 $ gF1 -- Snare second
  -- $ fix (# lpf 4000) "snare"
  $ midiOff "^43" (mask "<t!16 f!16>")
@@ -57,8 +58,11 @@ d5 -- Melancolie solitaire
      "<a5 g5 f5 e5 f5 e5 d5 a4 a5 g5 f5 e5 f5 e5 d5 a4 d5 e5 f5 g5 d5 e5 g5 a5 d5 e5 f5 g5 d5 e5 g5 a5>" - 12
    )
  +| "0(3,8) 0(3,8,<0!7 1>) 0(3,8) <0(3,8) 0>")
+  -- |+ note 12
  # "FMRhodes1"
  # pan 0.7
+  # tremrbus 51 (range 0 20 "^34")
+  # tremdp 2
  # modIndex (range 0 5 "^54")
  # gain 1.2
 d6 $ gF2 $ gM3
@@ -77,6 +81,7 @@ d7 $ gF3 $ gM3
  $ note ("<d g f a>" + "[0,7]" - 12)
  # "moogBass"
  # pan 0.3
+  # gain 0.6
  # room 0.2
 d8 $ gF1 $ gM1 -- BREAK THAT SHIT
  $ midiOn "^60" (slice 8 $ run 16)

--- a/live/midi/nova/dnb/force_motrice.tidal
+++ b/live/midi/nova/dnb/force_motrice.tidal
@@ -13,7 +13,7 @@ d1 -- Kick premier`
  $ gF1 $ gMute2
  $ midiOff "^42" (<| "k . ~ k ~ ~ ")
  $ midiOn "^42"  (<| "k k k k")
-  $ superimpose ((|* gain "^30") .(# "tek_kick:3"))
+  $ superimpose ((# hpf 500) . (# delay "<0!2 <0 0.2> 0.2>") . (# delayt 0.25))
  $ "[kick:4]"
  # lpf 5000
  # gain 0.9
@@ -70,13 +70,12 @@ d8 $ gM1 $ gF1
  $ "break:2"
  # gain 0.8
 d10
-  $ slice 8 (slow 8 $ run 8)
-  $ loopAt 2
-  $ "risers:16"
-  -- # end 0.8
-  # att 0.04
-  # rel 4
-  # room 0.8
+  $ mask "<f!2 t!2>"
+  -- $ loopAt 1
+  $ "risers:2" # end 0.5
+  -- # att 0.04
+  -- # rel 4
+  -- # room 0.8
  # cut 10
 d9
  $ n "<~ ~ 27 ~ ~ ~ ~ <29 21>>"
@@ -102,3 +101,7 @@ d6 $ gM3 $ gF2 $ note
  # "meth_bass:3"
  # cut 6
  # gain 0.5
+
+  once $ "risers:6" # cut 10 # orbit 9
+    # begin 0.5
+    -- # note "-4"
--- a/live/midi/nova/grunge/le_bruit_des_bots.tidal
+++ b/live/midi/nova/grunge/le_bruit_des_bots.tidal
@@ -10,8 +10,8 @@ let gM1 = gMask . gMute
 let gM2 = gMask . gMute2
 let gM3 = gMask . gMute3
 d1 $ gF1 $ gM2 $ "jazz*4"
-d2 $ gF1 $ gM1 $ "~ <sn cp> ~ <sn cp*<0 1 1 2>>"
-d3 $ "hh*[8 16]"
+d2 $ gF1 $ gM1 $ "~ <sn cp> ~ <sn cp*<0 1 1 2>>" -- TODO SNARES <#
+d3 $ gF1 $ gM1 $ "hh*[8 16]"
 d4 $ gF2 $ gM3
  $ midiOn "^89" (ply 4)
  $ midiOn "^57" (superimpose (
@@ -28,12 +28,13 @@ d4 $ gF2 $ gM3
  # legato 2 # lpf 4000
  # gain 1.4
 d5 $ gF3 $ gM3
+  $ midiOn "^58" (|+ note "12")
  $ slice 4 ("<0!0 0(<3 [3 5]>,8)!8>")
  $ note "<b fs b <g fs5>>"
  -- |+ note "0 <4 0 3 2>"
  # "90s_synatm:3"
  # cut 5
-d8 $ gF1 $ gM1 -- UNAVOIDABLE 90s BReak
+d8 $ gF1 $ gM1 -- UNAVOIDABLE 90s Break
  $ loopAt 0.5
  $ slice 4 "0 <1 <~!4 1!4>> 2*<1!4 2!4 2 2 4 4> <1!3 3>*<1!4 1 1 2 2>"
  -- $ chop 8

--- a/live/midi/nova/techno/ete_a_mauerpark.tidal
+++ b/live/midi/nova/techno/ete_a_mauerpark.tidal
@@ -70,7 +70,7 @@ d4 $ gF2 $ gM3 $ slow 2 -- Basse Germanique
    "<[g4 c ef@14] [<c g> ef g@14] <[g4 c ef@14] [c5 bf5 g5@14]> [c ef d@13 ~]>"
    - 24
    )
-  # "[bass2:1,bassWarsaw]"
+  # "[bass2:1,bassWarsaw]"  
  # room 0.2
  # pan 0.4
  # crushbus 41 (range 16 2.5 "^53")

--- a/study/samples/disparition_elmo.tidal
+++ b/study/samples/disparition_elmo.tidal
@@ -55,13 +55,14 @@ d10
  -- # rel 2
  # legato 0.8
  # gain 0.5
-d11 $ gF3 $ gM3
+d11 $ gF3 $ gM3 -- FIXME NOTES
  $ note ("~ 0 ~ 0" + "<d4 <[d4 ef4] <[ef4 d4] [g4 fs4]>>>" +3)
  # "daft"
  # end 0.05
  # gain 0.7
  # room 0.8 # sz 0.8 # dry 1.9
 d8 $ gF1 $ gM1 -- Break danse orleanaise
+  $ midiOff "^60" (mask "t(<4!3 [4 8]>,8)")
  $ chop 16
  $ midiOn "^92" (ply "<2 [2!3 <4 8>]>")
  $ midiOn "^36" (loopAt 2 . (# n "<44!7 [44 48]>"))