feat(copycat): veridis_quo — la cathédrale de Daft Punk, breaks ParVagues dedans

Reconnu depuis le strudel 'Vardis Quo' de MariaAreadne: Veridis Quo
(Discovery, 2001). Mélodie d'orgue transcrite en cat 16 cycles,
progression Dm-G-Am-F ralentie x2, arpèges FMRhodes, basse Warsaw,
breaks165/jungle_breaks en stack d8. 116 BPM.

copycat/veridis_quo.tidal

+-- veridis_quo.tidal — algoraoke <> Daft Punk "Veridis Quo" (Discovery, 2001)
+-- transcription source: "Vardis Quo" @by MariaAreadne (strudel) — merci <3
+--
+-- La mélodie: orgue baroque en La mineur, 8 phrases + tenues (16 cycles)
+-- Harmonie:   Dm → G → Am → [F Am]  (iv → VII → i → VI/i), très lent ici
+-- Tempo:      116 BPM (l'original ~117) — la cathédrale tient debout,
+--             les breaks ParVagues dansent dedans
+--
+-- d1 kick | d2 clap | d3 hats offbeat | d4 basse 2 couches
+-- d5 L'ORGUE | d7 arpèges lents | d8 breaks | d9 nappe supersaw
+
+do
+-- resetCycles
+setcps (116/60/4)
+d1 $ gF1 $ gM1 -- Kick house filtrée, one more time
+  $ midiOff "^41" (<| "k ~ k ~")
+  $ midiOn  "^41" (<| "k k k <k [k k*2]>")
+  $ "[bskick,jazz]"
+  # gain 1.5
+d2 $ gF1 $ gM2 -- Clap 2 & 4, gants de cuir
+  $ midiOff "^42" (<| "~ s ~ <s [s ~]>")
+  $ midiOn  "^42" (<| "~ s ~ s*<1!3 2>")
+  $ "[snare:24,h2ogmcp]"
+  # gain 1.3
+d3 $ gF1 $ gM2 -- Hats offbeat, très french house
+  $ midiOn "^44" (ply 2)
+  $ "[~ h]*<2!3 4>" # "h2ogmhh:2"
+  # pan "0.35 0.65"
+  # legato (range 0.1 0.9 "^31")
+  # gain 1.5
+d4 $ gF2 $ gM3 -- Basse: le drone qui porte la nef
+  $ midiOn "^89" (ply "1 <1 2>")
+  $ note (struct "t(<3 5>,8) t(<3 [3 5]>,8)" "<d2 g2 a2 [f2 e2]>")
+  # "bassWarsaw"
+  # octersubbus 41 (range 0 2 "^32")
+  # crushbus 42 (range 16 4.5 "^52")
+  # gain 1.3
+d5 $ gF3 $ gM3 -- L'ORGUE — veridis quo, veridis quo <3
+  $ midiOn "^76" (superimpose (("e" ~>) . (|+ note 12) . (|* gain 0.8)))
+  $ midiOn "^18" (mask "t(12,16)") -- respiration
+  $ note (cat [
+      "~ f5 e5 f5 d5@3 f5 c5 f5 b4@6", "b4",
+      "b4 e5 d5 e5 c5@3 e5 b4 e5 a4@6", "a4",
+      "a4 f5 e5 f5 d5@3 f5 c5 f5 b4@6", "b4",
+      "b4 e5 d5 e5 c5 e5 b4 e5 a4@8", "a4",
+      "a4 a5 g5 a5 f5@3 a5 e5 a5 d5@6", "d5",
+      "d5 g5 f5 g5 e5@3 g5 d5 g5 c5@6", "c5",
+      "c5 f5 e5 f5 d5@3 f5 c5 f5 b4@6", "b4",
+      "~ e5 d5 e5 c5 e5 b4 e5 b4 e5 a4@6", "a4"
+    ])
+  -- |+ note 12 -- registre du disque (strudel c5 = tidal c6); à l'oreille
+  # "superhammond" -- fallback si pas chargé: FMRhodes2 / superpiano
+  # legato 1.05
+  # room 0.35 # sz 0.6
+  # delay 0.4 # delayt 0.375 # delayfb 0.3
+  # gain 1.2
+d7 $ gF2 $ gM3 -- Arpèges très lents sur la progression, vitraux
+  $ midiOn "^59" (struct "t(4,8,1)")
+  $ midiOn "^89" (ply 2)
+  $ note (
+      struct "t(3,8) t(<3 5>,8)" $
+      arp "<up updown>" $
+      slow 2 $ cat [
+        "[d4,f4,a4,c5]", -- Dm7
+        "[d4,g4,b4]",    -- G
+        "[c4,e4,a4]",    -- Am
+        "[c4,f4,a4]"     -- F (et Am reste dans l'air)
+      ])
+  # "FMRhodes2"
+  # modIndex (range 0 2 "^54")
+  # room 0.3
+  # delay 0.5 # delayt 0.125 # delayfb 0.4
+  # gain 1.2
+d8 $ gF1 $ gM2 -- Les breaks ParVagues par-dessus la cathédrale
+  $ midiOff "^60" (mask "t(4,8,1)")
+  $ midiOn "^36" (loopAt 4 . (# "jungle_breaks:22"))
+  $ midiOn "^56" (loopAt 4 . (# "jungle_breaks:23"))
+  $ midiOn "^92" ( -- La folie
+      slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>"
+      . loopAt 1 . (# "breaks165")
+      . (# lpf 2500) . (# room 0))
+  $ chop 16
+  $ loopAt 2
+  $ "breaks165"
+  # cut 8
+  # octersub 0.4
+  # gain 1.2
+d9 $ gF3 $ gM3 -- Nappe supersaw, la lumière au fond de la nef
+  $ slow 2
+  $ note (cat [
+      "[d3,f3,a3,c4]",
+      "[d3,g3,b3]",
+      "[c3,e3,a3]",
+      "[c3,f3,a3] [c3,e3,a3]"
+    ])
+  # "supersaw"
+  # lpf (slow 32 $ range 800 2400 sine)
+  # crushbus 51 (range 16 2.7 "^54")
+  # room 0.6 # sz 0.8
+  # gain 0.9
+
+once $ note "a5" # "superpiano" -- around the world, autour du monde