fix(surface): the controls follow the orbits — 202 moves the compaction left behind

The compaction renames a `dN` declaration; it deliberately does not touch that orbit's knobs and buttons. So the moment 150 orbits moved, their controls were sitting on the column of an orbit that no longer existed there — d6 answering to column 7 in 84 files. The two tools are one job in two passes and only the second pass closes it. Found by accident, which is the part worth recording: ete_a_mauerpark reported "0 move" right after the compaction, then reported 4 the moment something else made me re-plan it. A conformance check run once, before the step that breaks conformance, proves nothing. 202 moves, 84 files, 0 clashes. Re-plan now reports 0 across all 703. Button conformance 93.3%, no CC gained inside the Ardour-learned or gF ranges, and the third full silent-eval sweep diffed per-file against the baseline: zero verdict changes. The seventeen-track set re-validated on its own afterwards — all 17 OK, pvlint 0 errors. Also in here, from reading ete_a_mauerpark's d9 to answer PLN's "[confirm d9 effects]" note: its attack was riding `^16`, which is A4 — d12's LEVEL knob, MIDI-learned to an Ardour track gain. One knob moved an Ardour fader AND d9's attack, the CC77-goes-to-silence class the driver header warns about. Moved to `^20`, idle in this track. Its `mask` on `^58` is d6's own gate and d6 IS declared here, so one button drives two orbits — left alone on purpose: d9 has no button slot in the grid at all, so that is gSel work, not a rename.

fix(surface): the controls follow the orbits — 202 moves the compaction left behind
The compaction renames a `dN` declaration; it deliberately does not touch that orbit's knobs and buttons. So the moment 150 orbits moved, their controls were sitting on the column of an orbit that no longer existed there — d6 answering to column 7 in 84 files. The two tools are one job in two passes and only the second pass closes it. Found by accident, which is the part worth recording: ete_a_mauerpark reported "0 move" right after the compaction, then reported 4 the moment something else made me re-plan it. A conformance check run once, before the step that breaks conformance, proves nothing. 202 moves, 84 files, 0 clashes. Re-plan now reports 0 across all 703. Button conformance 93.3%, no CC gained inside the Ardour-learned or gF ranges, and the third full silent-eval sweep diffed per-file against the baseline: zero verdict changes. The seventeen-track set re-validated on its own afterwards — all 17 OK, pvlint 0 errors. Also in here, from reading ete_a_mauerpark's d9 to answer PLN's "[confirm d9 effects]" note: its attack was riding `^16`, which is A4 — d12's LEVEL knob, MIDI-learned to an Ardour track gain. One knob moved an Ardour fader AND d9's attack, the CC77-goes-to-silence class the driver header warns about. Moved to `^20`, idle in this track. Its `mask` on `^58` is d6's own gate and d6 IS declared here, so one button drives two orbits — left alone on purpose: d9 has no button slot in the grid at all, so that is gSel work, not a rename.
ca21d6b6 · PLN (Algolia) · a40eb470 · ca21d6b6 · ca21d6b6 · ca21d6b6
Commit ca21d6b6 authored Sep 22, 2026 by PLN (Algolia)
84 changed files
--- a/live/ambient/brise_les_chaines.tidal
+++ b/live/ambient/brise_les_chaines.tidal
@@ -29,8 +29,8 @@ d4 $ gF2
  # midiG' "^81" 0 1.2
  # crushbus 41 (range 16 1.2 "^32")
 d5 $ gF2 -- ACID BUS
-  $ midiOn "^91" (slice 32 ("<0 0 0 0 0 1 1 1 0 1 2 2 0 2 2 3>*4"))
-  $ midiOff "^91" (slice 8 "<0 1 2 3>")
+  $ midiOn "^89" (slice 32 ("<0 0 0 0 0 1 1 1 0 1 2 2 0 2 2 3>*4"))
+  $ midiOff "^89" (slice 8 "<0 1 2 3>")
  $ loopAt 8 $ "synth_commodore:0"
  # midiG' "^82" 0 1.2
  # cut 7

--- a/live/boeuf/algo25.tidal
+++ b/live/boeuf/algo25.tidal
@@ -56,8 +56,8 @@ d5 $ gF1 $ gM3 -- HAWKS
  # gain 1.5
 d6
  $ gM3 $ gF3 -- High carillon!
-  $ midiOn "^59" (off "[e,s]" (ply "<1 2>") . (# legato "e"))
-  $ midiOn "^91" ( -- Basse reponse
+  $ midiOn "^58" (off "[e,s]" (ply "<1 2>") . (# legato "e"))
+  $ midiOn "^90" ( -- Basse reponse
    superimpose ((0.125 <~) . (|* gain 1.2) . (# note "<c4!4  cs4!4>") . (# pan 0.45))
  )
  $ (0.125 ~>)
@@ -66,8 +66,8 @@ d6
  )
  # "808hc:2"
  # pan 0.85
-  # octerbus    71 (range 0 0.5 "^35")
-  # octersubbus 72 (range 0 1.4 "^35")
+  # octerbus    71 (range 0 0.5 "^34")
+  # octersubbus 72 (range 0 1.4 "^34")
  # room 0.2 # dry 1.08 # sz 0.3
  # gain 1.4
 d9 $ gF3 -- Pads atmospheriques

--- a/live/boeuf/nouvelle_poussiere.tidal
+++ b/live/boeuf/nouvelle_poussiere.tidal
@@ -37,5 +37,5 @@ d5 -- Runny Maracas
  $ fix ((# release 0.8)) (n 9)
  $ "hh27*8"
  # n "2 <2 <[2|9] [9 <9 ~> <~ 9> 2]>>"
-  # note (range "-12" 12 "^34")
+  # note (range "-12" 12 "^33")
  # midiG' "^83" 0 1.2
--- a/live/collab/baba/moulins_de_mon_coeur.tidal
+++ b/live/collab/baba/moulins_de_mon_coeur.tidal
@@ -109,7 +109,7 @@ d5 $ gF3 $ gM3 -- Rhodes/Keys, les moulins qui tournent doucement

 d6 $ gF3 $ gM3 -- Violoncelle / Guitare blues, la mémoire du voyage
  -- blues_guitar_*_60 = 60 BPM donc loopAt 0.5 pour revenir à 120
-  $ midiOn "^59" (# silence)
+  $ midiOn "^58" (# silence)
  $ loopAt 0.5
  $ chop 8
  $ "<blues_guitar_misc_60:0 blues_guitar_bluesky_60:0 blues_guitar_hoochie_60:0 blues_guitar_misc_60:1>"

--- a/live/collab/benoit/tous_ensemble.tidal
+++ b/live/collab/benoit/tous_ensemble.tidal
@@ -24,7 +24,7 @@ d6 $ gF3 $ gM3
    . ( # pan 0.8)
    . (|* gain (slow 16 $ range 0.5 0.9 sine))
    )
-  $ midiOn "^91" (ply "4 <4!3 8>")
+  $ midiOn "^90" (ply "4 <4!3 8>")
  -- $ mask "<f f f t>" 
  $ fix (
    (# end 0.5)

--- a/live/collab/ccc/ccc0.tidal
+++ b/live/collab/ccc/ccc0.tidal
@@ -76,15 +76,15 @@ d11 $ gF2 $ gM3 -- Caring cello
    # cut 11
    # gain 1.4
 d6 $ gF1 $ gM3
-    $ midiOn "^91" ( -- Bouton Nassim <3
+    $ midiOn "^90" ( -- Bouton Nassim <3
      slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>"
      . loopAt 0.5 . (# "breaks165")
      -- . (# octer 0.4) . ( octersubsub 4)
      . (# lpf 2500)
      . (# room 0)
    )
-    $ midiOff ("^59" + "^91") (ply "t(<4!3 <6 [4 <8 16>]>>,8,1)") -- TECHNOO
-    $ midiOn "^35" ((loopAt 1) . (# "jungle_breaks:60")) -- Clochettes?
+    $ midiOff ("^58" + "^90") (ply "t(<4!3 <6 [4 <8 16>]>>,8,1)") -- TECHNOO
+    $ midiOn "^34" ((loopAt 1) . (# "jungle_breaks:60")) -- Clochettes?
    $ chop 16
    $ loopAt 2
    $ "jungle_breaks:45"

--- a/live/collab/clem/shiloh_tech.tidal
+++ b/live/collab/clem/shiloh_tech.tidal
@@ -46,9 +46,10 @@ d4 $ gF2
  # crushbus 41 (range 16 2.5 "^32")
  # midiG' "^81" 0 1.4
 d5 $ gF3
-  $ midiOn "^90" (ply "4 <4 8>")
+  $ midiOn "^89" (ply "4 <4 8>")
  -- FIXME(#94) d6 drives more controls than the grid gives it (BT6 + BL6). ^59 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^59 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
  -- FIXME(#94) d6 drives more controls than the grid gives it (BT6 + BL6). ^59 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^59 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
+  -- FIXME(#94) d5 drives more controls than the grid gives it (BT5 + BL5). ^59 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^59 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d5's own control with gSel.
  $ midiOn  "^59" (slice 8 ("0 <0 [0 <0 1 2 3>]>") . chop 8)
  $ midiOff "^59" (slice 4 ("<0 1 2 3>"))
  $ loopAt 16
@@ -78,7 +79,7 @@ d6 $ gF3 $ gM3 -- High Dauphin
  # cut 7
  # room 0.2
  # pan 0.9
-  # crushbus 71 (range 16 2.5 "^35")
+  # crushbus 71 (range 16 2.5 "^34")
  # midiG' "^83" 0 1
 d3 $ gF $ gM2
  $ midiOn "^43" (mask "t([8 4 <4 <8 16>>],16)")
@@ -106,10 +107,10 @@ d4 $ gF2 $ slow 2 -- Basse Baleine
  # midiG' "^81" 0 1.3
 d5 $ gF3 $ gM3 -- Leads reponse
  -- FIXME(#94) d6 drives more controls than the grid gives it (BT6 + BL6). ^58 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^58 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
-  $ midiOn "^58" (struct "t*<16 32>") -- Basse folle
-  $ midiOn "^58" (|+ note 12)
+  $ midiOn "^57" (struct "t*<16 32>") -- Basse folle
+  $ midiOn "^57" (|+ note 12)
  -- FIXME(#54) d6 drives more controls than the grid gives it (B6 + C6). ^54 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^54 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
-  $ sometimesBy "^34" (bite 4 "[0, [~ 2]]")
+  $ sometimesBy "^33" (bite 4 "[0, [~ 2]]")
  $ someCyclesBy "<f!3 t>" (mask "t f!15". (# legato 2))
  -- $ (0.125 <~) -- Calage :)
  -- $ someCyclesBy "^17" (
@@ -126,8 +127,8 @@ d5 $ gF3 $ gM3 -- Leads reponse
  # "FMRhodes1"
  -- # room 0.2
  # pan 0.8
-  # modIndex (range 0 16 "^54")
-  # crushbus 61 (range 16 2.5 "^34")
+  # modIndex (range 0 16 "^53")
+  # crushbus 61 (range 16 2.5 "^33")
  # midiG' "^82" 0 1.3
 d8 $ gM $ gF3 -- Breaks divins
  $ midiOn "^92" (off "e" id)

--- a/live/collab/cookie/ccc.tidal
+++ b/live/collab/cookie/ccc.tidal
@@ -39,7 +39,7 @@ d5 $ gM3 $ gF2
  # cut 5
  # gain 0.6
 d6 $ gM3 $ gF3 -- Keys of Paradise
-  $ midiOn "^91" (ply 2 . (# freeze 0.2))
+  $ midiOn "^90" (ply 2 . (# freeze 0.2))
  $ slice 4 "<[0 1] [2 3*<1 4>] [0 1] [2 1(<1 3>,8)]>"
  $ "nujazz_keys120:25/2"
  # octersub (slow 32 $ range 0.2 1.2 (saw+perlin/2))

--- a/live/collab/daniel/auxiliaire.tidal
+++ b/live/collab/daniel/auxiliaire.tidal
@@ -46,7 +46,7 @@ d4 $ gF2 $ gM3
  # crushbus 41 (range 16 2.5 "^32")
  # octersubbus 42 (range 0 2.5 "^52")
 d6 $ gF3 $ gM3 
-  $ midiOn "^59" ((ply "8 <16 [16 32]>"))
+  $ midiOn "^58" ((ply "8 <16 [16 32]>"))
  $ slow 2 
  $ slice 4 ("<0 1 2 3>")
  $ "aux_heart:3" 

--- a/live/collab/jane/drifting_soul.tidal
+++ b/live/collab/jane/drifting_soul.tidal
@@ -43,9 +43,9 @@ d11 $ gM3 $ gF3
  -- # tremr "<2 4 4 <8 16>>"
  # gain 1.2
 d6 $ gF1 $ gM3 -- SCRATCH
-  $ midiOn "^91" (ply "2 4 <8 8 4 16>")
-  $ midiOn "^35" (# n 13)
-  $ midiOn "^59"(# n 15)
+  $ midiOn "^90" (ply "2 4 <8 8 4 16>")
+  $ midiOn "^34" (# n 13)
+  $ midiOn "^58"(# n 15)
  $ chop 16
  $ loopAt 4
  $ "scratch_long:12"

--- a/live/collab/mousquetaires/blue_burn.tidal
+++ b/live/collab/mousquetaires/blue_burn.tidal
@@ -59,9 +59,9 @@ d8 $ gF1 $ gM2 -- Break populaire
  # gain 0.85
  # pan "0.68 0.42 0.42 0.68"
 d6 $ gF1 $ gM3 -- SECOND BREAK!!?!
-  $ midiOn "^91" (ply 2)
-  $ midiOn "^35" (loopAt 1 . (|> "jungle_breaks:19"))
-  $ midiOn "^59" (slice 8 (run "8 <8!3 16>"))
+  $ midiOn "^90" (ply 2)
+  $ midiOn "^34" (loopAt 1 . (|> "jungle_breaks:19"))
+  $ midiOn "^58" (slice 8 (run "8 <8!3 16>"))
  $ chop 8
  $ loopAt 2
  $ "jungle_breaks:22"

--- a/live/collab/mousquetaires/blue_gold.tidal
+++ b/live/collab/mousquetaires/blue_gold.tidal
@@ -63,14 +63,14 @@ d5 $ gM3 $ gF3 -- Suns of Gold Keys, samples
  # gain 1.2
 d6 $ gM3 $ gF3 -- Suns of Gold Guitars, sampled and cut
  $ superimpose ((# cut 71) .
-    (# crushbus 73 (range 16 2.9 "^35")) -- CRASH THIS GUITAR
+    (# crushbus 73 (range 16 2.9 "^34")) -- CRASH THIS GUITAR
  )
-  $ midiOn "^91" (ply "1 . 2 <2 <4 8>>")
+  $ midiOn "^90" (ply "1 . 2 <2 <4 8>>")
  $ slice 8 "0 0 0 <0 <1 2>>"
  $ "suns_guitar:0/2"
  # cut 7
-  # octersubbus 71 (range 0 1.9 "^55") -- BURN THIS GUITAR
-  # lpfbus 72 (range 10000 200 "^55")
+  # octersubbus 71 (range 0 1.9 "^54") -- BURN THIS GUITAR
+  # lpfbus 72 (range 10000 200 "^54")
  # pan 0.2
  # gain 1.1
 d8 $ gF1 $ gM2

--- a/live/collab/nass/love_first.tidal
+++ b/live/collab/nass/love_first.tidal
@@ -37,8 +37,8 @@ d5 $ gF3 $ gM3
  # crushbus 51 (range 10 1.8 "^33")
  # sz 0.8 # dry 1.2
 d6 $ gF3 $ gM3
-  $ midiOn "^91" (ply "2 <2 4 4 8>")
-  $ midiOn "^59" (# n 4)
+  $ midiOn "^90" (ply "2 <2 4 4 8>")
+  $ midiOn "^58" (# n 4)
  $ mask "<t f f f t f t t>"
  $ "nujazz_guitar120:3"
  # cut 7

--- a/live/collab/raph/des_efforts.tidal
+++ b/live/collab/raph/des_efforts.tidal
@@ -47,7 +47,7 @@ d5 $ gF3 $ gM3
  # cut 5
  # pan 0.8
 d6 $ gF3 $ gM3
-  $ midiOn "^91" (ply "<2 2 [4 2] 8>")
+  $ midiOn "^90" (ply "<2 2 [4 2] 8>")
  $ "law_adri" 
  # n "<4!4 5!4 5!4 8 8 5 89 10 9*2 9*2 11 12 13 14>" 
  # room 0.3

--- a/live/collab/raph/hard_monday.tidal
+++ b/live/collab/raph/hard_monday.tidal
@@ -43,7 +43,7 @@ d5 $ gF3
  -- $ slow 2
  $ note "c [c d ef] c [c d ef] c [c d ef] c [c <ef f g gs> <f g gs as>]"
  # "harpsichord1"
-  # crushbus 61 (range 16 3.93 "^34")
+  # crushbus 61 (range 16 3.93 "^33")
  # cut 6
 # pan 0.3
  # legato 0.5
@@ -57,10 +57,10 @@ d6 $ gF2
  -- 13   │     rq = 0.5, rate = 1, minfreq = 100, maxfreq = 16000,
  -- 14   │     drylevel = 1.5, fmdepth = 1.5, fmfreq = 432;
  $ slow 2
-  $ midiOn "^91" (arp "up")
+  $ midiOn "^90" (arp "up")
  $ note ("<[c4 <f4 gs4> <gs4 <c5 b4>>@6]>")
  # "phazer"
-  # crushbus 61 (range 16 3.93 "^35")
+  # crushbus 61 (range 16 3.93 "^34")
  -- # cut 7
  # pan 0.3
  # legato 0.5
@@ -93,7 +93,7 @@ d5 $ gM3 $ gF3
  # room 0.8 # dry 1
  # sz 0.64
  # midiG' "^82" 0 1
-  # crushbus 61 (range 16 3.93 "^34")
+  # crushbus 61 (range 16 3.93 "^33")
  # legato 2
  # cut 6


--- a/live/collab/raph/jeudrill.tidal
+++ b/live/collab/raph/jeudrill.tidal
@@ -102,15 +102,15 @@ d9 $ gF3 $ gM3 -- Menace
 # cut 9
 d6 $ gM3 $ gF2
  -- $ ply 2
-  $ midiOn "^91" (# speed "-0.25")
-  $ midiOn "^59" (struct "t*<8!3 [8 4]>")
-  $ someCyclesBy "^35" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>")
+  $ midiOn "^90" (# speed "-0.25")
+  $ midiOn "^58" (struct "t*<8!3 [8 4]>")
+  $ someCyclesBy "^34" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>")
  $ chop 16
  $ loopAt 4 $ "meth_bass:18" # cut 7 # gain 0.6
  -- # octersubsubbus 73 (range 0 8 "^19")
  -- # octersubbus 72 (range 0 4 "^35")
  -- # octerbus 71 (range 0 1.7 "^55")
-  # crushbus 71 (range 16 1.7 "^55")
+  # crushbus 71 (range 16 1.7 "^54")
  # panbus 72 (range 0.2 0.8 (fast "<2!4 4!4>" sine))
  # gain 1.3
 d8 $ gF1 $ gM2

--- a/live/collab/raph/long_way.tidal
+++ b/live/collab/raph/long_way.tidal
@@ -22,8 +22,8 @@ d4 $ gF2 $ gM3
  # crushbus 41 (range 16 2.5 "^32")
  # octerbus 42 (range 0 1.2 "^52")
 d6 $ gF3 $ gM3 
-  $ midiOn "^91" (slow 1 . slow 2 . slice 8 "0 1 2 3*<1 <2 4>> 4*2 5*2 [6 7]*<1 <2 4>> 7*4")
-  $ midiOn "^59" (slice 8 "0 1 2 3")
+  $ midiOn "^90" (slow 1 . slow 2 . slice 8 "0 1 2 3*<1 <2 4>> 4*2 5*2 [6 7]*<1 <2 4>> 7*4")
+  $ midiOn "^58" (slice 8 "0 1 2 3")
  $ "praise:1/2" 
  # cut 7
  # gain 1.4

--- a/live/collab/raph/mafia_sans_serif.tidal
+++ b/live/collab/raph/mafia_sans_serif.tidal
@@ -68,7 +68,7 @@ d6 $ gF3 $ gM3 -- "FIXME ACID WEIRD NOT GOOD" — found it, 2026-08-02. THREE co
               -- after hearing the same shape in take_5_drops' d7. Now d7 owns
               -- cut 7 and slots 71/72. TODO @PLN verify — the acid should stop
               -- stuttering against the bass.
-  $ midiOn "^91" (ply 4)
+  $ midiOn "^90" (ply 4)
  $ fast 2
  $ note (
    "<e3!4 b2!4>"
@@ -76,8 +76,8 @@ d6 $ gF3 $ gM3 -- "FIXME ACID WEIRD NOT GOOD" — found it, 2026-08-02. THREE co
    )
  # "acidOto3091"
  # cut 7
-  # crushbus 71 (range 16 2.5 "^35")
-  # octerbus 72 (range 0 2.5 "^55")
+  # crushbus 71 (range 16 2.5 "^34")
+  # octerbus 72 (range 0 2.5 "^54")
  # gain 1.5
  -- FIXME(#54) d7 3rd+ effect: the grid gives d7 B7 + C7. Fold ^19 in via gSel rather than borrowing a column.
  -- FIXME(#54) d7 drives more controls than the grid gives it (B7 + C7). ^19 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d7's own control.

--- a/live/collab/raph/piment_bresilien.tidal
+++ b/live/collab/raph/piment_bresilien.tidal
@@ -58,16 +58,16 @@ d6 $ gF3 $ gM3
 -- lands the same 16 cycles on 0 +12 0 -12: up, then down, then down. Written as
 -- an OFFSET rather than a second progression so the two can never drift apart
 -- if you edit the notes. TODO @PLN verify.
- $ midiOn "^59" (|+ note "<0!4 0!4 -24!4 -48!4>")
- $ midiOn "^91" (ply 2)
+ $ midiOn "^58" (|+ note "<0!4 0!4 -24!4 -48!4>")
+ $ midiOn "^90" (ply 2)
 $ note ("[f3 cs3 c3 cs3 f3 cs3 <c3 f3> <cs3 fs3>]"
 -- + "[0,12]" 
 +"<0!4 12!4 24!4 36!4>"
 )
 # "FMRhodes2"
 # gain 1.8
- # modIndex (range 0 16 "^35")
- # octersubbus 71 (range 0 2 "^55")
+ # modIndex (range 0 16 "^34")
+ # octersubbus 71 (range 0 2 "^54")
 -- # cut 9
 d9 $ gF3 $ gM3 -- Menace
 $ note "<bf3 ~ ~ <~ <[~!7 b3] [f4 cs4 c4 cs4 f4 cs4 c4 cs4]>>>"

--- a/live/collab/raph/ratus.tidal
+++ b/live/collab/raph/ratus.tidal
@@ -49,9 +49,9 @@ d6 $ gM3 $ gF1
  -- $ loopAt 4 
  $ "trance_loops:2" # cut 8
  # speed (range "-8" 8
-   "^35")
+   "^34")
   # gain 1.5
-   # squizbus 71 (range 0 4 "^55")
+   # squizbus 71 (range 0 4 "^54")
   # room 0.4
 d8 $ gF1 $ gM2 
  $ chop 4 $ loopAt 2 

--- a/live/collab/raph/sale_piano.tidal
+++ b/live/collab/raph/sale_piano.tidal
@@ -50,9 +50,9 @@ d12 $ gM3 $ gF3
  -- # tremr "<2 4 4 <8 16>>"
  # gain 1.2
 d6 $ gF1 $ gM3 -- SCRATCH
-  $ midiOn "^91" (ply "2 4 <8 8 4 16>")
-  $ midiOn "^35" (# n 15)
-  $ midiOn "^59" (# n 15)
+  $ midiOn "^90" (ply "2 4 <8 8 4 16>")
+  $ midiOn "^34" (# n 15)
+  $ midiOn "^58" (# n 15)
  $ chop 16
  $ loopAt 4
  $ "scratch_long:12"

--- a/live/collab/ryan/day0.tidal
+++ b/live/collab/ryan/day0.tidal
@@ -109,13 +109,13 @@ d10 $ gF2 $ gM3 -- Menace
 # cut 9
 d6 $ gM3 $ gF2
  -- $ ply 2
-  $ midiOn "^91" (# speed "-0.25")
-  $ midiOn "^59" (struct "t*<8!3 [8 4]>")
-  $ someCyclesBy "^35" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>")
+  $ midiOn "^90" (# speed "-0.25")
+  $ midiOn "^58" (struct "t*<8!3 [8 4]>")
+  $ someCyclesBy "^34" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>")
  $ chop 16
  $ loopAt 4 $ "meth_bass:18" # cut 7 # gain 0.6
  -- # octersubsubbus 73 (range 0 8 "^19")
  -- # octersubbus 72 (range 0 4 "^35")
  -- # octerbus 71 (range 0 1.7 "^55")
-  # crushbus 71 (range 16 1.7 "^55")
+  # crushbus 71 (range 16 1.7 "^54")
  # panbus 72 (range 0.2 0.8 (fast "<2!4 4!4>" sine))
--- a/live/collab/val/2026_jam.tidal
+++ b/live/collab/val/2026_jam.tidal
@@ -47,7 +47,7 @@ d8 $ gF1 $ gM2 -- BROKEN BEAT | BREAKS STACK
  # gain 1.45
  # lpf 4000
 d5 $ gF1 $ gM3
-  $ midiOff "^59" (mask "t(4,8,1)" . chop 4)
+  $ midiOff "^57" (mask "t(4,8,1)" . chop 4)
  -- $ jux (rev . (# cut 71))
  -- $ slice 16 (run 8) 
  $ loopAt 2

--- a/live/collab/val/soir_noir.tidal
+++ b/live/collab/val/soir_noir.tidal
@@ -38,7 +38,7 @@ d4 $ gF2 $ gM3 -- BASSE SIMPLE
  -- # crushbus 42 (range 16 2 "^33")
  # cut 4
 d6 $ gF2
-  $ midiOn "^91" (ply "<1 2> <2!3 4 4!3 8>")
+  $ midiOn "^90" (ply "<1 2> <2!3 4 4!3 8>")
  $ slice 8 ("[0 1 2 3]*2" + "<0!4 3!4>")
  -- $ loopAt 8
  $ n "<3!3 4>"

--- a/live/collab/val/un_an.tidal
+++ b/live/collab/val/un_an.tidal
@@ -70,10 +70,10 @@ d4 $ gF2 $ gMask $ gMute
  # panbus 4 (slow 16 $ range 0.2 0.6 sine)
  # midiG' "^81" 0 1.3
 d5 $ gF3 $ gMute $ gMask
-  $ midiOn "^91" (ply "2 <2 4>")
+  $ midiOn "^89" (ply "2 <2 4>")
  $ loopAt 4 $ chop 8
-  $ midiOn "^59" (# n 4)
+  $ midiOn "^57" (# n 4)
  $ "drums_commodore:2" # cut 7
  # midiG' "^83" 0 1.4
-  # crushbus 72 (range 16 1.5 "^35")
+  # crushbus 72 (range 16 1.5 "^33")
  # panbus 7 (slow 16 $ range 0.8 0.2 sine)
--- a/live/hip/darkside/clameur.tidal
+++ b/live/hip/darkside/clameur.tidal
@@ -73,7 +73,7 @@ d5 $ f2 -- VOICES
    . (# pan 0.2)
    . (# hpf 2500)
    . (# room "<0.5 0.8 0.8 <0.8 0.1>>")
-    . (# squizbus 61 (range 0 4 "^34"))
+    . (# squizbus 61 (range 0 4 "^33"))
    . (|* gain 0.9)
    ) "morohai"
  $ fix (
@@ -95,7 +95,7 @@ d6 $ f2 -- LEADS
    . (# room 0.4)
    . (# sz 0.3)
    . (# pan 0.3)
-    . (|* gain (range 0 0.8 "^35"))
+    . (|* gain (range 0 0.8 "^34"))
  ) "pad"
  $ fix (
    (# "superpiano") . gM3
@@ -106,7 +106,7 @@ d6 $ f2 -- LEADS
    . (>| note (scale "aeolian" (
      "<[~ 0] [<0 2> . <2!3 3> <3!3 5>]>"
      ) - 12))
-    . (|* gain "^55")
+    . (|* gain "^54")
    . (# velocity "0.85 0.9!7")
    . (# pan 0.9)
    ) "piano"

--- a/live/midi/nova/FFF/grace.tidal
+++ b/live/midi/nova/FFF/grace.tidal
@@ -72,7 +72,7 @@ d5 -- Chopped choir
  # gM' 0 1.3 "^82"
 d6 -- Claps répartis
  $ g
-  $ novaOn "^59" (fast 2)
+  $ novaOn "^58" (fast 2)
  $ jux (# lpf 2000)
  $ note "~ <-4!3 -8>" # "clap"
  # hpf 2000

--- a/live/midi/nova/ambient/contre_visite.tidal
+++ b/live/midi/nova/ambient/contre_visite.tidal
@@ -58,8 +58,8 @@ d6 $ f3 -- High lead: Winds of truth
  -- # room 0.4 # sz 0.8
  # dry 0.1
  # cut 7
-  # crushbus 62 (range 16 2.25 "^35")
-  # panbus 63 (range 0.05 0.95 "^55")
+  # crushbus 62 (range 16 2.25 "^34")
+  # panbus 63 (range 0.05 0.95 "^54")
 d8 $ f1 $ gM2 -- Breaks divins
  $ midiOn "^92" (off "e" id)
  $ midiOn "^60" (mask "[f t]")

--- a/live/midi/nova/ambient/empreinte_du_numerique.tidal
+++ b/live/midi/nova/ambient/empreinte_du_numerique.tidal
@@ -60,14 +60,14 @@ d8 $ gF1 $ gM2 -- Break bonus banane
  $ "break:3"
  # cut 6
 d6 $ gF3 $ gM3 -- Back solar mandoline
-  $ midiOn "^59" (off "s" (|+ note "<7 9 5 <7 12>>"))
+  $ midiOn "^58" (off "s" (|+ note "<7 9 5 <7 12>>"))
  -- $ midiOn "^91" (off "e" (|+ note 12))
  $ superimpose (|+| note "<[0 12 0]!3 [0 12 0 12]>")
  $ note "<d <d a> <gf> c>"
  # "supermandolin"
  # pan 0.8
-  # room (range 0 0.3 "^35")
-  # crushbus 71 (range 10 3.61 "^35")
+  # room (range 0 0.3 "^34")
+  # crushbus 71 (range 10 3.61 "^34")
  # midiG' "^83" 0 1.5
 d5 $ gF2 $ gM3 -- RHODES FOLIE <33
  $ midiOn "^57" (off "e" id)

--- a/live/midi/nova/ambient/prestance.tidal
+++ b/live/midi/nova/ambient/prestance.tidal
@@ -40,8 +40,8 @@ d5 $ gF3 $ gM3
  $ note praxis
  # "bassWarsaw"
  # modIndex 5
-  # crushbus 61 (range 16 2 "^34")
-  # midiG' "^54" 0 1.4
+  # crushbus 61 (range 16 2 "^33")
+  # midiG' "^53" 0 1.4
  # pan 0.3
 d6 $ gF3 $ gM3
  $ mask "<t(10,16)!8 f(10,16)!8>"

--- a/live/midi/nova/ambient/quand_on_decolle.tidal
+++ b/live/midi/nova/ambient/quand_on_decolle.tidal
@@ -53,9 +53,9 @@ d5 $ gF3 $ gM3
  # room 0.4 # sz 0.8 # dry 1.1
  -- # crushbus 51 (range 16 3.5 "^54")
 d6 $ gF3 $ gM3 
-  $ midiOn "^91" (ply "<2 4 <8 [16 8]>>")
+  $ midiOn "^90" (ply "<2 4 <8 [16 8]>>")
  -- $ slow 4 
-  $ midiOn "^59" (slow 4)
+  $ midiOn "^58" (slow 4)
  -- $ slice 16 (run 6) 
  $ slice 16 (8 + (slow 2 $ "<0 4 8 12>"))
  $ "airports" # cut 5 # speed 0.5

--- a/live/midi/nova/ambient/raise.tidal
+++ b/live/midi/nova/ambient/raise.tidal
@@ -112,9 +112,9 @@ d5 $ gF3 $ gM3
  # room 0.4 # sz 0.8 # dry 1.1
  -- # crushbus 51 (range 16 3.5 "^54")
 d6 $ gF3 $ gM3 
-  $ midiOn "^91" (ply "<2 4 <8 [16 8]>>")
+  $ midiOn "^90" (ply "<2 4 <8 [16 8]>>")
  $ slow 4 
-  $ midiOn "^35" (slow 4)
+  $ midiOn "^34" (slow 4)
  $ slice 16 (run 6) 
  $ chop 16 
  $ "airports" # cut 5 # speed 0.5
@@ -122,7 +122,7 @@ d6 $ gF3 $ gM3
  # room 0.4
  # att 0.02
  # rel 2
-  # freezebus 71 "^35"
+  # freezebus 71 "^34"
  # pan 0.8
 d8 $ gF1 $ gM2 -- BROKEN BEAT | BREAKS STACK 
  $ loopAt 2 $ chop 16

--- a/live/midi/nova/boombap/al_salar.tidal
+++ b/live/midi/nova/boombap/al_salar.tidal
@@ -49,11 +49,11 @@ d8 $ gF1 $ gM2
 # gain 1.4
 d5 $ gF3 $ gM3 $ loopAt 4 $ "meth_bass:4" # gain 1.3
 d6 $ gF3 -- Choeurs des temps passés
-  $ midiOn "^91" ((# pan "[0.4 0.6]*8")
+  $ midiOn "^90" ((# pan "[0.4 0.6]*8")
  . chop "<16!3 32>" . (# rel 0.85)
  ) -- Pan the chops!
-  $ midiOn "^59" (ply "4 <4!3 <8 16>>")
-  $ midiOn "^35" (# freeze "<0.1 0.2 0.4 0.8>")
+  $ midiOn "^58" (ply "4 <4!3 <8 16>>")
+  $ midiOn "^34" (# freeze "<0.1 0.2 0.4 0.8>")
  -- $ ((# distortbus 71 (range 0 2 "^55"))
    -- . (# octerbus  72 (range 0 1.5 "^55"))
    -- . (# cut 71)
@@ -64,7 +64,7 @@ d6 $ gF3 -- Choeurs des temps passés
  # cut 7
  # room 0.3
  # dry 0.92
-  # tremrbus 72 (range 0 20 "^55")
+  # tremrbus 72 (range 0 20 "^54")
  # tremdp 2
  # hpf 2000
  # gain 2

--- a/live/midi/nova/boombap/creme.tidal
+++ b/live/midi/nova/boombap/creme.tidal
@@ -44,14 +44,14 @@ d5 $ gF3 $ gM3
  # octersubbus 52 (range 0 16 "^33")
  # crushbus 51 (range 16 2 "^33")
 d6 $ gF3 $ gM3
-  $ midiOn "^59"  (struct "t*[8 . <8!3 16>]")
-  $ midiOff "^59" (struct "<[t(3,8)]!3 [t(3,8) . t(3,8)]>")
+  $ midiOn "^58"  (struct "t*[8 . <8!3 16>]")
+  $ midiOff "^58" (struct "<[t(3,8)]!3 [t(3,8) . t(3,8)]>")
  $ note (
    "<[f4@3 g4 . gs4 as4 c5@2] [f5@3 f5 . ef5 df5 c5] [bf4@3 bf4 gs4 g4 f4] f4>"
    +"[0,12]" )
  # "pluck"
-  # delaybus 71 "^35" 
-  # delaytbus 72 (range "s" ("h"+"q") "^55")
+  # delaybus 71 "^34" 
+  # delaytbus 72 (range "s" ("h"+"q") "^54")
  -- FIXME(#54) d7 drives more controls than the grid gives it (B7 + C7). ^19 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d7's own control.
  -- # delayfbbus 73 "^19"
  # room 0.3 # pan 0.66

--- a/live/midi/nova/boombap/el_mundo.tidal
+++ b/live/midi/nova/boombap/el_mundo.tidal
@@ -66,15 +66,15 @@ d9
  # legato 2
 d6 $ gF3 $ gM3
  $ whenmod 4 3 (juxBy 0.2 (("e" ~>) . (# cut 71) . (|* gain 0.6)))
-  $ midiOn "^91" (ply "1 <2 4>")
-  $ midiOff "^91" (mask "<t f>")
+  $ midiOn "^90" (ply "1 <2 4>")
+  $ midiOff "^90" (mask "<t f>")
  $ chop 4
  $ "leon" # n "<0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 16 17 18!4>"
  # cut 7
  # gain 1.7
  # roombus 71 (range 0.0 0.8 saw)
  # panbus 72 (slow 4 $ range 0.2 0.8 (sine + (slow 4 $ sine)))
-  # tremrbus 51 (range 0 8 "^35")
+  # tremrbus 51 (range 0 8 "^34")
  # tremdp 0.8
  -- # tremoloratebus 71 (range 0 2 "^55")
 d8 $ gF1 $ gM2

--- a/live/midi/nova/boombap/trop_plein.tidal
+++ b/live/midi/nova/boombap/trop_plein.tidal
@@ -20,13 +20,13 @@ d4 $ gF2 $ gM3  $ midiOn "^76" (ply 8)
  # crushbus 41 (range 16 2.5 "^32")
  # octersubbus 42 (range 0 2.5 "^52")
 d6 $ gM3 $ gF3 
-  $ midiOn "^91" (ply 4)
-  $ midiOn "^35" ((# n "<1 ~>") . (# end "<0.4!3 <0.8 1>>")) -- PUTAINN!!
-  $ midiOn ("^59" - "^35") ((>| n "<2 ~>") -- THE JUICE
+  $ midiOn "^90" (ply 4)
+  $ midiOn "^34" ((# n "<1 ~>") . (# end "<0.4!3 <0.8 1>>")) -- PUTAINN!!
+  $ midiOn ("^58" - "^34") ((>| n "<2 ~>") -- THE JUICE
  . (# end (slow 2"<0.45 <0.8 1>>"))
  . (# begin (slow 2 "<0 <0.45 0.8>>"))
  )
-  $ midiOff ("^59"+"^35") (-- THE MOMENT
+  $ midiOff ("^58"+"^34") (-- THE MOMENT
    # n "<0!3 1 0 0 1 ~>")
  $ "alexis" 
  # cut 7

--- a/live/midi/nova/breaks/break_dynasty.tidal
+++ b/live/midi/nova/breaks/break_dynasty.tidal
@@ -61,13 +61,13 @@ d4 $ gF3
  # pan 0.8
  # midiG' "^82" 0 1.3
 d6 $ gF3
-  $ midiOn "^59" (off "h" (# cut 71))
+  $ midiOn "^58" (off "h" (# cut 71))
  $ slow 2 $ slice 16 "~ <0 1 1 0 0 2 0 2 2 1 2 3 2 3 4 5>"
  $ "shiloh:2"
  # pan 0.2
  # cut 7
-  # midiG' ("^83" * (1 - 0.5 * "^35")) 0 1.5
-  # delaybus 61 (range 0 1 "^55")
+  # midiG' ("^83" * (1 - 0.5 * "^34")) 0 1.5
+  # delaybus 61 (range 0 1 "^54")
  # delayfb 0.5
  # delaytime 0.375
  # room 0.4 # sz 0.59

--- a/live/midi/nova/breaks/its_about_time.tidal
+++ b/live/midi/nova/breaks/its_about_time.tidal
@@ -92,13 +92,13 @@ d5 $ gM3 $ gF3 -- Ghosts from an easier time
  # crushbus 51 (range 16 2.5 "^33")
  -- # midiG' "^82" 0 1.1
 d6 $ gF3 $ gM3 -- Jump aboard the BASIC BUS
-  $ midiOn "^59" ( struct "t . t(<1 2 1 <1 [4 8]>>,8,1)")
-  $ midiOff "^91" (loopAt 16)
-  $ midiOn "^91" (loopAt 8)
+  $ midiOn "^58" ( struct "t . t(<1 2 1 <1 [4 8]>>,8,1)")
+  $ midiOff "^90" (loopAt 16)
+  $ midiOn "^90" (loopAt 8)
  $ chop 8
  $ "synth_commodore" # n " 0"
-  # crushbus 61 (range 20 2.25 "^35")
-  # squizbus 62 (range 0 1.5  "^55")
+  # crushbus 61 (range 20 2.25 "^34")
+  # squizbus 62 (range 0 1.5  "^54")
  -- FIXME(#54) d7 drives more controls than the grid gives it (B7 + C7). ^19 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d7's own control.
  -- # roombus  63 (range 0 0.5  "^19")
  # gain 1.4
@@ -133,12 +133,15 @@ d10 -- Ready playerm two
 d6 $ gM -- Break from the past
  -- FIXME(#54) d7 drives more controls than the grid gives it (B7 + C7). ^56 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^56 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
  -- FIXME(#54) d7 drives more controls than the grid gives it (B7 + C7). ^56 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^56 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
+  -- FIXME(#54) d6 drives more controls than the grid gives it (B6 + C6). ^56 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^56 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
  $ (# speed (range (-0.25) 2.25 "^56"))
  -- FIXME(#94) d7 drives more controls than the grid gives it (BT7 + BL7). ^60 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^60 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
  -- FIXME(#94) d7 drives more controls than the grid gives it (BT7 + BL7). ^60 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^60 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
+  -- FIXME(#94) d6 drives more controls than the grid gives it (BT6 + BL6). ^60 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^60 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
  $ midiOn "^60" (often (ply 2))
  -- FIXME(#94) d7 drives more controls than the grid gives it (BT7 + BL7). ^92 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^92 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
  -- FIXME(#94) d7 drives more controls than the grid gives it (BT7 + BL7). ^92 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^92 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
+  -- FIXME(#94) d6 drives more controls than the grid gives it (BT6 + BL6). ^92 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^92 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d6's own control with gSel.
  $ midiOn "^92" (slice 8 "0 ~ ~ 3 . 4 <~ 5> 6 <~ 7*<1 2>>" . loopAt 2)
  $ chop 16
  $ loopAt 4

--- a/live/midi/nova/breaks/la_canopee.tidal
+++ b/live/midi/nova/breaks/la_canopee.tidal
@@ -51,7 +51,7 @@ d4 $ gF2 $ gM -- GENIE OF INFRABASS
  # octersubsubbus 42 (range 0 0.6 "^32")
  # midiG' "^81" 0 1.2
 d5 $ gF3
-  $ midiOn "^59" (juxBy 0.7 (rev . (# cut 71)))
+  $ midiOn "^57" (juxBy 0.7 (rev . (# cut 71)))
  $ mask "t <f t>" $ chop 16
  $ slice 4 "0 <1!3 2>"
  $ loopAt 2

--- a/live/midi/nova/breaks/lady_perplexity.tidal
+++ b/live/midi/nova/breaks/lady_perplexity.tidal
@@ -77,12 +77,12 @@ d12 $ gF3 $ gM3
  # room 0.4
 d6 $ gF3 $ gM3 -- Lady Perplexity
  -- $ whenmod 8 7 (# silence)
-  $ midiOn "^91" (ply "2 4 <8 8 4 16>")
-  $ midiOn "^59" (chop 4)
-  $ someCyclesBy "^35" (mask "t(3,8) t(<3 <5 8>>,8) t(<3 [<5 3> <3 5>]>,8) t(<3!3 5>,8)")
+  $ midiOn "^90" (ply "2 4 <8 8 4 16>")
+  $ midiOn "^58" (chop 4)
+  $ someCyclesBy "^34" (mask "t(3,8) t(<3 <5 8>>,8) t(<3 [<5 3> <3 5>]>,8) t(<3!3 5>,8)")
  -- FIXME(#54) d7 drives more controls than the grid gives it (B7 + C7). ^55 now belongs to another orbit, so this step STILL FIRES ACROSS COLUMNS — turning ^55 for its new owner also moves this. NOT commented out: this is a `$`-step and something above it is a partial application waiting for it, so removing it would stop the whole block compiling. Fold it onto d7's own control with gSel.
-  $ sometimesBy "^55" (juxBy 0.25 (loopAt 0.5 . (# cut 71) . (|* gain (slow 8 $ range 0.7 1 saw))))
-  $ sometimesBy "^55" (rev)
+  $ sometimesBy "^54" (juxBy 0.25 (loopAt 0.5 . (# cut 71) . (|* gain (slow 8 $ range 0.7 1 saw))))
+  $ sometimesBy "^54" (rev)
  -- $ midiOff "^59" (chop 4)
  $ chop 16 
  $ loopAt 8

--- a/live/midi/nova/breaks/madeleine_de_paris.tidal
+++ b/live/midi/nova/breaks/madeleine_de_paris.tidal
@@ -88,5 +88,5 @@ d6 $ gF3 $ gM3 -- TEMPTATION VOICES
  # end "<0.8!8 1!8>"
  # "temptation" 
  # cut 9
-  # roombus  91 "^35"
-  # delaybus 92 (range 0 1.5 "^55") # delayt 0.5 # delayfb ("^75" * 0.7)
+  # roombus  91 "^34"
+  # delaybus 92 (range 0 1.5 "^54") # delayt 0.5 # delayfb ("^75" * 0.7)
--- a/live/midi/nova/breaks/monday_fairy.tidal
+++ b/live/midi/nova/breaks/monday_fairy.tidal
@@ -63,7 +63,7 @@ d5 $ gF3 -- The starry night
  # sz 0.8
  # pan 0.7
 d6 $ gM $ gF1
-  $ midiOn "^59" (mask (cat [maskDrumI,maskDrumI,maskDrumI,maskDrum]))
+  $ midiOn "^58" (mask (cat [maskDrumI,maskDrumI,maskDrumI,maskDrum]))
  $ slice 4 "0 <1!8 0 0 0 1 0 1 0 1*2> 2 <3*<1 2 4 8> 3*<2 4 8 16> 3 [~ 3*<1 2>]>"
  $ "break:1"
  # cut 1

--- a/live/midi/nova/breaks/the_secret.tidal
+++ b/live/midi/nova/breaks/the_secret.tidal
@@ -25,8 +25,8 @@ d3 $ gF1 $ gM2
  # gain 1.8
  # legato (range 0.05 0.9 "^31")
 d6 $ gF1 $ gM3 -- Breaks Demoniaques
-  $ midiOn "^91" (ply "2 <2!2 <3 4> <4 8>>")
-  $ midiOn "^35" (slice 4 "<[0 1 2 3]!6 3*8 3*[16 . 32 8 8 4]>" 
+  $ midiOn "^90" (ply "2 <2!2 <3 4> <4 8>>")
+  $ midiOn "^34" (slice 4 "<[0 1 2 3]!6 3*8 3*[16 . 32 8 8 4]>" 
  . (loopAt 1) 
  . (# "jungle_breaks:19") 
  . (|* gain 1.3)) -- Pure COMEON!

--- a/live/midi/nova/dnb/la_bonne_pression.tidal
+++ b/live/midi/nova/dnb/la_bonne_pression.tidal
@@ -46,8 +46,8 @@ d5 $ gF3 $ gM3 -- Blue Birdies as lead <3
  # cut 5
 d6 $ gM3 $ gF3 -- Blue Birdies as lead <3
 -- Sequence: A!4 C!3 A A!6 CS ~
- $ midiOn "^91" (ply "<1!3 2 2!3 4>")
- $ midiOn "^59" (ply "<1!3 2 2!3 4>")
+ $ midiOn "^90" (ply "<1!3 2 2!3 4>")
+ $ midiOn "^58" (ply "<1!3 2 2!3 4>")
 $ n "<~ <0!4 3!3 0 0!6 4 ~>>"
 -- $ n "0"
 # "blues_guitar_riff_120"

--- a/live/midi/nova/dnb/la_foule.tidal
+++ b/live/midi/nova/dnb/la_foule.tidal
@@ -51,8 +51,8 @@ d5 $ gF3 $ gM3
  # pan 0.42
 d9 $ gF2 $ gM3 $ note "<e4 a4 g4 b4>/4" # "moog" # cut 9
 d6 $ gF3 $ gM3
-  $ midiOn "^91" (ply "<2 [4 8]>" . chop 4)
-  $ midiOn "^59" (("<0.2 0>" <~) . (# n "<<8 9> ~!3>"))
+  $ midiOn "^90" (ply "<2 [4 8]>" . chop 4)
+  $ midiOn "^58" (("<0.2 0>" <~) . (# n "<<8 9> ~!3>"))
  $ n "<0 1 2 3 4 5 6 7>/2"
  # "foule_vox"
  # cut 71

--- a/live/midi/nova/dnb/lime_tacos.tidal
+++ b/live/midi/nova/dnb/lime_tacos.tidal
@@ -73,19 +73,19 @@ d5 $ gF3 $ gM3
    # legato 0.25
    # rq 0.3 -- TODO EXPLORE <3
 d6 $ gF3 $ gM3 
-  $ midiOn "^35" ( -- A-a-a-a-ACID!
+  $ midiOn "^34" ( -- A-a-a-a-ACID!
    chop 8 . (# n 7)
  )
-  $ midiOn "^91" ( -- DANSE COMME UN CHEVAL
+  $ midiOn "^90" ( -- DANSE COMME UN CHEVAL
    fast 2 . slice 4 "<[0 1 2 3] [0 1 2 3]  <[0 1 2 3] [0 2 3 0]> [0*4]>" . 
    (# n 5)
    )
-  $ midiOff "^91" (
+  $ midiOff "^90" (
    superimpose (mask "<f!3 t>" . (# "molotov:3"))
  )
  $ "molotov:4/4" 
  # cut 7
-  # crushbus 71 (range 16 3.5 "^55")
+  # crushbus 71 (range 16 3.5 "^54")
  # gain 1.4# room 0.4 # sz 0.8
 d8 $ gF1 $ gM2 
  $ midiOn "^60" (mask "t(4,8,1)" . chop 4)

--- a/live/midi/nova/dnb/noname.tidal
+++ b/live/midi/nova/dnb/noname.tidal
@@ -67,9 +67,9 @@ d4 -- Resolute Bass
 d5 -- Opiniatre guitare
  $ g
  -- $ someCyclesBy "<t!16 f!16>" (segment "<8 <4 2>>")
-  $ midiOn "^90" (slice 2 (run "<4 <2 8>>"))
+  $ midiOn "^89" (slice 2 (run "<4 <2 8>>"))
  $ "fguitar:40/2"
-  # crushbus 51 (range 10 3.5 "^34")
+  # crushbus 51 (range 10 3.5 "^33")
  # midiG' "^82" 0 1.2
  # cut 6
 d6

--- a/live/midi/nova/dnb/plosive.tidal
+++ b/live/midi/nova/dnb/plosive.tidal
@@ -60,9 +60,9 @@ d5 $ gF3 $ gM3-- RIFFs <3
  # n "<0!12 <32 33 34 35>!4>" 
  # cut 5 -- RIFF
 d6 $ gF3 $ gM3  -- VOICES 
-  $ midiOn "^91" (ply "2 <4 4 4 8>")
-  $ midiOn "^59" (# n "<24!2 25 <26 27>>") -- Real Dogs
-  $ (midiOff "^59" (superimpose (chop 16) 
+  $ midiOn "^90" (ply "2 <4 4 4 8>")
+  $ midiOn "^58" (# n "<24!2 25 <26 27>>") -- Real Dogs
+  $ (midiOff "^58" (superimpose (chop 16) 
    . (# cut 61) 
    . (# pan "[0.2 0.8]*2")) )
  $ "xplosive" 

--- a/live/midi/nova/dnb/something_about_drums.tidal
+++ b/live/midi/nova/dnb/something_about_drums.tidal
@@ -41,8 +41,8 @@ d4 $ gF2 $ gM3
  -- # legato 0.5
  # gain 1.3
 d6 $ gF2 $ gM3
-  $ midiOn "^59" (struct "t(4,8,1)")
-  $ midiOn "^91" (ply 2)
+  $ midiOn "^58" (struct "t(4,8,1)")
+  $ midiOn "^90" (ply 2)
  $ slow 2
  $ note (
    struct "t(3,8) [t(<3!3 5>,8)|t|t*2]" $

--- a/live/midi/nova/dnb/venons_ensemble.tidal
+++ b/live/midi/nova/dnb/venons_ensemble.tidal
@@ -81,14 +81,14 @@ d11 $ gM3 $ gF3 -- Sky's companion
  # cut 11
  # pan 0.9
 d6 $ gF3 -- together yeah!
-  $ midiOn "^59" (>| n "~ ~ ~ 11") -- Shew
-  $ someCyclesBy ("^35" - "^59") (>| n "<0 1 2 3 4 5 6 7>/2") -- Buildup
-  $ midiOn  ("^91" - "^59") (>| n "<[~ ~ ~ <8 8 9 10>]>") -- Reponse: COME <3
-  $ midiOff ("^91" + "^59" + "^35") -- Default: YEAH
+  $ midiOn "^58" (>| n "~ ~ ~ 11") -- Shew
+  $ someCyclesBy ("^34" - "^58") (>| n "<0 1 2 3 4 5 6 7>/2") -- Buildup
+  $ midiOn  ("^90" - "^58") (>| n "<[~ ~ ~ <8 8 9 10>]>") -- Reponse: COME <3
+  $ midiOff ("^90" + "^58" + "^34") -- Default: YEAH
    (>| n "~ ~ ~ <~!3 <13 <14 17> <15 18> <16 19>>>")
  $ "come_voice"
-  # crushbus 71 (range 16 "<5 10>" "^55")
-  # hpfbus   72 (range 0 3500 "^55")
+  # crushbus 71 (range 16 "<5 10>" "^54")
+  # hpfbus   72 (range 0 3500 "^54")
  # cut 7
  # gain 1.4
 d8 $ gM2 $ gF1 -- Angel Breaks

--- a/live/midi/nova/dnb/wap.tidal
+++ b/live/midi/nova/dnb/wap.tidal
@@ -40,12 +40,12 @@ d4 $ gF2 $ gM3 -- FIXME BASS  :: too wobbly (octer/room) overall? and not fan of
  # octersubsubbus 42 (range 0 1.4 "^32") 
  # octerbus 41 (range 0 1.4 "^32")
 d5 $ gF3 $ gM3 -- WAP HOES v1 science of repeat
-  $ midiOn "^89" ((slice 4 "0*4")) 
+  $ midiOn "^57" ((slice 4 "0*4")) 
  $ midiOn "^33" (# 7) -- FORCE INTRO 
-  $ midiOff ("^33" + "^89") (slow 4) -- 4 bars
+  $ midiOff ("^33" + "^57") (slow 4) -- 4 bars
  $ stut 4 1 1 -- Four repeats each
  $ slow 4 -- times Four bits
-  $ midiOn "^57" (stut "4" 0.9 (fast 4 "e")) 
+  $ midiOn "^89" (stut "4" 0.9 (fast 4 "e")) 
  -- $ (0.125 ~>)
  $ "wap:0" # n ("<8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31>") -- Rotation complete
  # cut 5

--- a/live/midi/nova/fusion/deck_the_dancehall.tidal
+++ b/live/midi/nova/fusion/deck_the_dancehall.tidal
@@ -64,7 +64,7 @@ d6 $ gM3 $ gF3 -- CHOIR
  # rel 4
  # att 0.01
  # gain (slow 32 $ range 0.5 0.8 saw)
-  # crushbus 71 (range 14 2.4 "^35")
+  # crushbus 71 (range 14 2.4 "^34")
  # pan 0.38
  # room 0.4
  # dry 1

--- a/live/midi/nova/grime/bogdan_arrive.tidal
+++ b/live/midi/nova/grime/bogdan_arrive.tidal
@@ -43,8 +43,8 @@ d6 $ gF2 $ gM3
  $ loopAt 4
  $ "meth_bass:17"
  -- # octer 1
-  # octersubbus 62 (range 0 1.5 "^35")
-  # crushbus    61 (range 10 2.5 "^55")
+  # octersubbus 62 (range 0 1.5 "^34")
+  # crushbus    61 (range 10 2.5 "^54")
  # octersub 0
  # octersubsub 0
  # gain 0.9

--- a/live/midi/nova/jazz/the_revolution_will_be_sampled.tidal
+++ b/live/midi/nova/jazz/the_revolution_will_be_sampled.tidal
@@ -79,16 +79,16 @@ d5  $ gF3 $ gM3
  # delayfb (slow 16 $ range 0 0.24 perlin)
  # pan 0.8
 d6 $ gF2 $ gM3 -- LEAD: Rhodes arp in D Dorian (i7 → IV7 → bIII → v)
-  $ midiOn "^91" (jux rev)
-  $ midiOff "^59" (degradeBy 0.15)
-  $ sometimesBy "^35" (# squiz "<1 2 3 1>")
+  $ midiOn "^90" (jux rev)
+  $ midiOff "^58" (degradeBy 0.15)
+  $ sometimesBy "^34" (# squiz "<1 2 3 1>")
  $ fast 2
  $ arp "<up updown down converge  up updown thumbup converge>"
  $ note "<d3'min7 g3'7 f3'maj7 a3'min7>"
  # s "FMRhodes1"
-  # cutoff (range 1200 4500 "^55")
+  # cutoff (range 1200 4500 "^54")
  -- FIXME(#54) d7 3rd+ effect: the grid gives d7 B7 + C7. Fold ^55 in via gSel rather than borrowing a column.
-  # resonance (range 0.1 0.3 "^55")
+  # resonance (range 0.1 0.3 "^54")
  # room 0.6 # sz 0.5
  # delay 0.5 # delayt "q" # delayfb 0.35
  # pan 0.3

--- a/live/midi/nova/jungle/chemin_de_traverse.tidal
+++ b/live/midi/nova/jungle/chemin_de_traverse.tidal
@@ -42,11 +42,11 @@ d5 $ gF3 $ gM3 -- BumBum Flute (Run/Wait)
  # cut 5
  # gain 1.4
 d6 $ gF3 $ gM3 -- When the voice says BumBum
-  $ midiOn "^91" ((# begin 0.5) . ply "<4 4 4 8 4 8 16 32>")
-  $ midiOn "^35" (
+  $ midiOn "^90" ((# begin 0.5) . ply "<4 4 4 8 4 8 16 32>")
+  $ midiOn "^34" (
    (slow 2 . (>| n "<17 17 18 18 17 17 18 19>")) -- CALL
    . (# begin 0.08) . (# cut 71))
-  $ midiOn "^55" ((>| "bumbum:25") . (# begin 0.08) . (# cut 71))
+  $ midiOn "^54" ((>| "bumbum:25") . (# begin 0.08) . (# cut 71))
  $ fix ("s" <~) (n 10) -- Calage 
  $ fix (0.5 ~>) (n 11) -- Calage 
  $ fix (0.25 ~>) (n 12) -- Calage 

--- a/live/midi/nova/lofi/lendemain_divin.tidal
+++ b/live/midi/nova/lofi/lendemain_divin.tidal
@@ -74,8 +74,8 @@ d5 $ gF3 $ gM3 -- SIDEKICK LEAD AMI FIABLE DE LA BASSE
 d6 $ gM3 $ gF3
  $ n "<0 0 <6 5> 0 1 1 2 7>"
  # "come_guitar" # cut 6
-  # crushbus 61 (range 16 2.5 "^35")
-  # lpfbus 62 (range 10000 7500 "^35")
+  # crushbus 61 (range 16 2.5 "^34")
+  # lpfbus 62 (range 10000 7500 "^34")
  # room 0.3
 d8 $ gM $ gF3
  $ midiOn "^60" (mask "t(4,8,1)" . chop 8)

--- a/live/midi/nova/lofi/new_dust.tidal
+++ b/live/midi/nova/lofi/new_dust.tidal
@@ -92,7 +92,7 @@ d5 $ g  -- Infectious Bassline
  # midiG' "^82" 0 1.3
  # room 0.2
 d6 -- TOYS TODO Rework classico louche
-  $ degradeBy (0.99 - "^35")
+  $ degradeBy (0.99 - "^34")
  $ somecyclesBy "<0!4 1 1 0 1>" (often (# speed "-1"))
  $ slice 8 (stack [
    "<~!8 4!4 [4 5]!4>", -- Classico

--- a/live/midi/nova/lofi/pour_une_hypothese.tidal
+++ b/live/midi/nova/lofi/pour_une_hypothese.tidal
@@ -55,7 +55,7 @@ d5 $ gM3 $ gF3
  # room 0.3
  # modIndex (range 0 50 "^33")
 d6 $ gF3 -- Anges du Minitel
-  $ midiOn "^91" (chop 8)
+  $ midiOn "^90" (chop 8)
  $ swingBy ("<1!3 2>"/3) 4
  $ stut (slow 16 "<0 1 2 3>") 0.75 "e"
  $ note ((slow 4 prog) + arp "up" "<c'min'3!3 c>@3 ~")
@@ -91,7 +91,7 @@ d6 $ gM3 $ gF3
  $ loopAt 2
  $ "nujazz_keys125" # n "<66!4 67!4>"
  # cut 7
-  # octerbus 71 (range 0 0.5 "^35")
+  # octerbus 71 (range 0 0.5 "^34")
  # pan 0.1
 d12 $ gM3 $ gF3
  $ slice 4 "<<[0 1 2 3] [0 1 0 1 2 3 2 3]> [0 1 2 3]>"

--- a/live/midi/nova/lofi/premier_mai.tidal
+++ b/live/midi/nova/lofi/premier_mai.tidal
@@ -40,14 +40,14 @@ d5 $ gF3
    )
  # "cpluck:2"
  # cut 6
-  # crushbus 61 (range 16 2.8 "^34") -- BURN ME I'M FAMOUS
+  # crushbus 61 (range 16 2.8 "^33") -- BURN ME I'M FAMOUS
  # midiG' "^82" 0 1.2
 d6 $ gF3 -- SHILOOOOOH FIXME: Marche plus avec la nouvelle basse
-  $ midiOff "^59" ((# room 0.2) . (# legato 0.5))
+  $ midiOff "^58" ((# room 0.2) . (# legato 0.5))
  -- $ (# hpfbus  71 (range 200 8800 ("^19")))
  -- $ (# lpfbus  71 (range 8800 200 ("^35")))
-  $ (# lratebus  73 (range 1 10 ("^35")))
-  $ (# lesliebus 72 (range 0 1 ("^55")))
+  $ (# lratebus  73 (range 1 10 ("^34")))
+  $ (# lesliebus 72 (range 0 1 ("^54")))
  $ slice 4 ("<[<0!3 1>]!4 [<2 [2*2]>]!4>")
  $ loopAt 16
  $ "shiloh:4/2"

--- a/live/midi/nova/lofi/savoir_voyager.tidal
+++ b/live/midi/nova/lofi/savoir_voyager.tidal
@@ -38,8 +38,8 @@ d5
  # gain 1.5
  # room 0.4
 d6 $ gM3 $ gF3 
-  $ midiOn "^91" (off 0.25 (id) . ply 4)
-  $ midiOff "^59" (chop 8)
+  $ midiOn "^90" (off 0.25 (id) . ply 4)
+  $ midiOff "^58" (chop 8)
  $ "law_adri" 
  # n "<5 6 5 6 5 6 5 6 7 8 7 8 9 10 9 10>" 
  # cut 7
@@ -91,7 +91,7 @@ d5 $ gF3 $ gM3
  # cut 5
  # pan 0.8
 d6 $ gF3 $ gM3
-  $ midiOn "^91" (ply "<2 2 [4 2] 8>")
+  $ midiOn "^90" (ply "<2 2 [4 2] 8>")
  $ "law_adri" 
  # n "<4!4 5!4 5!4 8 8 5 89 10 9*2 9*2 11 12 13 14>" 
  # room 0.3

--- a/live/midi/nova/lofi/zombie_bed.tidal
+++ b/live/midi/nova/lofi/zombie_bed.tidal
@@ -56,8 +56,8 @@ d5 $ gF3 $ gM3
  # room 0.4
  # gain 1.2
 d6 $ gF3 $ gM3 
-  $ midiOn "^91" (chop 4) 
-  $ midiOn "^59" (ply "2 2 2 4")
+  $ midiOn "^90" (chop 4) 
+  $ midiOn "^58" (ply "2 2 2 4")
  $ "zombie:24" 
  # cut 7
 d8 $ gM $ gF -- Breaks divins

--- a/live/midi/nova/lounge/fabuleux.tidal
+++ b/live/midi/nova/lounge/fabuleux.tidal
@@ -42,15 +42,15 @@ d5 $ gF3 $ gM3
  # "FMRhodes2"
  # modIndex (range 0 16 "^33")
 d6 $ gF3
-  $ midiOff "^59" (>| n "~ <~ <1 2>> ~ ~") -- Intro Fabuleux
-  $ midiOn "^91" (ply 8)
+  $ midiOff "^58" (>| n "~ <~ <1 2>> ~ ~") -- Intro Fabuleux
+  $ midiOn "^90" (ply 8)
  $ someCyclesBy "<0!32 1!32>" (>| n "<7 <8 [8 <12 13>]> 11 <12 13>>") -- Promesse/engagement/pari
  $ someCyclesBy "<0!16 1!16 32!0>" ((>| n "<7*<1 <2 [4 2]>> <~ 8> <~!2 9(<1 <2 3>>,8)!2> <~!3 10>>")) -- Promesse/emouvant/douce
  $ someCyclesBy "<0!8 1!8 0!16 32!0>" ((>| n "<~ 3 ~ ~> <3!3 <4 5>>")) --
  $ someCyclesBy "<1!8 0!8 1!8 0!8 32!0>" (>| n "<0 1 0 <4 6>>") -- Fab/Bonheur/Genial
  $ "aoc_fr"
  # cut 7
-  # octerbus 71 (range 0 0.9 "^35")
+  # octerbus 71 (range 0 0.9 "^34")
  # gain 1.5
  # room 0.4 # sz 0.8 # dry 1
 d8 $ gF1 $ gM2

--- a/live/midi/nova/lounge/invoque_ete.tidal
+++ b/live/midi/nova/lounge/invoque_ete.tidal
@@ -55,12 +55,12 @@ d5 $ gF3 $ gM3 -- Douce guitare juxée
  # cut 3
  # gain 1.5
 d6 $ gF3 $ gM3
-  $ midiOn "^35" (mask "t f" . (chop 4))
-  $ superimpose ((# cut 71) . (# crushbus 71 (range 16 2.5 "^55")))
+  $ midiOn "^34" (mask "t f" . (chop 4))
+  $ superimpose ((# cut 71) . (# crushbus 71 (range 16 2.5 "^54")))
  $ loopAt 4
  $ mask "t(<4 8 12 16>,16)"
-  $ midiOn "^91" (slice 16 (run "<16!8 32!4 [32 <8 [8 32]>]!4>"))
-  $ midiOff "^91" (slice 16 (run 16))
+  $ midiOn "^90" (slice 16 (run "<16!8 32!4 [32 <8 [8 32]>]!4>"))
+  $ midiOff "^90" (slice 16 (run 16))
  $ "fpiano:13"
  # pan 0.45
  # cut 7

--- a/live/midi/nova/lounge/liquid_nite.tidal
+++ b/live/midi/nova/lounge/liquid_nite.tidal
@@ -45,12 +45,12 @@ d5 $ gF3 $ gM3 -- Phone line
 d6 $ gF3 $ gM3 -- Laser!!!
  -- $ midiOn "^90" (ply "4 <8 16>")
  -- $ slow 2 
-  $ midiOn "^91" (ply 2)
+  $ midiOn "^90" (ply 2)
  $ slice 8 "<0 1 2 3 4 5 6 7>" 
  $ "nujazz_keys125:10" 
  # cut 7
  # gain 1.8
-  # crushbus 71 (range 16 2.7 "^35")
+  # crushbus 71 (range 16 2.7 "^34")
  # pan 0.9
  # room 0.3 
 d8 $ gF1 $ gM2

--- a/live/midi/nova/lounge/michael.tidal
+++ b/live/midi/nova/lounge/michael.tidal
@@ -80,15 +80,15 @@ d5 $ g -- Jumpy Piano
  # sz 0.7
  # midiG' "^82" 0 1
 d6 $ g
-  $ midiOn "^91" (ply "<1 1 2 2>")
-  $ midiOn "^59" (ply "<2!3 4>")
+  $ midiOn "^90" (ply "<1 1 2 2>")
+  $ midiOn "^58" (ply "<2!3 4>")
  $ slice 8 (run (
    "<2!3 4>"
    * "<1!4 2!4 [2 1]*4 [2 4]*4>"
    ))
  $ "forgan:17" # cut 7
-  # midiG' "^83" 0 (1.2 - 0.5 * "^35")
-  # crushbus 7  (range 10 1.5 "^35")
+  # midiG' "^83" 0 (1.2 - 0.5 * "^34")
+  # crushbus 7  (range 10 1.5 "^34")
 d8 $ g
  $ midiOn "^60" (iter 4)
  $ midiOn "^92" (ply 2)

--- a/live/midi/nova/lounge/mojo_hats.tidal
+++ b/live/midi/nova/lounge/mojo_hats.tidal
@@ -64,7 +64,7 @@ d5 $ g -- Hello Parov! Piano
  # cut 6
  # midiG' "^81" 0.5 1.5
 d6 $ g -- Hello Parov! Piano2
-  $ midiOn "^59" (|+| n ("0*<1!4 2!3 4 4 4 8 16>"
+  $ midiOn "^58" (|+| n ("0*<1!4 2!3 4 4 4 8 16>"
  ))
  $ "mojo" # n "<6 7>"
  # cut 7

--- a/live/midi/nova/lounge/ouais_je_funk.tidal
+++ b/live/midi/nova/lounge/ouais_je_funk.tidal
@@ -55,8 +55,8 @@ d5 $ gF3 $ gM3
  # crushbus 51 (range 16 3.5 "^53")
  # room 0.3
 d6 $ gF1 $ gM3 $ dMask -- Tracey Trancey's loop art
-  $ midiOff "^59" (mask "t(4,8,1)" . chop 16) -- TECHNO MASK
-  $ midiOn "^35" (# n 2) -- UPDOWN
+  $ midiOff "^58" (mask "t(4,8,1)" . chop 16) -- TECHNO MASK
+  $ midiOn "^34" (# n 2) -- UPDOWN
  $ chop 8 
  $ loopAt 4 
  $ "trance_loops:0"

--- a/live/midi/nova/lounge/soleil_du_soir.tidal
+++ b/live/midi/nova/lounge/soleil_du_soir.tidal
@@ -47,13 +47,13 @@ d4 $ gF2 $ gM3
  # pan 0.6
  -- SOLEIL DU SOIR <3
 d6 $ gF3 $ gM3 
-  $ midiOn "^91" (ply 2 . (# legato 0.25))
-  $ midiOn "^59" ((|+ note 12))
+  $ midiOn "^90" (ply 2 . (# legato 0.25))
+  $ midiOn "^58" ((|+ note 12))
  $ fast 2 
  $ note "e3 b3 <e3 <c4 e4>> <b3!15 ~>" 
  # "FMRhodes1" 
-  # modIndex (range 0 2.4 "^35")
-  # crushbus 71 (range 16 2.4 "^55")
+  # modIndex (range 0 2.4 "^34")
+  # crushbus 71 (range 16 2.4 "^54")
  # gain 1.8
  # room 0.5 # dry 1.3 # sz 0.9
  -- # crushbus 41 (range 16 3.5 "^53")

--- a/live/midi/nova/lounge/suns_of_gold.tidal
+++ b/live/midi/nova/lounge/suns_of_gold.tidal
@@ -92,16 +92,16 @@ d5
  -- # hpfbus 62 (range 0 1500   "^31")
  # gain 0.65
 d6 $ gF3 $ gM3 -- La guitare d'Icare
-  $ midiOn "^91"(ply 2)
-  $ midiOn "^59" (# n 1)
+  $ midiOn "^90"(ply 2)
+  $ midiOn "^58" (# n 1)
  $ fix (|* gain 0.8) (n "1")
  $ loopAt 2
  $ superimpose ((# lpf 2500) . (# cut 71))
  $ chop 8 $ "suns_guitar:0"
  -- # n "<0!4 2!3 3 2!3 3 3!3 <2 3>>"
  # n "<0 0 0 1 0 1 0 1 2 2 2 3 2 3 0 3>"
-  # crushbus 71 (range 16 8.5 "^35")
-  # lpfbus   72 (range 20000 5000 "^35")
+  # crushbus 71 (range 16 8.5 "^34")
+  # lpfbus   72 (range 20000 5000 "^34")
  -- # octerbus 73 (range 0 1 "^35")
  # hpf 1200
  # cut 7

--- a/live/midi/nova/lounge/take_5_drops.tidal
+++ b/live/midi/nova/lounge/take_5_drops.tidal
@@ -70,11 +70,11 @@ d4  -- BASSLINE GENERATIVE
  # gain 1.8
 d6  -- CHOEUR GENERATIF ALONG THE BASS
  $ gF3 $ gM3 
-  $ midiOn "^91" (superimpose (
+  $ midiOn "^90" (superimpose (
    arp "up <up <converge pinkyup>>"
    . (ply 2)
    . (# pan "0.85 0.15")
-    . (|* gain (range 0.2 1.5 "^35"))
+    . (|* gain (range 0.2 1.5 "^34"))
    . (|+ note 12)
    )
    )
@@ -102,7 +102,7 @@ d6  -- CHOEUR GENERATIF ALONG THE BASS
                         -- "its now a set of 4 muffed short notes LOL".
  # cut 7                -- d7 had NO cut group, so held voices piled up on top of
                         -- each other. moogBass also carries its own 7-tap chorus.
-  # crushbus 71 (range 16 3.5 "^55")   -- restored: was `crushbus 41`, i.e. d4's
+  # crushbus 71 (range 16 3.5 "^54")   -- restored: was `crushbus 41`, i.e. d4's
                         -- slot, so the bass and the choir fought over one crush
                         -- instance. That is exactly the case that became PV011.
  # room 0.2 # dry 1.2 # sz 0.7

--- a/live/midi/nova/nujazz/cafe_tiede.tidal
+++ b/live/midi/nova/nujazz/cafe_tiede.tidal
@@ -47,12 +47,12 @@ d5 $ gM3 $ gF3
  # pan 0.6
  # gain 1.4
 d6 $ gM3 $ gF3
-  $ midiOn "^91" (ply "<2 2 <4 8> <8 4>>")
+  $ midiOn "^90" (ply "<2 2 <4 8> <8 4>>")
  $ chop 8
  $ loopAt 2
  $ "nujazz_keys125" # n "<66!4 67!4>"
  # cut 7
-  # octerbus 71 (range 0 0.5 "^35")
+  # octerbus 71 (range 0 0.5 "^34")
  # pan 0.1
  # gain 1.4
 d11 $ gM3 $ gF3

--- a/live/midi/nova/nujazz/dimanche_numb.tidal
+++ b/live/midi/nova/nujazz/dimanche_numb.tidal
@@ -42,9 +42,9 @@ d5 $ gF3 $ gM3
 d6 $ gF3 $ gM3 -- ZOMBIE GUITAR INFECTION
  $ ply 8
  $ chop 4 
-  $ midiOff "^59" (slow 4)
-  $ midiOn "^91" (>| n "<0 1 2 3>")
-  $ midiOff "^91" ((>| n "<5 7 9 10>"))
+  $ midiOff "^58" (slow 4)
+  $ midiOn "^90" (>| n "<0 1 2 3>")
+  $ midiOff "^90" ((>| n "<5 7 9 10>"))
  $ "zombie" 
  # cut 7
  # gain 1.4

--- a/live/midi/nova/party/dark_angel_frappe.tidal
+++ b/live/midi/nova/party/dark_angel_frappe.tidal
@@ -67,11 +67,11 @@ d5 $ g -- Synth voices
  # gM' 0 1 ("^82" - 0.2 * "^33")
  # cut 5
 d6 $ g -- Side guitar
-  $ sometimesBy "^35" (scramble 16)
+  $ sometimesBy "^34" (scramble 16)
  $ mask "<t!6 f!2>"
  $ loopAt 2
  $ "fguitar:61"
  # cut 7
  # pan 0.2
-  # crush (range 16 2 "^55")
+  # crush (range 16 2 "^54")
  # gM' 0 1 "^83"
--- a/live/midi/nova/party/maudits_insectes.tidal
+++ b/live/midi/nova/party/maudits_insectes.tidal
@@ -38,13 +38,13 @@ d4 $ gF2 -- SynBase
  # room 0.3 # dry 0.9
  -- # midiG' "^81" 0 1.2
 d5 $ gF2 -- MOTHERBASS
-  $ midiOn "^34" (mask "<t f!3>" . (# legato 4))
-  $ midiOn "^90" (ply 4)
+  $ midiOn "^33" (mask "<t f!3>" . (# legato 4))
+  $ midiOn "^89" (ply 4)
  $ note "f3"
  # "90s_matrix:4"
  # legato 4
-  # crushbus 61 (range 16 0.54 "^54") -- INTO N0ISE +58 -18
-  # roombus  62 (range 0 0.4 "^54")
+  # crushbus 61 (range 16 0.54 "^53") -- INTO N0ISE +58 -18
+  # roombus  62 (range 0 0.4 "^53")
  # dry 1.1
  # cut 6
  -- # midiG' "^82" 0 1.2

--- a/live/midi/nova/party_hard.tidal
+++ b/live/midi/nova/party_hard.tidal
@@ -92,9 +92,9 @@ d5 -- Choeurs
  # size 0.7
  # dry 1.05
 d6
-  $ sometimesBy "^59" (# lpf 2000)
+  $ sometimesBy "^58" (# lpf 2000)
  $ g
-  $ sometimesBy "^91" (fast 2)
+  $ sometimesBy "^90" (fast 2)
  $ whenmod 4 2 (superimpose ((# "clap") . (# lpf 4500) . (|* gain 0.8)))
  $ fast 2
  $ "~ cp"

--- a/live/midi/nova/techno/belle_pluie.tidal
+++ b/live/midi/nova/techno/belle_pluie.tidal
@@ -49,7 +49,7 @@ d5 $ gF3 $ gM3
  # crushbus 51 (range 16 3.5 "^33")
  # cut 5
 d6 $ gF3 $ gM3 -- La pluie <3
-  $ midiOn "^59" (|+| note "0 12 0 <12!4 [12 0 12]!4 [0 7 12 0]!8>")
+  $ midiOn "^58" (|+| note "0 12 0 <12!4 [12 0 12]!4 [0 7 12 0]!8>")
  $ superimpose (struct "t(<3!3 [3 5]>,8)" . (|+| note (arp "<down!3 up>" "<c'maj'3!3 c'maj'4>")))
  $ note ("<e c b4 <e4 d4>>")
  # "moogBass"

--- a/live/midi/nova/techno/bombe_dj.tidal
+++ b/live/midi/nova/techno/bombe_dj.tidal
@@ -52,22 +52,22 @@ d5 $ gF3 $ gM3 -- GUITARE DU DJ
  # lpf 5000
  # pan (slow 4 $ range 0.8 0.2 sine)
 d6 $ gF3 $ gM3 -- Laisse moi kiffer la vibe.
-  $ midiOn ("^91" - "^59") (ply "<2 <2 4> 2 <4 [4 8] [4 16 4] [16 4]>>")
-  $ midiOn "^35" (-- COPINE
+  $ midiOn ("^90" - "^58") (ply "<2 <2 4> 2 <4 [4 8] [4 16 4] [16 4]>>")
+  $ midiOn "^34" (-- COPINE
    ply 4 .
    (>| n (slow 8 "<2 6 2 2>")) 
    . (# begin "<0!3 0.5>")
  )
-  $ midiOn "^59" (-- KIFFANCE DE VIBZ
-    midiOn "^91" (ply "<1 1 1 2> <2 4>") .
+  $ midiOn "^58" (-- KIFFANCE DE VIBZ
+    midiOn "^90" (ply "<1 1 1 2> <2 4>") .
    ply 4 .
    (>| n (slow 4 $  "<4 5>"))
  )
  $ fix (|* gain 0.8) (n 3)
-  $ midiOn "^35" (slice 4 "0 1 2 3") -- SMALLER SLICES PLZ
-  $ midiOn "^55" ( -- SLICE THAT, DJ 
+  $ midiOn "^34" (slice 4 "0 1 2 3") -- SMALLER SLICES PLZ
+  $ midiOn "^54" ( -- SLICE THAT, DJ 
    slice 4 "<0 1*<1 <2 4>> 2 <3 3*2 3*[4 1] 3>>")
-  $ midiOff "^55" (slice 4 "<0 1 2 3>")
+  $ midiOff "^54" (slice 4 "<0 1 2 3>")
  $ loopAt 4 
  $ n "<0!4 1!4 2!4 3!4 6!4 2!4 7 8 7 8 0 1 2 3>"
  # "diams_dj" 

--- a/live/midi/nova/techno/coconut_coffee.tidal
+++ b/live/midi/nova/techno/coconut_coffee.tidal
@@ -54,7 +54,7 @@ d5 $ gF3 $ gM3
  $ "coffee" 
  # cut 5
 d6 $ gF3 $ gM3 
-  $ midiOn "^91" (ply 8)
+  $ midiOn "^90" (ply 8)
  $ (0.25 ~>)
  $ slow 8 
  $ ply 4 

--- a/live/midi/nova/techno/electric_hammer.tidal
+++ b/live/midi/nova/techno/electric_hammer.tidal
@@ -46,7 +46,7 @@ d5 $ gF3 $ gM3
  # room 0.4 # sz 0.6 # dry 1.1 
  # octersub 1.4
 d6 $ gF3 $ gM3 
-  $ midiOn "^59" (>| n "<~ ~ 8 ~>")
+  $ midiOn "^58" (>| n "<~ ~ 8 ~>")
  $ n "<<3 4 5 <6 7>> ~ <3 ~> ~>" 
  # "superfreak" 
  # cut 7

--- a/live/midi/nova/techno/ere_de_jeu.tidal
+++ b/live/midi/nova/techno/ere_de_jeu.tidal
@@ -98,17 +98,17 @@ d9   -- b ef
  # "moogBass" 
  # legato 2
 d6 $ gF2 $ gM3 
-  $ midiOff "^91"  (chop 8 . (struct "t*8"))
-  $ midiOff "^59" (mask "t(3,8) t(3,8)")
+  $ midiOff "^90"  (chop 8 . (struct "t*8"))
+  $ midiOff "^58" (mask "t(3,8) t(3,8)")
  $ note (
  "<e4 b3 cs4 cs4>" + "0(<3!3 5>,8) [0 <0 <7!3 <5 7>>> 0](5,8)"
  )
  # "giorgio_syn:7"
  -- # lpf 500
  -- # orbit 6
-  # octersubbus 72 (range 0 2 "^35")
-  # squizbus  73  (range 0 8 "^55")
-  # attbus 74  (range 0.05 0.2 "^55")
+  # octersubbus 72 (range 0 2 "^34")
+  # squizbus  73  (range 0 8 "^54")
+  # attbus 74  (range 0.05 0.2 "^54")
  # rel 2
  # gain 1.3
  # room 0.4

--- a/live/midi/nova/techno/ete_a_mauerpark.tidal
+++ b/live/midi/nova/techno/ete_a_mauerpark.tidal
@@ -29,10 +29,10 @@ d2 $ gF $ gMute -- Clap timer
  # lpf 2000
  # gain 1.6
 d6 $ gF3 $ gM3 -- High Cello Dauphin
-  $ midiOn "^91" (ply 2)
-  $ midiOn (1 - "^35") (struct "t . f")
+  $ midiOn "^90" (ply 2)
+  $ midiOn (1 - "^34") (struct "t . f")
  $ struct "t@2 t*<1 2 1 <4 1>> t*<1 2 4 8>"
-  $ midiOn "^59" (|- note 12)
+  $ midiOn "^58" (|- note 12)
  $ note (
    "<[g4 c ef@14] [<c g> ef g@14] <[g4 c ef@14] [c5 bf5 g5@14]> [c ef d@13 ~]>"
    )
@@ -40,7 +40,7 @@ d6 $ gF3 $ gM3 -- High Cello Dauphin
  # cut 7
  # room 0.2
  # pan 0.9
-  # crushbus 71 (range 16 2.5 "^55")
+  # crushbus 71 (range 16 2.5 "^54")
  -- # midiG' "^83" 0 1.2
  # gain 1.2
 d3 $ gF $ gMute
@@ -122,7 +122,7 @@ d9 $ gF3 -- Nano-angels chorus of machines
  # "moogBass"
  # dec 0.2
  # sus 1
-  # att (range 0.001 2 "^16")
+  # att (range 0.001 2 "^20")   -- was ^16 = A4, d12's Ardour-learned LEVEL knob
  # rel (range 0.2  10 "^17")
  # room 0.2
  # lesliebus 102 (range 0 2 "^18")

--- a/live/midi/nova/techno/industry/no_panic.tidal
+++ b/live/midi/nova/techno/industry/no_panic.tidal
@@ -49,10 +49,10 @@ d6 $ gF3 -- Marimba à la mode
  # pan 0.9
  # att 0.5
  # rel 2
-  # position (range 0.96 0.414 "^35") -- 0.414
-  # decaycoeff (range 0 4 "^55")
+  # position (range 0.96 0.414 "^34") -- 0.414
+  # decaycoeff (range 0 4 "^54")
  # midiG' "^82" 0 1.4
-  # amp (range 0 1.3 ("^82" - 0.2 * "^35"))
+  # amp (range 0 1.3 ("^82" - 0.2 * "^34"))
 d8 $ gF1 $ gM -- Break the dance || Dance the break
  $ midiOn "^92" (ply "<2!3 <4 8>>")
  $ whenmod 8 7 (striate "1!3 [4 8]")

--- a/live/mood/tired/afternoon.tidal
+++ b/live/mood/tired/afternoon.tidal
@@ -49,15 +49,15 @@ d2 $ g -- BREAK
  # cut 2
 d6 $ g -- Hello PWM!
  $ (|* gain "<1!15 0.8>")
-  $ midiOn "^91" (chop "<[8 <4 16>]!15 1>")
-  $ midiOn "^59" (superimpose $ segment 16)
+  $ midiOn "^90" (chop "<[8 <4 16>]!15 1>")
+  $ midiOn "^58" (superimpose $ segment 16)
  $ note (mel - 12)
  # "superpwm"
  # semitone "<7!3 5>" -- 2nd Oscillator quinte/quarte
  # accelerate "<0!7 <6 12>>"
  # rate "<1!5 2 4 <1 4>>"
  # resonance (slow 32 $ range 0.2 0.6 sine)
-  # crushbus 71 (range 10 3 "^35")
+  # crushbus 71 (range 10 3 "^34")
  # midiG' "^81" 0 1.42
 d5 $ g -- Nappes Rhodes
  $ note (
@@ -68,8 +68,8 @@ d5 $ g -- Nappes Rhodes
  # "FMRhodes1"
  # pan 0.7
  # room 0.5
-  # modIndex (range 0 100 "^34")
-  # crushbus 61 (range 16 4.85 "^54")
+  # modIndex (range 0 100 "^33")
+  # crushbus 61 (range 16 4.85 "^53")
  # midiG' "^82" 0 1.5
 d9 $ g
  $ midiOff "^60" (mask "<f!8 t!124>")

--- a/live/techno/nightly_repair.tidal
+++ b/live/techno/nightly_repair.tidal
@@ -61,7 +61,7 @@ d5 $ gM3 $ gF3 -- BLUES RUN
  -- # pan (slow 8 $ range 0.5 1 (saw - (slow 2 perlin)))
  # pan (slow 16 $ range 1 0.8 saw)
 d6 $ gM3 $ gF2 -- G0dz1ll4
-  $ midiOn "^59" (off 1 (
+  $ midiOn "^58" (off 1 (
    (|+ pan 0.3)
    . (# cut 91)
    . (|+| note "[0|12]*8")
@@ -71,7 +71,7 @@ d6 $ gM3 $ gF2 -- G0dz1ll4
  $ "90s_matrix:1/4"
  # cut 9
  # gain 0.55
-  # crushbus 9 (range 16 2.5 "^35")
+  # crushbus 9 (range 16 2.5 "^34")
  # roombus 91 (slow 16 $ range 0 0.82 perlin)
  # dry 2
  # sz 0.9